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THE QUIET FIELDS., 'BB'.  Illustrated by D.J. Watkins-Pitchford.
1 'BB'. Illustrated by D.J. Watkins-Pitchford. THE QUIET FIELDS.
Michael Joseph, London, 1981, first edtion. 
206 pp, 8vo (8 3/4" H), hard cover in dust jacket. ISBN 0718120396 Charming b&w illustrations. "There is a growing need for the 'quiet fields' in this noisy, restless world. Mercifully, they can still be found by the country-lover and naturalist . This book tells of a year spent deep in the countryside, beginning when the year is young, when trees and hedges are bare to the winter winds, and on through the spring, summer and autumn, to winter once again. Whatever the season of t h e y e a r t h ere is always something to see in the countryside, even when the 'quiet fields' are sheeted with snow. There are the winter migrants - the wildfowl of the wet places, the delicate fieldfares and redwings - who come to Britain to e sc ap e t he b it t er t emperatures of their native lands. 'BB' also describes the advent of the spring migrants, which bring such intense joy to the naturalist that he even had to surrender his studio to a swallow family, which honoured him wi th a v is it and tw o l us ty bro ods of young. And the arrival of frogs at his Big Pond, the first for years, was a red-letter day in his calendar. There is still magic and a sense of peace in Britain's woods and fields. This book sets out to p rov e it , a nd the illu stra tio ns by D .J. Watkins-Pitchford echo exactly the spirit of the writing...." Minor very soft crease, faint pencil erasure marks and previous owner's embossed blind stamp on free front endpaper; small light crease at b otto m cor ner of half -titl e pag e; v ery mino r edge wear; minor wrinkling at top/bottom of spine. Dust jacket has one small closed tear, one tiny tear, light edge wrinkling - mainly at top/bottom of spine and flap-folds, very light rubbing, mi nor s oiling , sm all area of de lamina tion at b ottom of front panel at flap-fold, a few tiny dints on hinges - mainly rear hinge. Very Good/Very Good 
Price: 100.00 USD
 
 
CRASHCOURSE / CLIPJOINT / PSYKOSIS.  3 VOLUMES., Baird, Wilhelmina.
2 Baird, Wilhelmina. CRASHCOURSE / CLIPJOINT / PSYKOSIS. 3 VOLUMES.
New York Ace First printings. Mass Market Paperbacks Very Good+ Bruce Jensen, cover art. 
3 volumes, 6 3/4" H. 1. Crashcourse - 277 pp, ISBN0441121632 - "Cass, Moke, and Dosh had it all figured out: Sign a movie contract and you had it made, right? - Not if you're starring in the new cyber-cinema and the audience plugs into your emotions. Not if you can't gell the difference between real life and 'reel' life. And especially not if your costar is a mass murderess." 2. Clipjoint - 325 pp, ISBN 0441000908 - "Two years ago, Cass, Moke, and Dosh acted in a cyber-film to make enough money to get off-planet. The studio plugged them into an adventure script, one that left Dosh dead - and Cass and Moke fleeing for their lives. But Cass and Moke have done well for themselves, and the horrors of their past are safely buried. Or are they? Someone's sent Cass a vidclip of the latest hit cyber-film - starring an actor who bears a striking resemblance to Dosh. Too striking. So Cassandra's coming back. For answers. And revenge. And this time, she's writing the script - ." 3. Psykosis - 406 pp, ISBN 0441002382 - "Sword knows about aliens. He fought them in the Third Alien War, which left his body shattered and his mind as cold as crystal. Now, fifteen years later, the aliens are back. And rather than fight another costly war, Earth's government offers to parley. But when Sword agrees to represent the military, he discovers one thing he hadn't known. Even he can't understand an alien mind. He can only change it - ." Interiors - clean and tight with no previous ownership marks. Exteriors - volume 3 has very light edge wear and a partial light crease on the front hinge. 
Price: 20.00 USD
 
 
3 Ball, Edward. THE INVENTOR AND THE TYCOON: A GILDED AGE MURDER AND THE BIRTH OF MOVING PICTURES.
New York Doubleday 2013 0385525753 / 9780385525756 Hard Cover Very Good+ Very Good+ 
447 pp, 9 1/2" H. B&w photographs, reproductions. "(T)he compelling saga of an artistic genius, a ruthless railroad tycoon, and a sordid crime of passion. In frontier California 130 years ago, English immigrant Eadweard Muybridge managed to capture time and play it back on a screen, inventing stop-motion photography and moving pictures, breakthrough technologies that ushered in our age of visual media. Bankrolling his endeavor was tycoon (and former California governor) Leland Stanford, who built the west half of the transcontinental railroad and personally drove in the last golden spike. Stanford's particular obsession was whether the four hooves of a running horse ever left the ground all at once, and with Muybridge he found an answer. But personal disaster overshadowed Muybridge's remarkable achievements. A visionary artist, and technically brilliant, he was also a murderer." Very light wrinkling at bottom of spine. Dust jacket has minor edge wrinkling at top/bottom of spine and flap-folds, minor rubbing. 
Price: 15.00 USD
 
 
4 Ballinger, W.A. Cover art by Henry Fox. STUDIO ONE MURDER. SEXTON BLAKE LIBRARY NO. 504. 4TH SERIES.
Fleetway, London, (July, 1962], Ist printing.. 
64 pp, soft cover (stapled in wraps). "Strange goings-on at a film studio...murder and mystery among the cameras, the bright lights, the glamorous girls..." Interior - pages browning lightly, otherwise clean and tight with no previous ownership marks. Exterior - light edge wear, soft wrinkling to covers, spine has light wrinkling. VG 
Price: 10.00 USD
 
 
MY LIFE IN ART., Bemelmans, Ludwig.
5 Bemelmans, Ludwig. MY LIFE IN ART.
New York Harper & Brothers 1958 Hard Cover Very Good Good Ludwig Bemelmans. 
64 pp + 32 pp of colour reproductions of gouaches and oils done between 1954 and 1958, 12 3/4" H. Pictorial endpapers, b&w illustrations throughout text, plus tipped-in colour frontispiece and one other, followed by colour plates. Ludwig Bemelmans was famous for his 'Madeline' books. "A book to delight the spirit as well as the eye, 'My Life in Art' begins with the delectable world of Mr. Bemelmans' childhood on the shore of the Traunsee in Austria. The artist then recounts his misadventures in Paris where, painting meanwhile, he attempts to turn a ramshackle bistro into a smart cafe with the help of a famous restauranteur and a few clochards. It is in Ville d'Avray, in an old ruin converted into a studio, that (he) suffers the initial despairs and frustrations of painting with oils. His success in the medium is attested to by the many color reproductions in this book. The text, with its accompanying drawings, is 'about how and why and where they were painted,' says Mr. Bemelmans." Very light edge wear with a few tiny dents, four letter pen notation at top of front pastedown, light browning to edges of free endpapers. Dust jacket has light browning, a few small edge chips, is price-clipped, one or two small edge tears with creases, light soiling/rubbing, light water stains at top/bottom edge of spine. 
Price: 25.00 USD
 
 
6 Birrell, Andrew. BENJAMIN BALTZLY. PHOTOGRAPHS & JOURNALS OF AN EXPEDITION THROUGH BRITISH COLUMBIA: 1871.
Toronto Coach House Press 1978 First Edition Hard Cover Very Good+ Very Good+ Benjamin Baltzly, photographer. 
159 pp, oblong (9" H x 10 3/4" D). Illustrated with 71 of Baltzly's magnificent b&w photographs, plus a folded map (on thin tissue paper) - "Detail of map of British Columbia drawn by Joseph Trutch, 1871". "(B)rings together for the first time the photographs and journal of Benjamin Baltzly from his trip through British Columbia in 1871. Baltzly was a talented photographer working in the Montreal studio of William Notman. His trip to British Columbia was made with a party sent out by the Geological Survey of Canada to examine the geology along one of the proposed routes for the Canadian Pacific Railway - the North Thompson River through the Yellowhead Pass. Although a few of Baltzly's photographs have appeared in print, they have never been examined as a body. His journal, which appeared in 'The Gazette' of Montreal in 1872, is one of the very few written records left by Canadian photographers of the (19th) century. The photographs are probably the earliest taken of the rugged British Columbia interior." Two very small ink smudges on title page, tiny ink mark at bottom edge of rear pastedown. Dust jacket has minor edge wrinkling, light wrinkle at bottom of spine and tiny tear at nottom of rear hinge. 
Price: 45.00 USD
 
 
THE IMPRESSIONIST AND THE CITY: PISSARRO'S SERIES PAINTINGS., Brettell, Richard R. and Pissarro, Joachim.  Edited by Mary Anne Stevens.
7 Brettell, Richard R. and Pissarro, Joachim. Edited by Mary Anne Stevens. THE IMPRESSIONIST AND THE CITY: PISSARRO'S SERIES PAINTINGS.
Museum of Art, Dallas, 1993. 
230 pp, 4to (11 5/16" H), hard cover in dust jacket and publisher's plain cardboard slipcase. ISBN 0300053509 Profusely illustrated with color reproductions. "In the final decade of his life Camille Pissarro abandoned his experimentation with Neo -Impressionist technique and developed new forms of pictorial expression that drew more on the Impressionism of his earlier career. During this period - from 1893 to 1903 - Pissarro, besides continuing to explore the landscape genre that had b e e n h is main subject-matter, also began to grapple with urban scenes, and his paintings of Paris, Rouen and the busy ports of Dieppe and Le Havre became an important component of his artistic output. At this time, Pissarro, like Monet, starte d to w or k o n canvas in series, often painting six or seven canvases simultaneously and discarding one temporarily when the light, the traffic, the weather or his mood altered. He started all of them at the scene, in the manner perfected by the I mpr ess ion is ts, and worked with extraordinary speed and deftness. By 1899, he was living part-time in Paris and, from his combined studio and living space, painted a series that included over forty views of the same motif. (The authors) beg in this bea utif ul book on Pissarro's cityscapes by setting the paintings in their broad art-historical context, tracing the tradition of the image of the city both within and prior to Impressionism and looking also at contemporary treatments of the urba n sce ne. (Th ey) e xamine the history of the representation of the city in the literature, poetry and philosophical writings of the nineteenth century and discuss Pissarro's knowledge of these alternative theories of the city. Using Piss arro 's ext ensive cor resp ondenc e from this period of his life, they describe the artist's attitudes towards his final works. The book also includes a catalogue of Pissarro's eleven urban series, each one introduced by an overview covering the histo ry of t he city scape pict ured an d the production, exhibition history, and early critical reception of the series. Full data of each painting follows." The catalogue of the 1993 exhibition. Slight waviness to fore-edge of text-block, min or rub bing on boards. Dust jacket has ver y minor edge wrinkling. Slipcase has slight browning at edges. Near Fine/Near Fine/Very Good+ 
Price: 45.00 USD
 
 
JAMES WILSON MORRICE., Buchanan, Donald W.
8 Buchanan, Donald W. JAMES WILSON MORRICE.
Toronto Ryerson Press 1947 First Edition Soft Cover Very Good James Wilson Morrice. 
38 pp, 7 1/4" H. B&w and colour reproductions. Part of Ryerson's "Canadian Art Series". Buchanan provides a biographical sketch, followed by The Technique of His Oil Sketches on Wooden Panels; His Studio Canvases; His Drawings; Bibliography; Catalogues; Collections. Interior - one light separation between two page gatherings which are still firmly held in the binding. Exterior - minor edge wear wrinkling, light toning to edges of covers and on spine. 
Price: 17.50 USD
 
 
MILITARIA MAGAZINE.  NO. 18.  AUGUST 1995.  (ENGLISH EDITION.), Constant, David, ed.  (Yves Buffetaut, Jean Restayn, Eric Lefevre, Gerard Gorokhoff, John D Clarke, Jonathan Gawne, John Smith, Maurice Stokes, Yves Mouchet.)
9 Constant, David, ed. (Yves Buffetaut, Jean Restayn, Eric Lefevre, Gerard Gorokhoff, John D Clarke, Jonathan Gawne, John Smith, Maurice Stokes, Yves Mouchet.) MILITARIA MAGAZINE. NO. 18. AUGUST 1995. (ENGLISH EDITION.)
London Collectors Press. 1995 Soft Cover Very Good 
50 pp, 11 11/16" H, stapled in wraps (magazine format). Profusely illustrated with colour and b&w photographs, profiles. Contents: Panzerjager Abteilung Stabskompanie 1944; London-Brighton Run 1995 - Photo Report; United States Army British Made E quipment, 1943-1945: Part 2. The ETO Field Jacket; German Army Identity Disks, Western Front 1914-1918: Part 4; The Australian Soldier in World War Two: 1 - The Wool Serge Uniform; A French Photographer's Studio under the German Occupation, 1943-194 4; The Sherman 76mm; Close-Up: The 2nd 'Littorio' Grenadiers Division, French Alps, December 1944; The Uniforms and Insignia of the Imperial Japanese Army: Part 1. 1930-1940; The 1939-1945 British Campaign Stars and Their Bars. Interior - clean and tight with no previous ownership marks. Exterior - minor wear on spine, light rubbing/soiling on rear cover, small old price label on front cover. 
Price: 15.00 USD
 
 
WINGS FOR VICTORY:  THE REMARKABLE STORY OF THE BRITISH COMMONWEALTH AIR TRAINING PLAN IN CANADA., Dunmore, Spencer.
10 Dunmore, Spencer. WINGS FOR VICTORY: THE REMARKABLE STORY OF THE BRITISH COMMONWEALTH AIR TRAINING PLAN IN CANADA.
Toronto McClelland & Stewart 1994 0771029276 / 9780771029271 First Edition Hard Cover Very Good Very Good 
399 pp, large 8vo (9 1/4" H). B&w photographs. "Full of personal anecdotes, (this) is the story of the BCATP (British Commonwealth Air Training Plan) and of the politicians who negotiated it into existence, of the officers and airmen of the RCAF and the RAF, and of the many civilians who made it work day by day. Above all, it is the story of the young men who entered the scheme as clerks and farmers, students and salesmen, and graduated as pilots, navigators, air gunners, air bombers, and flight engineers." Light wrinkling at bottom of spine, tiny wrinkle at top of hinges. Dust jacket has minor wrinkling at top/bottom of spine and flap-folds, slight fading to spine colour. 
Price: 15.00 USD
 
 
WINGS FOR VICTORY:  THE REMARKABLE STORY OF THE BRITISH COMMONWEALTH AIR TRAINING PLAN IN CANADA., Dunmore, Spencer.
11 Dunmore, Spencer. WINGS FOR VICTORY: THE REMARKABLE STORY OF THE BRITISH COMMONWEALTH AIR TRAINING PLAN IN CANADA.
Toronto McClelland & Stewart 1994 0771029276 / 9780771029271 First Edition Hard Cover Very Good Very Good 
399 pp, large 8vo (9 1/4" H). B&w photographs. "Full of personal anecdotes, (this) is the story of the BCATP (British Commonwealth Air Training Plan) and of the politicians who negotiated it into existence, of the officers and airmen of the RCAF and the RAF, and of the many civilians who made it work day by day. Above all, it is the story of the young men who entered the scheme as clerks and farmers, students and salesmen, and graduated as pilots, navigators, air gunners, air bombers, and flight engineers." Light cigarette odour, very light browning to edges of textblock. Dust jacket has very minor edge wear/wrinkling - tiny tear and light wear at bottom of rear flap-fold. 
Price: 17.50 USD
 
 
THERE ONCE WAS A WAR: THE COLLECTED COLOR PHOTOGRAPHY OF WORLD WAR II.  FEATURING THE JEFFREY ETHELL COLLECTION OF WORLD WAR II COLOR PHOTOGRAPHY., Ethell, Jeffrey, editor.  Text by General Charles E. "Chuck" Yeager and Colonel Clarence E. "Bud" Anderson.
12 Ethell, Jeffrey, editor. Text by General Charles E. "Chuck" Yeager and Colonel Clarence E. "Bud" Anderson. THERE ONCE WAS A WAR: THE COLLECTED COLOR PHOTOGRAPHY OF WORLD WAR II. FEATURING THE JEFFREY ETHELL COLLECTION OF WORLD WAR II COLOR PHOTOGRAPHY.
Viking Studio, New York, 1995, first edition. 
224 pp, 4to (11 1/4" H), hard cover in dust jacket. ISBN 0670860441 "The most important historical event of the 20th century was a war that seemed to be fought in black-and-white. Our collective memory of the years 1941-1945 exists in monochrome, because that was the way most of us saw it - and continue to see it - in the films and still pictures of the day. Color film for motion pictures and still cameras was readily available then, but was not in wide use because of its fragility and t h e difficulties of developing it. But there were enough hardy photographic pioneers around in 1941 to take the new color film to war, and their pictures, surviving beautifully to this day, show us a very different world than the one we see in o ld n ew sreels. At first glance these images are a bit startling; we are not used to seeing the people, places, and events of the early 1940s in living color. But in due time these pictures seem utterly right, and in fact bring World War II int o mor e r eco gnizable form, more comfortable for modern eyes. Here, then, is a colorful recollection of World War II in over 200 photographs taken, for the most part, by amateur lensmen - ordinary soldiers, sailors, and airmen who wanted to record a nd p rese rve their time in the largest conflict in world history." Dust jacket has minor edge wear/wrinkling, minor rubbing. Fine/Near Fine 
Price: 27.50 USD
 
 
THE STRANGE CHILD., Hoffmann, E.T.A.  Translated and adapted by Anthea Bell.
13 Hoffmann, E.T.A. Translated and adapted by Anthea Bell. THE STRANGE CHILD.
Nantick, MA Picture Book Studio 1984 0907234607 / 9780907234609 Hard Cover Very Good Very Good- Lisbeth Zwerger. 
Unpaginated, 13 1/4" H. Colour illustrations. "The Strange Child is a magical being who comes into the unhappy lives of a brother and sister, and leads them into a world of fantasy and adventure. This world is not without dangers, though, because their joy and innocence is threatened by Pepser, the evil king of the gnomes. The scenes and characters so vividly described by Hoffmann are made even more memorable by the haunting illustrations of Lisabeth Zwerger." Small area of color loss and erased price mark at top corner of front free endpaper, minor tiny corner bumps, a very small and a tiny dent at top edge of rear and front board respectively, a few tiny edge dents on bottom edge of boards, very small bump to top/bottom of spine. Dust jacket has very light edge wear, wrinkling at top/bottom of spine and flap-folds. 
Price: 20.00 USD
 
 
SNOW WHITE AND THE SEVEN DWARFS & THE MAKING OF THE CLASSIC FILM., Hollis, Richard and Sibley, Brian.
14 Hollis, Richard and Sibley, Brian. SNOW WHITE AND THE SEVEN DWARFS & THE MAKING OF THE CLASSIC FILM.
Hyperion, New York, 1994, Ist edition. 
88 pp, small 4to (10 7/8" H), hard cover in dust jacket. "(Snow White) was the world's first animated feature film, and it remains an undisputed movie classic as well as a milestone in the history of cinema. This book is a celebration of the extraordinary film and of the unique creative achievement that it represented. Introducing the film's engaging cast of characters, (it uses) original Disney artwork (and) relates the story of Snow White's adventures. Illustrations include the highly evocative preliminary paintings, produced by gifted illustrators, that inspired the Studio artists. There are also examples of the character sketches, layout drawings, and background designs showing the film's development from drawing board to movie screen. Also shown is artwork for sequences that were finally omitted from the 250,000 separate drawings used in the completed film. - Illustrated with vintage posters, stills, lobby cards, books, merchandise and original studio art, this is a fascinating pictorial record of one of the world's best-loved movies." NF/NF 
Price: 20.00 USD
 
 
15 Jencks, Charles, essays by. (Robert Stern.) ROBERT AM STERN: SELECTED WORKS. ARCHITECTURAL MONOGRAPHS NO 17.
Academy Editions, (London, 1991). 
144 pp, 4to (12" H), soft cover with self-flaps. Profusely illustrated in color and b&w with photos, drawings, plans, elevations. "Robert Stern's work as an architect is indivisible from his abiding concern with history and historical style. He regards Post-Modernism not as a random recycling of past styles, but as a necessary liberation from what he calls the 'perennial present' of the Modern Movement. In the four essays reproduced in this Monograph he urges contemporary architects to widen their vocabulary, to learn from the past in order to 'reunite current production with the traditions that a previous generation tried so hard to subvert'. The 33 projects featured here reveal the range of influences which have in formed Robert Stern's projects and buildings: from the Lutyens and Kahn inspired Lang and Westchester houses of the early 70s to later 'Shingle Style' solution such as the Lawson and Marblehead residences. Also featured are a number of larger scale buildings such as the Mexx International Headquarters in the Netherlands and the Disney Casting Center in Florida which have consolidated Stern's reputation over the last five years." Interior - small area of light soiling on half- title page, bottom of inside front hinge cracked. Exterior - light edge wear, rubbing to glossy covers - no color loss, spine flat and uncreased. VG- 
Price: 20.00 USD
 
 
TIN HATS, OILSKINS & SEABOOTS:  A NAVAL JOURNEY, 1938-1945., Jenson, Latham B.  Foreword by W.A.B. Douglas.
16 Jenson, Latham B. Foreword by W.A.B. Douglas. TIN HATS, OILSKINS & SEABOOTS: A NAVAL JOURNEY, 1938-1945.
Robin Brass Studio, Toronto, 2000, reprint. 
312 pp, oblong 8vo (8" H x 9" D), soft cover. ISBN 1896941141 B&w drawings by the author/artist. "As a boy growing up on the Prairies in the Depression, (the author) dreamed of going to sea, became a sea cadet at HMS Undaunted in Calgary, and in 1938 joined the Royal Canadian Navy as an officer cadet, training with the Royal Navy in Britain until 1941. His wartime service began on HMS Renown in the South Atlantic, searching for the Graf Spee, and off Norway engaging the battleships Scharnh orst and Gneisenau. He lost all his possessions when Renown was damaged by shellfire. He served on HMS Matabele and HMS Hood, leaving that ship weeks before she was sunk with all hands in battle with the Bismarck. Returning to Canada in la t e 1 9 4 1 , he was appointed to HMCS Ottawa, a destroyer on convoy escort duty in the North Atlantic. A year later she was sunk with great loss of life in a battle with German submarines. Jenson was among the lucky ones plucked from the Atlant ic b y a B ri ti sh corvette. He joined HMCS Niagara as executive officer, and in late 1943 briefly commanded the corvette Long Branch before going on to the destroyer Algonquin as executive officer, taking part in raids on German ships, includi ng the T irp itz , a nd being one of the ships to open fire on the shore defences in the invasion of Normandy. Algonquin completed the war raiding German shipping and escorting Allied convoys to Murmansk. The book is illustrated with L.B. Jenson' s l umin ous lin e dr awin gs, as well as sketches and diagrams illustrating uniforms, insignia and so on. His book is a valuable record not only of how ships fought the battles of the Atlantic, but of life on board, where men had to live under d iffi cult cond ition s for week s on end - all seen through the eyes of an energetic and engaging young officer." Interior - clean and tight with no previous ownership marks. Exterior - tiny crease at bottom edge of front cover. Very Good+ 
Price: 20.00 USD
 
 
17 Lord, Barry. THE HISTORY OF PAINTING IN CANADA: TOWARD A PEOPLE'S ART.
Toronto NC Press 1974 First Edition Hard Cover Very Good+ Very Good 
253 pp, 11" H. Profusely illustrated in b&w and colour. Contents: Introduction: Toward a People's Art; Painting of the Native Peoples; Painting in Quebec: French and British Regimes (The art of the church and the art of the people / Social classes in Quebec: A portrait of Quebec society / Interlude: An American paints the conquest of Quebec); Canadian Painting: The British Regime (The struggle for the landscape / A nation of Canadians / Imperialism and the art schools in Paris The Group of Seven: A national landscape art); Painting in the Age of U.S. Imperialism (Repression and revolt in Quebec / Canadian painting: The struggle to paint our people); Conclusion: Toward a People's Art. Very minor edge wear. Dust jacket is price-clipped, has very minor edge wear/wrinkling at bottom of spine, a few tiny tears (archivally taped) and areas of light creasing at top edge. 
Price: 20.00 USD
 
 
A NOVA SCOTIA ALBUM: GLIMPSES OF THE WAY WE WERE., Peck, Mary Biggar.  Foreword by Harry Bruce.
18 Peck, Mary Biggar. Foreword by Harry Bruce. A NOVA SCOTIA ALBUM: GLIMPSES OF THE WAY WE WERE.
Willowdale, Ontario Hounslow Press 1989 0888821166 / 9780888821164 First Edition Hard Cover Very Good Very Good+ 
159 pp, oblong (8 3/4" H x 10 5/8" D). "Perhaps nothing evokes a particular time and place more vividly than photographs: the stiff family studio portraits of the Victorians, sad formal pictures of young men standing proudly in their wartime uniforms, grainy snapshots depicting people in the 'new look' clothes of the 1940s. (The author) has selected over 160 black and white photographs from the 1890s to the 1950s, divinding them into ten sections under headings such as, 'Rural Life', 'War and Disaster', 'On Sea and Shore', and 'Ceremony and Celebration'. Each section is arranged, when possible, in chronological order. Fishermen and miners, farmers and firemen, sailors and students, parents and children are captured at work, at school, and at play. Towns, stations, ships, parades, plays and picnics illuminate this glimpse of a vanished way of life." Light edge wear - mostly on bottom edge. Dust jacket has minor edge wrinkling. 
Price: 20.00 USD
 
 
THE NEW BOOK-ILLUSTRATION IN FRANCE., Pichon, Leon.  Translated by Herbert B. Grimsditch.
19 Pichon, Leon. Translated by Herbert B. Grimsditch. THE NEW BOOK-ILLUSTRATION IN FRANCE.
London The Studio 1924 First British Edition Hard Cover Good No Jacket 
168 pp, 11 5/8" H. Medium green boards with decorative blindstamping on front board and bevelled edges, gilt lettering/decoration on spine and front board, top edge gilt. Colour and b&w reproductions (collated), representing the work of 79 artists, including: Robert Bonfils, Frank Brangwyn, Carlegle, Paul Emile Colin, Jean Gabriel Daragnes, Maurice Denis, Maxime Dethomas, Raphael Drouart, Raoul Dufy, Charles Guerin, PaulHermann, Louis Jou, J.F. Laboureur, Alfred Latour, Auguste Leroux, Bernard Naudin, Achille Ouvre, Picart Le Doux, A. Roubille, Steinlen, Daniel Vierge, et al. Fraying and wear at top/bottom of spine and at corners, light brown mark on front board, browning to fore-edge and bottom of text block, faint ex-library number at bottom of spine, small ex-library stamp at bottom of title page and on nine pages throughout book in margins - does not encroach on text or illustrations, browning on free endpapers, ex-library stamp on verso of title page, some light foxing on endpapers, tiny crease/curl at top corner of approx. first 30 pages, slight separation between some page gatherings but still firmly held in binding. 
Price: 30.00 USD
 
 
20 Reade, Brian and Dickinson, Frank. (Aubrey Beardsley.) AUBREY BEARDSLEY EXHIBITION AT THE VICTORIAN AND ALBERT MUSEUM 1966: CATALOGUE OF THE ORIGINAL DRAWINGS, LETTERS, MANUSCRIPTS, PAINTINGS; AND OF BOOKS, POSTERS, PHOTOGRAPHS, DOCUMENTS ETC.
London [Victoria & Albert Museum 1966 Soft Cover Very Good 
Unpaginated, 8 3/4" H x 4 1/2" D x 5/8" W. Corrigenda laid in. Catalogue of an exhibition of over 600 pieces. Not illustrated. Interior - clean and tight with no previous ownership marks. Exterior - very light browning to covers and edges of textblock, light wear at top of spine, top corners very slightly curled, minor soiling, spine flat and uncreased. 
Price: 15.00 USD
 
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