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81 Reade, Brian and Dickinson, Frank. (Aubrey Beardsley.) AUBREY BEARDSLEY EXHIBITION AT THE VICTORIAN AND ALBERT MUSEUM 1966: CATALOGUE OF THE ORIGINAL DRAWINGS, LETTERS, MANUSCRIPTS, PAINTINGS; AND OF BOOKS, POSTERS, PHOTOGRAPHS, DOCUMENTS ETC.
London [Victoria & Albert Museum 1966 Soft Cover Very Good 
Unpaginated, 8 3/4" H x 4 1/2" D x 5/8" W. Corrigenda laid in. Catalogue of an exhibition of over 600 pieces. Not illustrated. Interior - clean and tight with no previous ownership marks. Exterior - very light browning to covers and edges of textblock, light wear at top of spine, top corners very slightly curled, minor soiling, spine flat and uncreased. 
Price: 15.00 USD
 
 
MONTAGNE PARADIS OU LE REVE ROMANTIQUE., Samivel.  Documentation et photographies S. Norande.
82 Samivel. Documentation et photographies S. Norande. MONTAGNE PARADIS OU LE REVE ROMANTIQUE.
Arthaud, Paris, 1988. 
207 pp, square small 4to (10 1/16" H), hard cover in dust jacket. ISBN 2700307100 Profusely illustrated in colour. FRENCH TEXT. Table: Introduction; Sublimes horreurs; Le Simplon ou la merveille des Alpes; L'Honorable voyage aux glacieres; Les B onheurs du haut pays; La Galerie des amateurs; Les Enfances du fleuve; Adieux aux ames sensibles; Fioretti des demoiselles; Remerciements; Notes; Bibliographie; Notes biographiques; Table des illustrations. Minor soiling on bottom of textb l o c k . D u st jacket has wrinkling and tiny tears (archivally taped) at top/bottom of spine and flap-folds, minor rubbing, slight edge curling, one small tear with creases cellotaped on inside. Very Good+/Very Good- 
Price: 55.00 USD
 
 
83 Shakespeare, William. THE SONNETS OF WILLIAM SHAKESPEARE. TRANSCRIBED IN THE SWEET ROMAN HAND.
London Cassell 1988 0304321710 / 9780304321711 Hard Cover Very Good+ Very Good Tom Gourdie. 
154 sonnets (one per page) + alphabetical listing of sonnets. Oblong (5 5/8" H x 8 5/8" D). "Shakespeare's sonnets, were they all that he had ever written, would have ensured him immortality. Read by every succeeding generation, they continue to challenge, stimulate, and sometimes mystify. The calligrapher Tom Gourdie, fascinated by the beauty of Shakespeare's language, has matched his own mastery of letterforms to the poet's mastery of words and has handscripted the 154 sonnets in a fluent, dramatic italic style, drawn with a beautiful craftsmanship. Each sonnet is begun with a unique decorative initial, in a rich, contrasting red. Calligraphers everywhere will welcome this rare example of their art, and will want to use it as inspiration for their own work. In Tom Gourdie's fine presentation of this book, truly a labour of love, Shakespeare's sonnets take on a new vitality and can be read afresh, a pleasure both to the eye and to the spirit." Very small soft bump at bottom of spine. Dust jacket has very light edge wrinkling, minor rubbing. 
Price: 20.00 USD
 
 
84 Silver, Kenneth E.; Parke-Taylor, Michael; Blondil, Nathalie; Kostenevich, Albert. Prefaces by Matthew Teitelbaum, Guy Cogeval, Mikhail Piotrovsky, Robert Kaszanits. VOYAGE INTO MYTH: FRENCH PAINTING FROM GAUGUIN TO MATISSE FROM THE HERMITAGE MUSEUM, RUSSIA.
Art Gallery of Ontario, Toronto, 2002. 
224 pp, 4to (11" H), soft cover with self-flaps. ISBN 1894243234 Profusely illustrated in colour and b&w. The catalogue of the exhibition. "This book demonstrates how two strains of influence - the resurgence of Classicsim and the impact of 'pri mitivism' on Western culture - provide links between Symbolism, Post-Impressionism, Fauvism and the birth of Modernism. Certain polarities generated by these two different strains - tradition versus innovation, Western versus non-Western c u l t u r e , t he timelessness of myth versus the experience of modern life - were driven by ideas that developed formalist parallels. This can be seen in the struggle between the figurative and abstract in art, and in the contrast between the pa st or al i dy ll a n d the contemporary landscape...." Contents: Prefaces; 'Invitation to the Voyage', poem by Charles Baudelaire; New Spirits and Sacred Springs: Modern Art in France at the Turn of the Century; The Myth of the Midi: Landscape a s E art hly Pa rad ise ; F in d e Siecle Nostalgia and Primitivism: Ancient Brother or New Man?; Sergei Shchukin and Ivan Morozov: Two Legendary Collectors; Maurice Denis and Pierre Bonnard: The Morozov Decorative Paintings in the Hermitage Collec tion ; Ca talo gue; Sel ecti ve B ibl iog raphy; Index of Artists; List of Illustrations; Picture Credits. Tiny tear/crease archivally taped at top edge of leaf 117/118, minor soiling on bottom of textblock. Very Good+ 
Price: 45.00 USD
 
 
ASIAN ART.  VOLUME II, NUMBER 4.  FALL 1989., Singh, Raghubir; Koloff, Max; Wescoat, James L., Jr.
85 Singh, Raghubir; Koloff, Max; Wescoat, James L., Jr. ASIAN ART. VOLUME II, NUMBER 4. FALL 1989.
New York Oxford University Press / Arthur M. Sackler Gallery, Smithsonian Institution. 1989 0894234X Soft Cover Very Good 
79 pp, 11" H. Colour and b&w photographs, reproductions, maps. Contents: Photography and the Geographical Culture of India; An Interview with Raghubir Singh; A Certain Sweep: The India of Raghubir Singh; Portfolio (Raghubir Singh); Picturing an Early Mughal Garden. Interior - corner crease on page leaves 61/62 & 63/64 otherwise clean and tight with no other ownership marks. Exterior - soft crease on bottom half of rear cover - migrates into last few pages, small bump/scuff on bottom of book. 
Price: 20.00 USD
 
 
LATVIESU PASTELIS / LATVIAN PASTEL PAINTING., Smagre, Rita.
86 Smagre, Rita. LATVIESU PASTELIS / LATVIAN PASTEL PAINTING.
Izdevnieciba, Liesma, 1990. 
Unpaginated, 4to (11 5/8" H), hard cover in clear plastic dust jacket and publisher's plain cardboard slipcase. Profusely illustrated in colour. Trilingual section at rear (Latvian/Russian/English) giving Introduction, Biographies of Painters, Lis t of Plates. Presents the work of Latvian artists, including: Janis Rozentals, Peteris Kalve, Peteris Krastins, Uga Skulme, Voldemars Irbe, Erna Geistaute, Fridrihs Milts, Aleksandra Belcova, Felicita Pauluka, Rita Valnere, Edvins Kalnenie k s , I n d u l is Landaus, Valdis Licitis, Baiba Vegere, Irena Luse, Anita Kreituse, Boriss Berzins, et al. Dust jacket has light rubbing, light wrinkling at top of spine and flap-folds. Slipcase has slight bump at top/bottom of rear panel, re-g lu ed a t o ne r ea r edge joint. Fine/Very Good/Very Good 
Price: 75.00 USD
 
 
WALTER CRANE., Spencer, Isobel.
87 Spencer, Isobel. WALTER CRANE.
New York Macmillan 1975 First Edition Hard Cover Very Good Very Good Walter Crane. 
208 pp, 11 1/8" H. B&w and colour illustrations. "More than any other artist of the time Walter Crane appears at the center of the great surge of interest in the decorative arts in the late nineteenth century. He was the driving force behind the Arts and Crafts movement, a children's book illustrator, designer of textiles, tiles, stained glass and ceramics, and a painter who enjoyed a reputation on the Continent as the most popular of the Pre-Raphaelites. Long before his name came to be associated with Kate Greenaway and Randolph Caldecott as the outstanding artists for the nursery, his brightly colored series of Toy Books ensured him a wide reputation. His fame led to commissions for nursery wallpaper, and from there to fabrics, ceramics, mosaic, stained glass, and gesso relief. As President of the Art Workers' Guild Exhibition Society he was a more strenuous advocate of the Arts and Crafts movement than his friend, William Morris, and traveled abroad with his work, specifically helping the formation of an American Arts and Crafts movement. Crane's early paintings embody the romantic medievalism of Rossetti and Burne-Jones, but he soon used poetry and painting as a means to express his growing interest in new philosophical ideas. Ultimately he was converted to socialism - a cause he embraced wholeheartedly, becoming a member of the Social Democratic Federation, the Fabians, and Morris's Socialist League. He gladly made his art servant to his beliefs, producing political cartoons and trade union banners. This is the first major study of Crane's life and work to be published since his death in 1915. Isobel Spencer, a past lecturer in the history of art at Glasgow College of Art, includes in her scholarly study of the man and his work the full range of Crane's many artistic activities." Light wrinkling at top/bottom of spine, small bump at top corners of boards, tiny dent on bottom edge of rear board. Dust jacket has very light wrinkling at top/bottom of spine and flap-folds, light browning at top inside edge. 
Price: 30.00 USD
 
 
88 Staeck, Klaus and Steidl, Gerhard, eds. BEUYS IN AMERICA.
Steidl/Edition Staeck, Gottengen/Heidelberg, (1997), new edition. 
221 pp, 4to, HC in dust jacket. Bilingual text German/English. A collection of b&w photos taken during Joseph Beuys 1974 visit to America. Dust jacket has minor edgewear/rubbing, light wrinkling, small closed tear at top of front flap fold. NF/V G 
Price: 25.00 USD
 
 
BAROQUE SCULPTURE., Stech, V.V.  Translated by Roberta Finlayson Samsour.
89 Stech, V.V. Translated by Roberta Finlayson Samsour. BAROQUE SCULPTURE.
Spring Books, London, nd. 
195 pp, large square 8vo (9 1/2" H), hard cover in dust jacket. Profusely illustrated with b&w and colour plates. "One of the most fascinating periods in European art history, the Baroque marks a triumphant break with the rules and restrictive for mulas of the Renaissance. Its genius was Bernini, whose sustained imaginative powers and incredible technical skill brought the Baroque style to its fullest maturity. In lesser hands, where the mastery of technique was not so assured and the cr e a t ive imagination not so well disciplined, the pitfalls are all too obvious. No style perhaps has ever captured the imagination quite so quickly; throughout Europe commissions poured in, wealthy landowners and rich merchants vying with each oth er t o express their ambitions and achievements in building, painting and sculpture, in itself an interesting sidelight on social history. The Czech lands were no exception, and the variety and high level of achievement in the contemporary Baroque st yle a re amply illustrated by the plates in this present volume. The accompanying text supplies a full documentation of Czech sculpture of the period and discusses in detail a number of important artists whose work deserves to be more widely k nown ." Boa rds are slightly faded at edges, small store label on front pastedown, minor edge wear. Dust jacket has a few small closed tears, light edge wear/wrinkling - mainly at top/bottom of spine and flap-folds, some minor soiling on front pane l, mi nor bro wning on flap edges, protected in mylar sleeve. Very Good/Very Good 
Price: 30.00 USD
 
 
THE SCULPTURE OF THE WEST., Stegmann, Hans, Dr.
90 Stegmann, Hans, Dr. THE SCULPTURE OF THE WEST.
Dent, London, n.d. The Temple Primers series. 
162 pp, 16mo, hard cover with embossed front cover. Chapters: Greece; Roman Sculpture; The Christian Era to A.D.1000; The Early Middle Ages; The Later Middle Ages; The Italian Renaissance; Germany - Fifteenth to Nineteenth Century; France From the Close of the Fifteenth Century. Illus with b&w plates. Endpapers browning, light wear at top/bottom of spine/corners, darkening to edges of text block. VG 
Price: 20.00 USD
 
 
EDWARD BURRA: TWENTIETH-CENTURY EYE, Stevenson, Jane
91 Stevenson, Jane EDWARD BURRA: TWENTIETH-CENTURY EYE
London Jonathan Cape 2007 0224078755 / 9780224078757 First Edition Hard Cover Very Good Very Good- 
496 pp, large 8vo (9 1/2" H). B&w plates. "The first full-scale biography of one of Britain's most important twentieth-century painters. Edward Burra never followed fashion: in the thirties, when modern art was dominated by abstraction and landscape, he painted people; in the sixites, when landscape was completely out of fashion, he started to find it interesting. His life was an unusual one: profoundly disabled, he lived with his parents, and was in constant pain. Only when he was painting could he forget his body. At the same time he was a man with a rich and full life. He was a letter-writer of genius, writing every afternoon to a wide circle of friends. His letters are camp, witty, full of the energy and delight in life which he could not express physically. Inventive, entertaining, and extraordinarily original, his writing expresses a man who combined profound personal loyalty with distaste for any kind of emotional grandstanding." Very small bump to top corner of both boards, light wrinkling at top/bottom of spine, small shallow bump on rear board. Dust jacket has wrinkling at top/bottom of spine and flap-folds, minor edge wear, small shallow bump on rear panel. 
Price: 37.50 USD
 
 
TRAVELING ACROSS NORTH AMERICA 1812-1813.  WATERCOLORS BY THE RUSSIAN DIPLOMAT PAVEL SVININ., Svinin, Pavel.  Introduction by Evgenia Nikolaevna Petrova.
92 Svinin, Pavel. Introduction by Evgenia Nikolaevna Petrova. TRAVELING ACROSS NORTH AMERICA 1812-1813. WATERCOLORS BY THE RUSSIAN DIPLOMAT PAVEL SVININ.
New York Harry N. Abrams 1992 0810938553 / 9780810938557 Hard Cover Very Good+ Very Good- 
192 pp, oblong 16mo (6 3/4" H x 8 1/4" D), hard cover in dust jacket. "...a facsimile of a sketchbook filled with drawings and watercolors made by the Russian diplomat Pavel Petrovich Svinin (1787-1839) durng a stay in America in 1811-13, the years he served in the Russian consulate in Philadelphia...Among the sites he recorded so deftly are Niagara Falls; George Washington's home, Mount Vernon; views of New York, Philadelphia, Washington, and Richmond; and many other subjects, such as steam boats, Indians, sea, river, and townscapes, plantations and mountainous terrrain...Also included are appropriate quotes and descriptions from Svinin's own travel books, and biographical notes on the people mentioned in the text." Two tiny faint stains on bottom of text block, a few tiny foxing marls on top of textblock. Dust jacket has light edge wear - mainly at top/bottom of spine and flap-folds, small closed tears and wrinkles at top of flap-folds - now archivally taped, light rubbing, 1/2" sq laminate pull/color loss on rear panel, a couple of tiny scuffs. 
Price: 20.00 USD
 
 
ASIAN ART.  VOLUME III, NUMBER I.  WINTER 1990., Tanizaki Jun'ichiro; Cort, Louise Allison; Stinchecum, Amanda Mayer.
93 Tanizaki Jun'ichiro; Cort, Louise Allison; Stinchecum, Amanda Mayer. ASIAN ART. VOLUME III, NUMBER I. WINTER 1990.
New York Oxford University Press / Arthur M. Sackler Gallery, Smithsonian Institution. 1990 0894234X Soft Cover Very Good 
64 pp, 11" H. Colour and b&w photographs, reproductions, map. Contents: In Praise of Shadows; Map of Japan; Japanese Ceramics and Cuisine; A Common Thread: Japanese Ikat Textiles; Glossary and Chronology. Interior - clean and tight with no previous ownership marks. Exterior - very small bump at bottom corner of rear cover - migrates into last few pages, very light rubbing on rear cover. 
Price: 20.00 USD
 
 
ASIAN ART.  VOLUME IV, NUMBER 3.  SUMMER 1991: EAST ASIAN FURNITURE., Toshio Odate; Handler, Sarah; Wachowiak, Melvin J., Jr.; Wickman, Michael.
94 Toshio Odate; Handler, Sarah; Wachowiak, Melvin J., Jr.; Wickman, Michael. ASIAN ART. VOLUME IV, NUMBER 3. SUMMER 1991: EAST ASIAN FURNITURE.
New York Oxford University Press / Arthur M. Sackler Gallery, Smithsonian Institution. 1991 0195070909 / 9780195070903 Soft Cover Very Good 
72 pp, 11" H. Colour and b&w photographs, reproductions. Contents: The Soul of the Tool; The Revolution in Chinese Furniture: Moving from Mat to Chair; New Directions in the Study of Chinese Furniture; Korean Chests of the Choson Period. Interior - clean and tight with no previous ownership marks. Exterior - very soft crease down front cover - migrates into first few pages, light rubbing - mainly on rear cover. 
Price: 20.00 USD
 
 
COLLECTIONS DES MUSEES D'ETAT DU QUEBEC., Tremblay, Jean-Noel, Preface de.
95 Tremblay, Jean-Noel, Preface de. COLLECTIONS DES MUSEES D'ETAT DU QUEBEC.
Montreal Gouvernement du Quebec 1967 Hard Cover Very Good No Jacket 
13" H, beige cloth-covered boards with gilt lettering on spine, gilt fleur de lis on front board. Pictorial endpapers. Unpaginated - short preface in French only, followed by two page introduction in French, repeated in English. 108 illustrations - b&w plates and tipped in colour illustrations on heavier stock, followed by 10 page catalogue of artists. Page 1 coloured plate has a series of very small areas of colour loss along top edge with colour offset on adjacent page, light colour fading and light browning at edges of boards, area of light colour loss and some faint foxing marks on rear board, light browning on spine. 
Price: 60.00 USD
 
 
96 Troyer, Johannes. THE CROSS AS SYMBOL & ORNAMENT. COLLECTED, DRAWN, AND DESCRIBED BY JOHANNES TROYER.
Philadelphia Westminster Press 1961 First Edition Hard Cover Very Good Good 
126 pp, 10 1/4" H. Black, white & red illustrations. "This is not only a reference work for people associated with Christian churches. It is also a handbook for artists, architects, typographers, and craftworkers. The cross in modern civilization generally signifies Christ, but the reader sees that crosses were used as both symbols and ornaments thousands of years before Golgotha. The first cross reproduced here actually goes back to the Stone Age! Troyer has hand-drawn the more than one hundred crosses depicted and has hand-lettered the accompanying text." Contents: Preface; The Precursors; The Dissembled Cross; The Latin Cross; The Greek Cross. Small paper label at bottom of front pastedown, three small corner bumps. Dust jacket has light to moderate edge wear/wrinkling; a few very small chips and edge tears; light browning to spine, flap-folds and edges; very light soiling; tiny dent on spine - now in a mylar sleeve. 
Price: 15.00 USD
 
 
AMERICANS IN PARIS (1921-1931).  MAN RAY, GERALD MURPHY, STUART DAVIS, ALEXANDER CALDER., Turner, Elizabeth Hutton.  With essays by Elizabeth Garrity Ellis, Guy Davenport.
97 Turner, Elizabeth Hutton. With essays by Elizabeth Garrity Ellis, Guy Davenport. AMERICANS IN PARIS (1921-1931). MAN RAY, GERALD MURPHY, STUART DAVIS, ALEXANDER CALDER.
Counterpoint / Phillips Collection, Washington, D.C., 1996. 
171 pp, 4to (12 1/4" H), hard cover in dust jacket. Profusely illustrated in color and b&w. "Paris welcomed Gerald Murphy, whose billboard-sized cubist icon dominated the 1924 Salon des Independants and launched a brief but brilliant career; Stuart Davis, who explored the continuity between cubist painting, lithography, and jazz at the atelier Desjobert,; Man Ray, who abandoned oils to begin 'painting with light' in his movies and rayographs; and Alexander Calder, whose wire circuses and portraits inspired critics to acknowledge art's inherent playfulness. (This book) documents the work and influence of these four notables of the avant-garde who startle and delight us even today...Richly illustrated and beautifully designed, this volume is a feast for the eyes and the intellect. It is published on the occasion of the exhibition...organized by The Phillips Collection, Washington, D.C. America's first modern art museum." Two very faint erasure marks on title page, very minor soiling to edges of boards. Dust jacket has light rubbing, light wrinkling along top edge. NF/VG 
Price: 65.00 USD
 
 
98 Upson, Nicola. Photography by David Buckland. (Helaine Blumenfeld.) MYTHOLOGIES: THE SCULPTURE OF HELAINE BLUMENFELD.
Elephant's Eye / Overlook Press, Woodstock, 1998. 
160 pp, 4to (12" H), hard cover in dust jacket. ISBN 0879518804 Profusely illustrated with b&w and color photographs. "....the first comprehensive exploration of Blumenfeld's work, (this book) forms a uniquely detailed study of her development. D ividing her sculpture into eight themed chapters, it concentrates on the major ideas and technical concerns that have preoccupied the artist from the beginning: Two Sides of a Woman; Creation; Metamorphosis; Options; Shadow Figures; Dreams; S o u l s ; a nd, finally, Mythology. Early and recent works are illustrated side by side, highlighting the aesthetic and conceptual growth which has earned her respect from critics and collectors throughout Europe and the United States....(Upson ' s) t ex t il lu m i nates Blumenfeld's intense working methods and reveals how her life - divided between Italy, where she works, England, where she now lives, and the United States, where she was born - contributes to her creativity. Each chapt er pr ovi des a n i ntr od uc tion to the individual pieces, a review of Blumenfeld's contribution to twentieth-century sculpture, and concludes with Blumenfeld's own thought-provoking comments on her work." Dust jacket has minor rubbing, minor wea r/wr inkl ing at top/ bott om of s pine and flap-folds. tiny tear at top of spine. Fine/VG+ 
Price: 35.00 USD
 
 
ZORAN MUSIC.  QUADERNI DELLA SOPRINTENDENZA AI BENI ARTISTICI E STORICI DE VENEZIA 10., Valcanover, Francesco (presentazione).  Jean Clair.
99 Valcanover, Francesco (presentazione). Jean Clair. ZORAN MUSIC. QUADERNI DELLA SOPRINTENDENZA AI BENI ARTISTICI E STORICI DE VENEZIA 10.
Venezia, Luglio Stamperia di Venezia 1980 Soft Cover Very Good Anton Zoran Music. 
79 pp, 9 7/16" (24 cm) H. Colour and b&w reproductions of the work of the Slovenian-born artist, (Anton) Zoran Music (1909-2005). ***Italian text only.*** Postage will be reduced for this light item to most destinations. Interior - clean and tight with no previous ownership marks. Exterior - spine very slightly twisted, small indentation on front hinge, 5 line ink notation at top of rear cover. 
Price: 20.00 USD
 
 
LA FERRONNERIE.  REPERTOIRE DE L'ARCHITECTURE MODERN., Virette, Jean, introduction.
100 Virette, Jean, introduction. LA FERRONNERIE. REPERTOIRE DE L'ARCHITECTURE MODERN.
Paris Editions S. de Bonadona / Librairie Nouvelle de l'Architecture et des Beaux-Arts 1930 First Edition Hard Cover Good Catala Freres, photography. 
12 3/4" H. Portfolio with grey boards, red cloth spine, black lettering and red banding on front board, cloth ribbon ties (faded from red?). French text only. Includes four-page introductory pamphlet (title page, copyright page, one page Introduction by Jean Virette and Table des Planches) and 56 b&w photographic plates on heavy stock (collated) showing decorative ironwork of the Art Deco era. Staircases, doors, radiator grills, balconies, light fixtures, etc. by Bagues, Bergue, Societe Centrale de Constructions et de Materiaux, Edgar Brandt, Szabo, Paul Kiss, Manchelle et Peltier, Piguet, Gilbert Poillerat, Raymond Subes, Schenk et ses Fils, Jean Schwartz, Lameau Freres, and G. Szabo. Plates: all plates have browning and minor wear at the edges; 8 plates have either tiny or small edge chip, tear or crease; plate 41 has a small corner piece missing, plate 45 has narrow piece missing at one corner and a small area of creasing at one edge; plate 46 has narrow piece missing from one corner. Title page is moderately browned. Portfolio boards and spine have edge wear/rubbing, browning, some wrinkling on front board, a few small stains on rear board & one on spine, wear and open tears at top/bottom of cloth spine. 
Price: 375.00 USD
 
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KYOTO WOODCUTS., Matsubara Naoko.  Foreword by Fritz Eichenberg.  Introduction by Bunsho Jugaku.
KYOTO WOODCUTS.
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THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 7. VICTORIAN BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE LATER VICTORIAN AGE.), Ford, Boris, ed.  Asa Briggs, John Summerson, Jacques Carre, John Holloway, George Rowell, John Nelson Tarn, Peter Fuller, Andor Gomme, Gillian Naylor, William Price, Michael Kennedy, Roly Bain, Norman Vance.
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THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 6. THE ROMANTIC AGE IN BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: ROMANTICS TO EARLY VICTORIANS.), Ford, Boris, ed.  David Punter, Alexander Youngson, John Beer, Michael Rosenthal, John Harvey, Alexandra Wedgwood, H.C. Robbins Landon, Tom Williamson, Pat Kirkham, Christopher Gillie.
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THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 5. EIGHTEENTH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE AUGUSTAN AGE.), Ford, Boris, ed.  Arthur Humphreys, Geoffrey Beard, Raymond O'Malley, David Mannings, Cinzia Maria Sicca, Pat Rogers, T.J. Edelstein, Sally Jeffery, Michael Symes, Nicholas Anderson, Bryan Little.
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THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 3. SIXTEENTH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE CULTURAL GUIDE TO THE ARTS IN BRITAIN: RENAISSANCE AND REFORMATION.), Ford, Boris, ed.  Dominic Baker-Smith, Malcolm Airs, Derek Traversi, Eric Mercer, John Milsom, John Steane, Maurice Howard, Nigel Llewellyn, Philippa Glanville, Michael Leslie.
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 3. SIXTEENTH-CENTURY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE CULTURAL GUIDE TO THE ARTS IN BRITAIN: RENAISSANCE AND REFORMATION.)
Ford, Boris, ed. Dominic Baker-Smith, Malcolm Airs, Derek Traversi, Eric Mercer, John Milsom, John Steane, Maurice Howard, Nigel Llewellyn, Philippa Glanville, Michael Leslie.
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THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 2.  MEDIEVAL BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN:  THE MIDDLE AGES.), Ford, Boris, ed.  Derek Pearsall, Nicola Coldstream, Nigel Nicolson, Stephen Medcalf, Richard Axton, T.A. Heslop, R.B. Dobson, Nick Sandon, Christopher Page, Tom Williamson, Carol Meale.
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 2. MEDIEVAL BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE MIDDLE AGES.)
Ford, Boris, ed. Derek Pearsall, Nicola Coldstream, Nigel Nicolson, Stephen Medcalf, Richard Axton, T.A. Heslop, R.B. Dobson, Nick Sandon, Christopher Page, Tom Williamson, Carol Meale.
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