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Art - General

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Art - General

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HARLEQUIN ON THE MOON: COMMEDIA DELL'ARTE AND THE VISUAL ARTS., Lawner, Lynne.
61 Lawner, Lynne. HARLEQUIN ON THE MOON: COMMEDIA DELL'ARTE AND THE VISUAL ARTS.
Harry N. Abrams, New York, 1998. 
208 pp, 4to (11 1/4" H), hard cover in dust jacket. ISBN 0810911949 Profusely illustrated in colour and b&w. "Commedia dell'arte is the first modern theater - inspiration to Shakespeare, Moliere, Goldoni, Mozart, and Balanchine and forerunner of the modern stage comedy. Since its invention as a popular entertainment in Renaissance Italy, commedia, with its stock characters, its absurd and witty plots, and its utterly charming personalities, has captivated audiences high and low, from the street fairs where Punch and Judy reigned to the exquisitely refined court of the Sun King. This book traces the history of commedia from its beginnings through many transformations to its rediscovery in the experimental theater of today. The depictions of commedia in the visual arts has a rich history. From Tiepolo and Watteau to Beardsley, Picasso, Hockney, and other modern masters, painters have found great resonance and meaning in the clowns and lovers of commedia. Here the visual and dramatic arts meet, giving birth to styles of art and performance at once clever, hilarious, poignant, tragic, and eternal. Lynne Lawner traces all these threads, unearthing rare texts of commedia plays, discovering myriad version of the ever-fascinating Harlequin, Pierrot, Columbine, and Pulcinella, relating the gossip of courts and theaters, and revealing the ways in which these figures and their classic stories - the sly servant, the foolish soldier, the clever maid, the quack doctor - have arisen again and again in art." Light waviness to edges of text block. Dust jacket has very light wrinkling at top/bottom of spine and flap-folds. Very Good+/Very Good+ 
Price: 55.00 USD
 
 
DESMOND MORRIS:  50 YEARS OF SURREALISM., Levy, Silvano.
62 Levy, Silvano. DESMOND MORRIS: 50 YEARS OF SURREALISM.
Barrie & Jenkins, (London, 1997), Ist edition. 
224 pp, 4to, hard cover in dust jacket. ISBN 0712672982 Illus. in color. "...traces the principal themes in (Morris's) paintings and discusses their significance within the context of Surrealism, the movement with which Morris has identified for over fifty years." Very light edge at corners and top/bottom of spine. Dust jacket has minor edge wear. This is a new, unread book. Very Good+/Very Good+ 
Price: 55.00 USD
 
 
WHAT HAVE THE GREEKS DONE FOR MODERN CIVILISATION?  THE LOWELL LECTURES OF 1908-09., Mahaffy, John Pentland.
63 Mahaffy, John Pentland. WHAT HAVE THE GREEKS DONE FOR MODERN CIVILISATION? THE LOWELL LECTURES OF 1908-09.
G.P. Putnam's Sons, NEw York, 1910, 2nd printing. 
263 pp + ads, 8vo (8 7/8" H), hard cover (maroon cloth with gold lettering/banding on spine) - no dust jacket. Top edge gilt. Contents: Preface; Introductory; Greek Poetry; Greek Prose; Greek Art - I: Architecture and Sculpture; Greek Art - II: Pa inting and Music; Science: Grammar - Logic - Mathematics - Medicine; Politics - Sociology - Law; Higher Thinking, Philosophy, Speculative and Practical Theology. A few pages with light wrinkle, light browning to fore-edge and bottom of text block, light edge wear, light wrinkling to top/bottom of spine, one slight corner bump, a few very faint finger marks on boards, small area of minor fading on spine. Very Good 
Price: 25.00 USD
 
 
DREAMQUESTS:  THE ART OF DON MAITZ., Maitz, Don, foreword.  Introduction by Raymond E. Feist.  Afterword by Janny Wurts.
64 Maitz, Don, foreword. Introduction by Raymond E. Feist. Afterword by Janny Wurts. DREAMQUESTS: THE ART OF DON MAITZ.
Novato, California Underwood-Miller 1993 0887331750 / 9780887331756 Hard Cover Very Good Very Good+ Don Maitz. 
98 pp, 11 1/4" H. Profusely illustrated in color. "Since his professinal debut nearly 20 years ago, artist Don Maitz has been giving form to the fantastic in a way that has won him widespread recognition by both his professional peers and an enthusiastic public. Following up on the success of 'First Maitz', this volume is a lavishly produced collection of some of Maitz's most popular works, as well as some never-before-published paintings. Exhibiting a fanatical attention to detail, the paintings apply surrealist technique to surreal situations. Maitz likes to mix modern imagery with medieval icons and his pictures frequently display a keen sense of wit. (He) has designed more than 250 book covers for some of today's leading authors of cutting-edge science fiction, including Isaac Asimov, Ray Bradbury, Piers Anthony, Stephen King, Raymond E. Feist, C.J. Cherryh, Janny Wurts and Gene Wolfe. His visceral and adventurous visions have also attracted commercial clients for national advertising: Eastman Kodak, NBC, and Captain Morgan Spiced Rum. (He) has received the Silver Medallion from the American Society of Illustrators, the Hugo Award and the Howard Award for Best Artist at the Sixth World Fantasy Convention." Soft crease at top corner of first few pages, slight waviness to edges of textblock. Dust jacket has very minor edge wrinkling. 
Price: 25.00 USD
 
 
PAUL MANSHIP., Manship, John.
65 Manship, John. PAUL MANSHIP.
Abbeville, New York, 1989, first edition. 
216 pp, folio (13 1/4" H), hard cover in dust jacket. ISBN 1558590021 Beautifully illustrated in color and b&w. "From his sexy little bronze nymphs to his soaring golden 'Prometheus' at Rockefeller Center, the sculptures of Paul Manship have begu iled the public through much of this century. This dazzling monograph - as elegantly sophisticated as the artist's own oeuvre - celebrates the life's work of America's master of Art Deco.....As close to a jet setter as one could be in an e r a o f o c e an travel, Manship spent much of the early 1920s in Paris, where he was one of two American sculptors to have work included in the famous 'Exposition Internationale des Arts Decoratifs et Industriels Modernes' (the show that gave us th e t er m A rt D ec o). His worldwide reputation flourished in the 1930s with monumental commissions for the Bronx Zoo, Rockefeller Center, the New York World's Fair, and a multitude of other. The age of Abstract Expressionism eventually threw Man sh ip in to e cli pse , b ut the rediscovery of Art Deco illuminated the charms of his work once again, and his sculptures are again highly admired and passionately collected. This lively biography, affectionately written by Manship's son, pr ovid es muc h ne w i nfo rmat ion abou t the artist's long and productive career. The full range of that career is made vividly clear in the striking illustrations, many never before published. Because Manship was meticulous about documenting his work, th e bo ok in clud es r are s tudi es an d plasters that no longer exist, a revelatory sampling of little-known early and late works, and pristine original views of works that have since suffered the effects of time and weather. The result i s an e ngag ing, enligh tenin g boo k that deft ly cap tures the spirit of an artist wholeheartedly devoted to the pursuit of beauty." Slight waviness to top/bottom of textblock. Dust jacket has very minor edge wear, light rubbing. Near Fine/Ver y Good 
Price: 195.00 USD
 
 
66 Marciano, John Bemelmans. BEMELMANS: THE LIFE & ART OF MADELINE'S CREATOR.
New York Viking 1999 067088460X / 9780670884605 First Edition Hard Cover Very Good Very Good+ Ludwig Bemelmans. 
152 pp, 10 1/2" H x 10 1/4" D. Pictorial endpapers. Profusely illustrated throughout with photographs and reproductions of Bememelmans' work in colour and b&w. "Although Ludwig Bemelmans is best known for his Madeline books, his creative life extended far beyond the 'old house in Paris'. He was a novelist and nonfiction writer, as well as a regular contributor to 'The New Yorker', 'Vogue', 'Holiday', and 'Town & Country'. He also painted murals in the bar at the Carlyle Hotel that still bears his name. Throughout his life he was a celebrated bon vivant who experienced a rich variety of places, personalities, and professions. He even worked as a screenwriter for MGM, and planned to collaborate on a book with First Lady Jacqueline Kennedy. Late in his life Bemelmans decided to pursue his lifelong desire to paint with oils. The stunning results of his efforts are showcased here in two painting sections - one featuring his Paris paintings, the other pictures of Manhattan and its environs from his exhibition at the Museum of the City of New York. Bemelmans' fascinating life story is told through letters, photographs, illustrations, paintings, sketches, and excerpts from both his published writings and his private journal, selected by his grandson, (the author), who has also written a running text to guide the reader through Bemelmans' own words and pictures. The narrative celebrates the high times, but also sheds light on some of the bleaker periods of Bemelemans' life and how these events influenced him and his art. The final part of the book explores his creative process while working on the Madeline sequels. This elegantly designed and lavishly illustrated book showcases Bemelmans' art and writing and illuminates the relationship between the man and his work." Light wear on bottom edge of book. Dust jacket has very minor edge wrinkling. 
Price: 25.00 USD
 
 
BERNINI., Martinelli, Valentino, a cura di.
67 Martinelli, Valentino, a cura di. BERNINI.
Arnoldo Mondadori Editore, Italy, 1953. 
186 pp, 12mo (7 3/16" H), hard cover in dust jacket. Profusely illustrated in b&w and color with photographs, reproductions. ITALIAN TEXT ONLY. Biblioteca Modern Mondadori CCCLII. "Il nome di Gian Lorezo Bernini chiama subito alla mente una ser ie di opere famose: sculture, monumenti e complessi architettonici che hanno dato a Roma nel Seicento un aspetto fastoso, aulico, barocco. Bernini e infatti uno dei creatori dello stile barocco, l'inventore d'una nuova visione delle arti f i g u r a t i v e , in cui pittura, scultura, architettura, rompendo le leggi armoniose della tradizione rinascimentale, si rinnovano per fondersi nei capolavori del maestro in una 'unita delle arti', che segna un punt d'arrivo della creativita uman a, u n ca pi to lo n uo vo della storia dell'arte non soltanto italiana ma europea...." Small bump to top corner of boards and bottom corner of front board, wrinkling at top/bottom of spine. Dust jacket has very small chips and tears (two archiv all y t ap ed) at to p/b ott om of spine and flap-folds, light browning on spine and on flap-folds, minor soiling. Very Good-/Good+ 
Price: 20.00 USD
 
 
IL MANIFESTO ITALIANO., Menegazzi, Luigi.
68 Menegazzi, Luigi. IL MANIFESTO ITALIANO.
Electa, Milano, 1995. 
285 pp, 4to (11 1/4" H), hard cover in dust jacket and slipcase. ISBN 8843552414 Colour reproductions. ITALIAN TEXT ONLY. Looks at the incredible Italian advertising art of the end of the 19th and first few decades of the 20th centuries. Somma rio: Premessa; Origine della grafica cartellonistica; Il manifesto storico italiano; Dagli anni Trenta alla caduta del fascismo; Manifesti italiani; Apparati; Notizie biografiche; Bibliografia. Dust jacxket has very light edge wrinkling, v e r y m i n o r rubbing. Slipcase has light rubbing to glossy surfaces, very light wear on bottom surface. Fine/Near Fine in Very Good+ slipcase 
Price: 175.00 USD
 
 
MIRO:  SELECTED PAINTINGS., Millard, Charles W.  Foreword by Abram Lerner.  (Miro)
69 Millard, Charles W. Foreword by Abram Lerner. (Miro) MIRO: SELECTED PAINTINGS.
Smithsonian Institute Press, Washington, D.C., 1980. 
94 pp, small 4to (10 3/16" H), hard cover in dust jacket. ISBN 0874746388 Colour and b&w reproductions. The catalogue of the exhibition. "Referring primarily to works from American collections, Charles Millard comments critically on the nature a nd evolution of Miro's style, showing his indebtedness to the early medieval frescoes of his native Catalonia, as well as the work of Van Gogh, Cezanne, the Cubists and Matisse. The eventual assimilation of these influences freed him to pur s u e h i s own path. Forty-five large colour reproductions in addition to sixteen in black and white amply demonstrate Miro's development, beginning with a surviving student drawing, 'Design for a Jewel' (1908), and continuing to the monumental ca nv as , ' Bl ue II', and finally the intriguing 'Bird, Insect, Constellation' of 1974." Dust jacket has light wrinkling and tiny tears at top/bottom of spine - minor wrinkling elsewhere. Near/Fine/Very Good 
Price: 20.00 USD
 
 
ARTIST AND BOTANIST: THE LIFE & WORK OF ESMOND ATKINSON., Moore, John L., ed.
70 Moore, John L., ed. ARTIST AND BOTANIST: THE LIFE & WORK OF ESMOND ATKINSON.
A.H. & A.W. Reed, Wellington, N.Z., nd. 
96 pp., lg 8vo., HC Tribute to the work of a notable New Zealander. Illustrated with 16 col. plates, halftone plates & botanical drawings. Small area of fading at top of spine and light corner wear. Dj has several closed tears up to 1 1/2", smal l chips/holes, light soiling and scuffs. VG/G+ 
Price: 20.00 USD
 
 
71 Narkiss, Bezalel, editor, in collaboration with Michael E. Stone. Historical survey by Avedis K. Sanjian. ARMENIAN ART TREASURES OF JERUSALEM.
Caratzas Brothers, New Rochelle, New York, 1979. 
174 pp, folio (13 1/8" H), hard cover in dust jacket. ISBN 0892410957 Map endpapers, color and b&w photographs. "...unveils a dazzling variety of art objects - sumptuous medieval illuminated manuscripts, printed books, mosaic pavements, painted t iles and ritual objects. The book contains 194 illustrations, of which 131 are in color. A full description of the Armenian art treasures of Jerusalem and their background has been written by Professor Bezalel Narkiss, head of the Depart m e n t o f A r t at the Hebrew University, Jerusalem. His collaborator, Professor Michael E. Stone, of the Department of Armenian Studies of the same University, has contributed a detailed catalogue of the objects illustrated. An introductory c ha pt er o n t he hi st ory of the Armenian Communities in Jerusalem has been written by (Professor) Avedis K. Sanjian." Very light edge rubbing to boards, tiny dint at top of front board. Dust jacket has light edge wear/wrinkling, some small a rea s o f d ela mi nat ion at edg es, light edge curl at top of panels, moderate wear at top of flap-folds and at top of spine, one small tear with moderate wear - archivallty taped, very light rubbing, small line scuff on rear panel. Very Good/Go od+ 
Price: 45.00 USD
 
 
THE FEMALE NUDE:  ART, OBSCENITY AND SEXUALITY., Nead, Lynda.
72 Nead, Lynda. THE FEMALE NUDE: ART, OBSCENITY AND SEXUALITY.
Routledge, London, 1994, reprint. 
133 pp, 9 3/16" H, soft cover. ISBN 0415026784 B&w illustrations. "(B)rings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art, and by exploring the ways in which accept able and unacceptable images of the female body are produced and maintained renews recent debate on high culture and pornography. It represents the first feminist survey of the most significant subject in western art, revealing how the fema l e n u d e is now both at the centre and at the margins of high culture. At the centre, and within art historical discourse, the female nude is seen as the visual culmination of enlightenment aesthetics; at the edge, it risks losing its repectab il it y a nd s pi l ling over into the obscene." Interior - clean and tight with no previous ownership marks. Exterior - minor edge wear, small line indentation on rear cover. Very Good+ 
Price: 22.50 USD
 
 
73 Pedersen, B. Martin, creative director. Graphis. GRAPHIS DESIGN 98. THE INTERNATIONAL ANNUAL OF DESIGN AND ILLUSTRATION.
Graphis, (New York, 1997). 
248 pp, 4to, HC in dust jacket. More than 600 full-color images. "...the international showcase or the best work produced in all areas of contemporary graphic design. More than six hundred full-color examples of creative excellence and innovation in graphic design are featured here. The best of international design is categories ranging from annual reports, corporate identity and brochures, to products, promotions and packaging design fill these pages. Insightful commentary b y a r e n o w n d esign historian and case studies of the works of twelve leading design firms are also presented. With complete captions and credits as well as indices of design firms, creative directors, art directors, designers, artists, illu st r at o rs , ph ot og ra p he rs and clients, (this book) is an indispensable resource for all design professionals and their clients..." Tiny shallow dint to front hinge of dust jacket. This is a new, unread book - just removed from publisher's sh ri nkw ra p f or ca tal ogu ing a nd mylaring of dust jacket. NF/NF 
Price: 30.00 USD
 
 
DUNCAN PHILLIPS CENTENNIAL EXHIBITION.  JUNE 14 TO AUGUST 31, 1986., Phillips, Laughlin, foreword.  Introduction by Eliza E. Rathbone.  (Law B. Watkins, Erika Pasantino, Sarah Martin.)
74 Phillips, Laughlin, foreword. Introduction by Eliza E. Rathbone. (Law B. Watkins, Erika Pasantino, Sarah Martin.) DUNCAN PHILLIPS CENTENNIAL EXHIBITION. JUNE 14 TO AUGUST 31, 1986.
Phillips Collection, Washington, D.C., 1986, second edition. 
48 pp, 11" H, soft cover (stapled in wraps). Illustrated in b&w and color with photographs, reproductions. The catalog of the exhibition. Contents: Foreword; An Introduction to the Exhibition; Duncan Phillips and Color; Chronology; Major Gifts of Duncan Phillips to Other Institutions. Interior - clean and tight with no previous ownership marks. Exterior - very light wear on spine. Very Good+ 
Price: 15.00 USD
 
 
NO MAN'S LAND: A POSTWAR SKETCHBOOK OF THE WAR IN THE TRENCHES., Pratt, George.  Introduction by Marshall Arisman.
75 Pratt, George. Introduction by Marshall Arisman. NO MAN'S LAND: A POSTWAR SKETCHBOOK OF THE WAR IN THE TRENCHES.
Tundra, Northampton, MA, 1992. 
Unpaginated, 12" H, soft cover with self-flaps. ISBN 187945064 Profusely illustrated in b&w and colour. The artist presents his interpretation of life in the trenches and battles of the First World War and introduces contemporary poems and quotat ions. Interior - clean and tight with no previous ownership marks. Exterior - very light edge wear, small crease at top edge of front cover, tiny gouge near top of front hinge. Very Good 
Price: 17.50 USD
 
 
76 Ray, Man. Preface by David P. Silcox. Introduction and notes by Steven Manford. Preface in French by Tristan Tzara. CHAMPS DELICIEUX; ALBUM DE PHOTOGRAPHIES: HOWALD LETTERS.
Toronto University of Toronto Art Centre / Coach House Books 2000 1552450872 / 9781552450871 First Edition Soft Cover Very Good Man Ray. 
63 pp, 11" H. B&w photographs, reproductions. The catalogue of the exhibition. Contents: Preface; Introduction; Man Ray's Letters to Ferdinand Howald with notes by Steven Manford; Champs Delicieux: Album de Photographies, 1922; La photographie a l'envers: Une preface; Photography Upside Down: A Preface; The Rayographs; Additional Works by Man Ray; Select Bibliography. Interior - clean and tight with no previous ownership marks. Exterior - very minor edge wear, 2" light scratch on front cover, slight fading to spine color. 
Price: 35.00 USD
 
 
77 Reade, Brian and Dickinson, Frank. (Aubrey Beardsley.) AUBREY BEARDSLEY EXHIBITION AT THE VICTORIAN AND ALBERT MUSEUM 1966: CATALOGUE OF THE ORIGINAL DRAWINGS, LETTERS, MANUSCRIPTS, PAINTINGS; AND OF BOOKS, POSTERS, PHOTOGRAPHS, DOCUMENTS ETC.
[Victoria & Albert Museum, London, 1966.] Soft Cover 
Unpaginated, 8 3/4" H x 4 1/2" D x 5/8" W. Corrigenda laid in. Catalogue of an exhibition of over 600 pieces. Not illustrated. Interior - clean and tight with no previous ownership marks. Exterior - very light browning to covers and edges of textblock, light wear at top of spine, top corners very slightly curled, minor soiling, spine flat and uncreased. VG 
Price: 15.00 USD
 
 
MONTAGNE PARADIS OU LE REVE ROMANTIQUE., Samivel.  Documentation et photographies S. Norande.
78 Samivel. Documentation et photographies S. Norande. MONTAGNE PARADIS OU LE REVE ROMANTIQUE.
Arthaud, Paris, 1988. 
207 pp, square small 4to (10 1/16" H), hard cover in dust jacket. ISBN 2700307100 Profusely illustrated in colour. FRENCH TEXT. Table: Introduction; Sublimes horreurs; Le Simplon ou la merveille des Alpes; L'Honorable voyage aux glacieres; Les B onheurs du haut pays; La Galerie des amateurs; Les Enfances du fleuve; Adieux aux ames sensibles; Fioretti des demoiselles; Remerciements; Notes; Bibliographie; Notes biographiques; Table des illustrations. Minor soiling on bottom of textb l o c k . D u st jacket has wrinkling and tiny tears (archivally taped) at top/bottom of spine and flap-folds, minor rubbing, slight edge curling, one small tear with creases cellotaped on inside. Very Good+/Very Good- 
Price: 55.00 USD
 
 
79 Shakespeare, William. THE SONNETS OF WILLIAM SHAKESPEARE. TRANSCRIBED IN THE SWEET ROMAN HAND.
London Cassell 1988 0304321710 / 9780304321711 Hard Cover Very Good+ Very Good Tom Gourdie. 
154 sonnets (one per page) + alphabetical listing of sonnets. Oblong (5 5/8" H x 8 5/8" D). "Shakespeare's sonnets, were they all that he had ever written, would have ensured him immortality. Read by every succeeding generation, they continue to challenge, stimulate, and sometimes mystify. The calligrapher Tom Gourdie, fascinated by the beauty of Shakespeare's language, has matched his own mastery of letterforms to the poet's mastery of words and has handscripted the 154 sonnets in a fluent, dramatic italic style, drawn with a beautiful craftsmanship. Each sonnet is begun with a unique decorative initial, in a rich, contrasting red. Calligraphers everywhere will welcome this rare example of their art, and will want to use it as inspiration for their own work. In Tom Gourdie's fine presentation of this book, truly a labour of love, Shakespeare's sonnets take on a new vitality and can be read afresh, a pleasure both to the eye and to the spirit." Very small soft bump at bottom of spine. Dust jacket has very light edge wrinkling, minor rubbing. 
Price: 20.00 USD
 
 
80 Silver, Kenneth E.; Parke-Taylor, Michael; Blondil, Nathalie; Kostenevich, Albert. Prefaces by Matthew Teitelbaum, Guy Cogeval, Mikhail Piotrovsky, Robert Kaszanits. VOYAGE INTO MYTH: FRENCH PAINTING FROM GAUGUIN TO MATISSE FROM THE HERMITAGE MUSEUM, RUSSIA.
Art Gallery of Ontario, Toronto, 2002. 
224 pp, 4to (11" H), soft cover with self-flaps. ISBN 1894243234 Profusely illustrated in colour and b&w. The catalogue of the exhibition. "This book demonstrates how two strains of influence - the resurgence of Classicsim and the impact of 'pri mitivism' on Western culture - provide links between Symbolism, Post-Impressionism, Fauvism and the birth of Modernism. Certain polarities generated by these two different strains - tradition versus innovation, Western versus non-Western c u l t u r e , t he timelessness of myth versus the experience of modern life - were driven by ideas that developed formalist parallels. This can be seen in the struggle between the figurative and abstract in art, and in the contrast between the pa st or al i dy ll a n d the contemporary landscape...." Contents: Prefaces; 'Invitation to the Voyage', poem by Charles Baudelaire; New Spirits and Sacred Springs: Modern Art in France at the Turn of the Century; The Myth of the Midi: Landscape a s E art hly Pa rad ise ; F in d e Siecle Nostalgia and Primitivism: Ancient Brother or New Man?; Sergei Shchukin and Ivan Morozov: Two Legendary Collectors; Maurice Denis and Pierre Bonnard: The Morozov Decorative Paintings in the Hermitage Collec tion ; Ca talo gue; Sel ecti ve B ibl iog raphy; Index of Artists; List of Illustrations; Picture Credits. Tiny tear/crease archivally taped at top edge of leaf 117/118, minor soiling on bottom of textblock. Very Good+ 
Price: 45.00 USD
 
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