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Art - General

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Art - General

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21 Davis, Harry. (Tasha Tudor.) THE ART OF TASHA TUDOR.
Boston Little Brown 2000 0316174939 / 9780316174930 First Edition Hard Cover Very Good Very Good Tasha Tudor. 
148 pp, 11 1/8" H. Profusely illustrated in color and b&w with photographs and reproductiions. "Harry Davis draws from more than 10,000 pieces produced by Tasha Tudor, and here includes 150 of her finest paintings and drawings, including holiday cards, illustrations from her classic children's books, fashion designs she made for Pierre Deux, and samples from her personal sketchbooks. Tasha Tudor is the illustrator, author, or subject of more than ninety books, including 'The Secret Garden', one of the bestselling children's books of all time. She has left an indelible print on the traditions and celebrations of devoted fans all over the world. (She) has lived her art for three-quarters of a century, raising her own food, spinning and weaving her family's clothes, and leaving the fruits of her hobbies to the world as paramount collections - her gardens are famous, and her collection of 1830s clothing is the world's best. This is the definitve look at how Tasha Tudor's life has created her art, how her art has shaped her life, and why it is essential to view them together to best appreciate her gracious legacy. Davis provides detailed biographical information, everything from the origin of Tasha's name to how she raised four children on her own, in order to illustrate the amazing connection between her life and work. A longtime confidant, Davis details his most personal memories of the good and bad times they shared together." Light edge wear, bump at top of spine, one small light corner bump, ramainder mark on bottom of text block. Dust jacket has minor edge wear, wrinkling at top of spine - minor wrinkling elsewhere. 
Price: 25.00 USD
 
 
PRAGUE.  GREAT CENTERS OF ART SERIES., Denkstein, Vladimir and Kotalik, Jiri, edited and with an introduction by.   Jarmila Brozova, Jarmila Jindrova, Emanuel Poche, Jaromir Neumann, Jan Durdik, Emma Urbankova.
22 Denkstein, Vladimir and Kotalik, Jiri, edited and with an introduction by. Jarmila Brozova, Jarmila Jindrova, Emanuel Poche, Jaromir Neumann, Jan Durdik, Emma Urbankova. PRAGUE. GREAT CENTERS OF ART SERIES.
Montclair, N.J. Abner Schram 1979 0839002254 / 9780839002253 First American Edition Hard Cover Very Good Very Good 
252 pp, 13 1/2" H. Brown cloth with gilt lettering on spine, pictorial endpapers. In publisher's original plain cardboard slipcase. B&w and colour reproductions. "(A) stunning exhibition of the city's mag-nificent art treasures. Compiled by the directors of Prague's National Museum and National Gallery, this important and eye-filling work is a rich cornucopia which art historians, students of central Europe, and travelers to the historic city may sample with profit and pleasure. Itself an art treasure with its ancient buildings, historic monuments, and panoramic views, 'the city of a hundred towers' is home to notable collections of paintings, drawings, sculpture, and objects d'art dating from Charles IV and even earlier. Reflecting Prague's position at the heart of Europe along centuries-old trade routes, these collections encompass the continent's many schools of art, architecture, and handicrafts and repre-sent a distillation of Prague's turbulent thousand-year history. Modern scholarship, including some extraordinary scholarly detective work on the Prague Castle Gallery collection, has uncovered, restored, and made available to experts and public alike many little-known treasures. Equally impressive are collections of early art, coins, astronomical instruments, and Bohemian and modern Czechoslovak glass and porcelain. History of church and state can be glimpsed in the art of stone-cutters, goldsmith and silversmiths, weavers and embroiderers, and masters of illuminated manu-scripts." Contents: Introduction; National Museum; National Gallery; Museum of Decorative Arts; Museum of the City of Prague; Treasury of St. Vitus' Cathedral; Prague Castle Gallery; State Jewish Museum; Military Museum; Illuminated Manuscripts in Prague Libraries. Slight toning to edges of text block, light toning in margins of illustration pages. Dust jacket has a small faint water mark at the bottom of the spine, very light browning at edges, very small stain on rear panel. Slipcase has minor edge wear, light browning at edges. 
Price: 50.00 USD
 
 
RAINBOWS IN THE SKY:  THE FOLK ART OF MICHIGAN IN THE TWENTIETH CENTURY.  AN EXHIBITION PRESENTED BY THE MUSEUM, MICHIGAN STATE UNIVERSITY., Dewhurst, C. Kurt and MacDowell, Marsha.
23 Dewhurst, C. Kurt and MacDowell, Marsha. RAINBOWS IN THE SKY: THE FOLK ART OF MICHIGAN IN THE TWENTIETH CENTURY. AN EXHIBITION PRESENTED BY THE MUSEUM, MICHIGAN STATE UNIVERSITY.
Michigan State University, East Lansing, Michigan, 1978. 
128 pp, 10 15/16" H, soft cover. Profusely illustrated with b&w photographs of artists and their works. Introduction, essay. Features the works of the following artists: Alice Bennett, Russell Bennett; Eli Thomas; Glen VanAntwerp; Stan VanAntwerp ; H.H. Ackerman; Miles Smith; Marvin Mason; Gail Schmitz; Steve Harley; Ben Plourde; William Poe; Adah McBride; C. Kurpinski; John Wasilewski; Burr Parker; Ray Johnson; R.K. Cook; John VanZile; John Young; George Cass Shelby; Robert I. Pasan e n ; M a l c ah Zeldis; Gertrude Rogers; Ed Kay; Grace McArthur; Sali Frantz; Al Reiss; Dorion Raidel; John Jacob Makinen, Sr.; Edward Nelson; Keweenaw Peninsula ship sculptures; Henry Stephens; Stanley Smolak; Paul Domke; Ralph E. McCarry; E.K. L un d; C l ar en ce H ewes. Interior - soft crease at top corner of half the pages, otherwise clean and tight with no other ownership marks. Exterior - light edge wear, small creases across spine, soft creases at corners of covers. Very Good- 
Price: 20.00 USD
 
 
MINIATURES ARMENIENNES., Dournovo, L.A.  Redaction et preface de R.G. Drampian.
24 Dournovo, L.A. Redaction et preface de R.G. Drampian. MINIATURES ARMENIENNES.
Institut Mesrop Machtots des Anciens Manuscrits - Matenadaran Galerie d'art d'etat de la RSS d'Armenie, 1967. 
234 pp, large 4to (12 3/4" H), hard cover in dust jacket. Trilingual text - Armenian/Russian/French. Color plates. Previous owners 2" square label with Armenian text on free front endpaper. Dust jacket has light rubbing/soiling, 1 1/4" closed tear, light edge wear, light edge wrinkling - mainly along parts of top edge. tiny tears/creases at top of spine, a few tiny scuffs. VG+/VG- 
Price: 65.00 USD
 
 
PAUL NASH: THE MASTER OF THE IMAGE, 1889-1946., Eates, Margot.
25 Eates, Margot. PAUL NASH: THE MASTER OF THE IMAGE, 1889-1946.
John Murray, London, 1973. 
156 pp, 4to (11 1/2" H), hard cover in dust jacket. B&w and colour reproductions, b&w photographs. "Paul Nash was always a leading and often a controversial figure in modern English art. His complete integrity of vision, his sturdy individualism and his remarkable ability to evoke the indwelling spirit of his subject - a quiet woodland scene, a menacing prehistoric site, a strange 'objet trouve' or 'monster' bombers on the ground or in the air - set him somewhat apart from his contemporarie s. In its later phases his work was marked by a degree of intuitive vision which may well explain why he never adhered closely to any school or sought to found one himself. Despite this apparent isolation, or perhaps even because of it, his co n t r i bution to the art of the twentieth century was both vital and unique. No full scale study of his life and work has appeared for nearly twenty years and the Paul Nash Trustees felt that the time had come for a reappraisal of his achievement. Th ey a ccordingly invited Margot Eates, who had edited the 'Paul Nash Memorial Volume' and knew him well towards the end of his life to undertake this new, fully illustrated monograph. In it she traces Paul Nash's artistic development in relatio n to hi s b ackground and personality, and in a long appendix has attempted the difficult task of producing a workable chronology covering over one thousand of his recorded paintings and drawings." Slight musty odor to pages, small light dust mar k on b otto m of text block, a few tiny light marks on top of textblock, small heavy dent on front board - migrates lightly into first few pages. Dust jacket has light wrinkling on spine and parts of rear panel, small closed perforation on front p an el, l ight edge wrinkling at top edge, light wear/wrinkling with tiny tears/chips at top of hinges and flap-folds, rear panel color has light to moderate fading, slight browning and soiling. Very Good-/Very Good- 
Price: 75.00 USD
 
 
GAUGUIN AND THE NABIS: PROPHETS OF MODERNISM., Ellridge, Arthur.
26 Ellridge, Arthur. GAUGUIN AND THE NABIS: PROPHETS OF MODERNISM.
Terrail, Paris, 1995. 
223 pp, 4to (11 13/16" H), soft cover with self-flaps. ISBN 287939080X 164 colour reproductions. "Gauguin, the leading figure of the Pont-Even group, inspired the Nabis through his influence on the young painter Paul Serusier. In the Breton vill age where they spent the summer of 1888, Serusier, under Gauguin's direction, painted a landscape in pure colours that verged on the abstract. When they returned to Paris and showed the picture to their friends, Maurice Denis, Vallotton, Vuilla r d a nd Bonnard, the effect was so magical that it became known as 'The Talisman'. The painting was at odds with the academic teaching of the time and they saw it as a veritable revelation; hence the name 'Nabis' from 'Nebiim', Hebrew for prophet . ( T hi s book) traces the genesis of this revelation in the context of a survey of the intellectual and artistic climate in Paris at the turn of the century, a period that also embraced Symbolism, Japonism, and the originality of a group of artis ts wh os e c ommon characteristic was the will to apply the modernist ideal in every art form, including poster design, theatre programmes and stage sets." This is a heavy volume which may require extra postage, depending on destination. Interior - very li ght rub line on first few pages, otherwise clean and tight with no other ownership marks. Exterior - very light rubbing, small corner crease and soft crease on rear cover. Very Good 
Price: 35.00 USD
 
 
PERSIAN ART.  CALOUSTE GULBENKIAN COLLECTION., Ettinghausen, Richard, introduction.
27 Ettinghausen, Richard, introduction. PERSIAN ART. CALOUSTE GULBENKIAN COLLECTION.
Fundacao Calouste Gulbenkian, Lisboa, 1972. 
Unpaginated, 4to (12 3/4" H), hard cover in dust jacket with additional clear mylar cover. Introductory essay plus colour and b&w illustrations with captions. "This Album, published on the occasion of the celebrations of the 2500th Anniversary of the Iranian Monarchy, presents a selection of the Persian works of art in the Calouste Gulbenkian Museum from the sections of Ceramics, Textiles and Artistic Books. The criterion adopted for this selection was, generally speaking, the quality and a esthetic value of the items included and, for some of them, their rarity as well. In the Ceramics and Textiles sections the mains centres of production are represented, such as Rayy, Kashan, Tabriz, Herat and Isfahan, and in the Artistic B o o k s s e c t ion the important schools of Shiraz and Mashhad, as well as some fine specimens of 17th century bindings." Very Light browning in margins of pages and on edges of textblock, minor rubbing. Very Good/Very Good+ 
Price: 50.00 USD
 
 
28 Evans, Hilary and Evans, Mary. THE LIFE AND ART OF GEORGE CRUIKSHANK 1792-1878.
New York S.G. Phillips 1978 0875992277 / 9780875992273 Hard Cover Very Good Good George Cruikshank 
192 pp, 11 1/4" H. Profusely illustrated with b&w reproductions. "When George Cruikshank died, (over) a hundred years ago, he was admired as an artist, respected as a reformer, loved as a man. But he had lived so long and created so much that few could discern any unity underlying the diverse creations of his seventy-year working life - creations ranging from a thumbnail caricature of Napoleon III ('it never reigns but it bores!') to the four-metres-wide 'Worship of Bacchus' which now hangs, dusty and neglected, in the storerooms of the Tate Gallery. For some he was the artist who showed us Oliver Twist asking for mroe; for some the whimsical delineator of elves and fairies; for others the fanatical reformer who drew 'The Bottle' to convert us all from the Demon Drink. Everything he created was a spontaneous response to the world he saw. It might be something trivial, as when he went on a day-trip to Boulogne - the only time he left English soil! - and memorialized the event in a masterly sketch of seasick travellers (which perhaps explains why the adventure was never repeated). Or it might be on a deeper level, as when he symbolises in 'The Drunkard's Children' all the horrors of modern industrial society. It is his ability to see the world both as it is and as it might be which is the greatness of Cruikshank, both as a man and as an artist, and this book sets out to reveal the continual development of his art as a reflection of his continual development as a man. It therefore takes the form of a running commentary on pictures which are themselves a running commentary on the artist's outward and inward life. From more than two hundred pictures, one of the widest selections of his work ever brought together, Cruickshank emerges, not just as one of the world's greatest illustrators, but as a visionary artist whose work, at first glance so light and casual, reveals a profound sympathy and understanding of human life." Minor bump at top bottom of spine, one tiny corner bump, some light rubbing on rear board. Dust jacket has light edge wear, moderate edge wrinkling - mainly at top edge, light fading to spine and flap-fold color, 2" puckered triangular closed tear and small puncture with associated rub line on rear panel, 1" tear at bottom of front flap fold, minor rubbing and soiling on rear panel. 
Price: 25.00 USD
 
 
LA LINEA VIENNESE: GRAFICA ART NOUVEAU., Fanelli, Giovanni.
29 Fanelli, Giovanni. LA LINEA VIENNESE: GRAFICA ART NOUVEAU.
Firenze (Florence) Cantini 1989 Hard Cover Very Good Very Good 
338 pp, 4to (11 3/8" H). ITALIAN TEXT. Profusely illustrated in color and b&w. 400 illustrazioni a colorie 300 in bianco e nero. Sommario: Una rivoluzione artistica - la grafica applicata momento della Gesamtkunstwerk viennes; Disegnare a piu mani - la grafica applicata come prodotto di collaborazione; Giovani illustratori viennesie il settimanale "Meggendorfer Blatter"; "Allegorien. Neue Folge"; La Secessione viennese e la grafica; Koloman Moser - l'infinito ornamento; Lo Hagenbund e la grafica; Le fonti del gusto grafico viennese e la Kunstgewerbeschule; La Wiener Werkstatte e la grafica; Carl Otto Czeschka - la linea come suprema eleganza; Julius Klinger - la perfezione grafica come pulsio ne erotica sublimata; Berthold Loffler - la stilizzazione gioiosa; La stampa d'artista; La grafica della rivista e del libro; I calendari; Gli ex libris; La grafica pubblicitaria; La grafica applicata ai mezzi della comunicazione postale; La carta moneta; Tendenze autoctone e influenze viennesi nelle regioni dell'impero asburgico. Small bump on top edge of front board, tiny bump at top front corner, small light stain at top front of textblock. Dust jacket has one small closed edge tear, very light rubbing. 
Price: 75.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 5. EIGHTEENTH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE AUGUSTAN AGE.), Ford, Boris, ed.  Arthur Humphreys, Geoffrey Beard, Raymond O'Malley, David Mannings, Cinzia Maria Sicca, Pat Rogers, T.J. Edelstein, Sally Jeffery, Michael Symes, Nicholas Anderson, Bryan Little.
30 Ford, Boris, ed. Arthur Humphreys, Geoffrey Beard, Raymond O'Malley, David Mannings, Cinzia Maria Sicca, Pat Rogers, T.J. Edelstein, Sally Jeffery, Michael Symes, Nicholas Anderson, Bryan Little. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 5. EIGHTEENTH-CENTURY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE AUGUSTAN AGE.)
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
349 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Arts in Eighteenth-Century Britain; The Decorative and Useful Arts; Flowers in the Valley: Folk-Songs in Britain; The Visual Arts; Holkham Hall, Norfolk; Literature; Vauxhall Gardens; Architecture; 'The English Taste in Gardening'; Music; Augustan Bath; Further Reading and Reference; Index. Book is Fine. 
Price: 20.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 7. VICTORIAN BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE LATER VICTORIAN AGE.), Ford, Boris, ed.  Asa Briggs, John Summerson, Jacques Carre, John Holloway, George Rowell, John Nelson Tarn, Peter Fuller, Andor Gomme, Gillian Naylor, William Price, Michael Kennedy, Roly Bain, Norman Vance.
31 Ford, Boris, ed. Asa Briggs, John Summerson, Jacques Carre, John Holloway, George Rowell, John Nelson Tarn, Peter Fuller, Andor Gomme, Gillian Naylor, William Price, Michael Kennedy, Roly Bain, Norman Vance. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 7. VICTORIAN BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE LATER VICTORIAN AGE.)
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
347 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Later Victorian Age (The reign in review / Tendencies and trends); Architecture; The Public Park; Literature; The Drama of Wilde and Pinero; New Homes for Barons and Artisans; Fine Arts; The City of Glasgow; Design, Craft and Industry; The Eisteddfod; Music; Clowns and Augustes; Further Reading and Artists' Biographies; Index. Book is Fine. 
Price: 25.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 6. THE ROMANTIC AGE IN BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: ROMANTICS TO EARLY VICTORIANS.), Ford, Boris, ed.  David Punter, Alexander Youngson, John Beer, Michael Rosenthal, John Harvey, Alexandra Wedgwood, H.C. Robbins Landon, Tom Williamson, Pat Kirkham, Christopher Gillie.
32 Ford, Boris, ed. David Punter, Alexander Youngson, John Beer, Michael Rosenthal, John Harvey, Alexandra Wedgwood, H.C. Robbins Landon, Tom Williamson, Pat Kirkham, Christopher Gillie. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 6. THE ROMANTIC AGE IN BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: ROMANTICS TO EARLY VICTORIANS.)
Cambridge Cambrige University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
330 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; Romantics to Early Victorians; Edinburgh: City of Reason and Nature; Literature; The Fine Arts; Graphic Satire and Illustration; Architecture; Music; The Athenaeum; Enclosure and the English Hedgerow; The Applied Arts: Design, Craft and Trade; Further Reading and Artists' Biographies; Index. Book is Fine. 
Price: 25.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 2.  MEDIEVAL BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN:  THE MIDDLE AGES.), Ford, Boris, ed.  Derek Pearsall, Nicola Coldstream, Nigel Nicolson, Stephen Medcalf, Richard Axton, T.A. Heslop, R.B. Dobson, Nick Sandon, Christopher Page, Tom Williamson, Carol Meale.
33 Ford, Boris, ed. Derek Pearsall, Nicola Coldstream, Nigel Nicolson, Stephen Medcalf, Richard Axton, T.A. Heslop, R.B. Dobson, Nick Sandon, Christopher Page, Tom Williamson, Carol Meale. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 2. MEDIEVAL BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE MIDDLE AGES.)
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Near Fine No Jacket - (as issued) 
290 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Middle Ages; Architecture; Oxburgh Hall, Norfolk; Literature and Drama; Festive Culture in Country and Town; The Visual Arts and Crafts; The City of York; Music; The Working Landscape; Further reading and artists' biographies; Index. Very minor wrinkle at bottom of spine. 
Price: 20.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 3. SIXTEENTH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE CULTURAL GUIDE TO THE ARTS IN BRITAIN: RENAISSANCE AND REFORMATION.), Ford, Boris, ed.  Dominic Baker-Smith, Malcolm Airs, Derek Traversi, Eric Mercer, John Milsom, John Steane, Maurice Howard, Nigel Llewellyn, Philippa Glanville, Michael Leslie.
34 Ford, Boris, ed. Dominic Baker-Smith, Malcolm Airs, Derek Traversi, Eric Mercer, John Milsom, John Steane, Maurice Howard, Nigel Llewellyn, Philippa Glanville, Michael Leslie. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 3. SIXTEENTH-CENTURY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE CULTURAL GUIDE TO THE ARTS IN BRITAIN: RENAISSANCE AND REFORMATION.)
Cambridge Cambrige University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
325 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; Renaissance and Reformation; Architecture; Literature and Drama; The Town of Shrewsbury; Music; Renaissance Gardens and Parks; Painting and Imagery; A Tudor House: Hardwick Hall; The Crafts and Decorative Arts; Further Reading and Artists' Biographies; Index. Book is Fine. 
Price: 20.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 1. EARLY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: PREHISTORIC, ROMAN, AND EARLY MEDIEVAL.), Ford, Boris, ed.  Jacquetta Hawkes, Peter Salway, Barry Cunliffe, Sheppard Frere, Janet Huskinson, Roger Ling, Richard Bailey, Mildred Budny, Michael Alexander, Martin Biddle, Isabel Henderson, Richard Gem, Christopher Page, R. Allen Brown, Cherry Lavell
35 Ford, Boris, ed. Jacquetta Hawkes, Peter Salway, Barry Cunliffe, Sheppard Frere, Janet Huskinson, Roger Ling, Richard Bailey, Mildred Budny, Michael Alexander, Martin Biddle, Isabel Henderson, Richard Gem, Christopher Page, R. Allen Brown, Cherry Lavell THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 1. EARLY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: PREHISTORIC, ROMAN, AND EARLY MEDIEVAL.)
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Very Good+ No Jacket - (as issued) 
289 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction / Prehistoric Britain: Stone Age to Iron Age / Roman Britain: The Cultural and Social Setting; Studies in the Individual Arts (Architecture; Verulamium: Social and Artistic Development; The Visual Arts and Crafts; Lullingstone Villa) / Early Medieval Britain: The Cultural and Social Setting; Studies in the Individual Arts (The Visual Arts and Crafts; Old English Literature; Winchester: The Rise of an Early Capital; The Arts of Late Celtic Britain (AD 600-900); Architecture; Music; The White Tower of London) / Appendix: Further Reading / Sources of Illustrations / Index. Minor rubbing on boards. 
Price: 25.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 4. SEVENTEENTH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE SEVENTEENTH CENTURY.), Ford, Boris, ed.  Joseph Rykwert, David Daniell, Andor Gomme, Inga-Stina Ewbank, George Parfitt, Philippa Glanville, Wilfrid Mellers, John Murdoch, Adam White, Geoffrey Beard, Martin Butler.
36 Ford, Boris, ed. Joseph Rykwert, David Daniell, Andor Gomme, Inga-Stina Ewbank, George Parfitt, Philippa Glanville, Wilfrid Mellers, John Murdoch, Adam White, Geoffrey Beard, Martin Butler. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 4. SEVENTEENTH-CENTURY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE SEVENTEENTH CENTURY.)
Cambridge Cambrige University Press for The Folio Society 1995 Hard Cover Very Good+ No Jacket - (as issued) 
340 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Seventeenth Century; The Authorised Version of the Bible; Architecture; Masques and Pageants; Literature and Drama; The City of London; Music: Paradise and Paradox in the Seventeenth Century; Belton House, Grantham; Painting: from Astraea to Augustus; Nicholas Stone and Early Stuart Sculpture; Decorative and Applied Arts; Further Reading and Artists' Biographies; Index. Small slub in cloth on rear board. 
Price: 20.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 9. MODERN BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: SINCE THE SECOND WORLD WAR., Ford, Boris, ed.  Roy Shaw, Gwen Shaw, Paul Griffiths, Fernau Hall, Peter Fuller, Andrew Saint, Christopher Frayling, Gilbert Phelps, Neil Sinyard, Joseph Rykwert, Simon Pepper, John Heskett, Alan Munton.
37 Ford, Boris, ed. Roy Shaw, Gwen Shaw, Paul Griffiths, Fernau Hall, Peter Fuller, Andrew Saint, Christopher Frayling, Gilbert Phelps, Neil Sinyard, Joseph Rykwert, Simon Pepper, John Heskett, Alan Munton. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 9. MODERN BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: SINCE THE SECOND WORLD WAR.
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Very Good+ No Jacket - (as issued) 
350 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Cultural and Social Setting; Music; Ballet; The Visual Arts; New Towns; The Third Programme; The Crafts; Literature and Drama; Film; Architecture; Housing at Roehampton; Industrial Design; Further Reading and Reference; Index. A few very small areas of faint colour fading on front board. 
Price: 25.00 USD
 
 
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 8. EARLY TWENTIETH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE EDWARDIAN AGE AND THE INTER-WAR YEARS.), Ford, Boris, ed.  Wilfrid Mellers, Rupert Hildyard, Jacques Berthoud, Simon Pepper, Michael Kennedy, Richard Cork, John Beer, John Summerson, Neil Sinyard, Gillian Naylor, Frank Whitehead.
38 Ford, Boris, ed. Wilfrid Mellers, Rupert Hildyard, Jacques Berthoud, Simon Pepper, Michael Kennedy, Richard Cork, John Beer, John Summerson, Neil Sinyard, Gillian Naylor, Frank Whitehead. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 8. EARLY TWENTIETH-CENTURY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE EDWARDIAN AGE AND THE INTER-WAR YEARS.)
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
348 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Edwardian Age and the Inter-War Years; Literature and Drama; The Garden City; Music; The Visual Arts; The 'Civilization' of Bloomsbury; Architecture; Grierson and the Documentary Film; Design and Industry; John Laing's Sunnyfields Estate, Mill Hill; Further Reading and Artists' Biographies; Index. Book is Fine. 
Price: 25.00 USD
 
 
BASSENGE AUKTION 61.   14. BIS 15. MAI 1993.  MODERNE LITERATUR UND KUNSTDOKUMENTATION, ARCHITECKTUR, EXLIBIRS, FOTOGRAFIE, FILM, RUSSISCHE AVANTGARDE., Galerie Gerda Bassenge
39 Galerie Gerda Bassenge BASSENGE AUKTION 61. 14. BIS 15. MAI 1993. MODERNE LITERATUR UND KUNSTDOKUMENTATION, ARCHITECKTUR, EXLIBIRS, FOTOGRAFIE, FILM, RUSSISCHE AVANTGARDE.
Galerie Gerda Bassenge, Berlin, 1993. 
314 pp, large 8vo (9 1/2" H), soft cover. B&w illustrations. The catalogue of an auction. German text. Interior - small slight bump to top corner of most pages, otherwise clean and tight with no other ownership marks. Exterior - minor edge wear . Very Good 
Price: 20.00 USD
 
 
40 Geiger, Benno. ARCIMBOLDI.
Vallechi, Fireze, (1954). 
265 pp, large 8vo, HC. ITALIAN TEXT. Profusely illus in b&w and col. with reproductions of Arcimboldi's work. The artist is known for his fantastic portraits made up of vegetables, animals, fruit, everyday utensils/instruments, flowers, etc. Ver y slight browning to page edges, small bump to bottom corner of front board. Dj yellowing at edges, one or two small chips and tears, 1/4" dia. hole in lower part of rear panel, moderate soiling and rubbing. VG+/VG- 
Price: 30.00 USD
 
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