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THE IMPRESSIONIST AND THE CITY: PISSARRO'S SERIES PAINTINGS., Brettell, Richard R. and Pissarro, Joachim.  Edited by Mary Anne Stevens.
1 Brettell, Richard R. and Pissarro, Joachim. Edited by Mary Anne Stevens. THE IMPRESSIONIST AND THE CITY: PISSARRO'S SERIES PAINTINGS.
Museum of Art, Dallas, 1993. 
230 pp, 4to (11 5/16" H), hard cover in dust jacket and publisher's plain cardboard slipcase. ISBN 0300053509 Profusely illustrated with color reproductions. "In the final decade of his life Camille Pissarro abandoned his experimentation with Neo -Impressionist technique and developed new forms of pictorial expression that drew more on the Impressionism of his earlier career. During this period - from 1893 to 1903 - Pissarro, besides continuing to explore the landscape genre that had b e e n h is main subject-matter, also began to grapple with urban scenes, and his paintings of Paris, Rouen and the busy ports of Dieppe and Le Havre became an important component of his artistic output. At this time, Pissarro, like Monet, starte d to w or k o n canvas in series, often painting six or seven canvases simultaneously and discarding one temporarily when the light, the traffic, the weather or his mood altered. He started all of them at the scene, in the manner perfected by the I mpr ess ion is ts, and worked with extraordinary speed and deftness. By 1899, he was living part-time in Paris and, from his combined studio and living space, painted a series that included over forty views of the same motif. (The authors) beg in this bea utif ul book on Pissarro's cityscapes by setting the paintings in their broad art-historical context, tracing the tradition of the image of the city both within and prior to Impressionism and looking also at contemporary treatments of the urba n sce ne. (Th ey) e xamine the history of the representation of the city in the literature, poetry and philosophical writings of the nineteenth century and discuss Pissarro's knowledge of these alternative theories of the city. Using Piss arro 's ext ensive cor resp ondenc e from this period of his life, they describe the artist's attitudes towards his final works. The book also includes a catalogue of Pissarro's eleven urban series, each one introduced by an overview covering the histo ry of t he city scape pict ured an d the production, exhibition history, and early critical reception of the series. Full data of each painting follows." The catalogue of the 1993 exhibition. Slight waviness to fore-edge of text-block, min or rub bing on boards. Dust jacket has ver y minor edge wrinkling. Slipcase has slight browning at edges. Near Fine/Near Fine/Very Good+ 
Price: 45.00 USD
2 Dickens, Charles. Selected and introduced by Rosalind Vallance. DICKENS IN EUROPE.
London Folio Society 2010 Third impression. Hard Cover Near Fine 
212 pp, large 8vo (9" H). Dark brown cloth spine with gold lettering, black illustration of Dickens' Swiss Chalet on the mid brown paper covered front and rear covers. Map endpapers, b&w interior illustrations. Dark brown slipcase. Chapter headings: Crossing the Channel (July 1837); The First Visit to Italy (1844-45); Genoa (1844); The Adventure of 'The Chimes' (1844-45); Towards Rome (Spring 1845); Rome (1845); Naples (1845); A Secret Expedition (1845); Goodbye to Italy (June 1845); In Switzerland (1846); Paris (1851); In Provincial France (1853 and later); Switzerland and Italy (1853); Hommage a l'illustre ecrivain d'Angleterre (1855-65); Return Via Staplehurst (June 1865); At Home in the Swiss Chalet). Minor rubbing on slipcase. 
Price: 15.00 USD
MORRICE:  A GREAT CANADIAN ARTIST REDISCOVERED., Laing, G. Blair.  Introduction by Jean Sutherland Boggs.
3 Laing, G. Blair. Introduction by Jean Sutherland Boggs. MORRICE: A GREAT CANADIAN ARTIST REDISCOVERED.
Toronto McClelland & Stewart 1984 0771045689 / 9780771045684 First Edition Hard Cover Very Good+ Very Good James Wilson Morrice. 
224 pp, 11 3/4" H. Profusely illustrated with colour reproductions. "James Wilson Morrice is one of the twentieth century's most talented and lyrical painters. Whether depicting a Quebec village in winter, a Paris cafe, or a North African market place, Morrice's vibrant colours and perfectly balanced compositions capture his subjects in a suspended timelessness. The story of (his) life is no less colourful than his paintings. The young James's passion for art took him in 1890, at the age of twenty-five, from his wealthy Montreal background to Paris. It was here, among other artists such as Matisse, and writers such as Somerset Maugham and Arnold Bennett, that he felt a true kinship. And it was not long before Morrice's paintings were seen in the great Salons of Paris, and sent to the Montreal Art Association and the Canadian Art Club in Toronto for exhibition. Laing's fascinating account reveals the complexity of Morrice's genius and gives a definitive picture of James Wilson Morrice - the man, the artist, and his work." Slight waviness at top/bottom edges of text block. Dust jacket has light toning on spine, flap-folds and some edges; one small edge tear archivally taped; minor edge wrinkling. 
Price: 55.00 USD

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