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ROBERT BATEMAN - THE EARLY YEARS.
1 ROBERT BATEMAN - THE EARLY YEARS.
Georgetown, Ontario 1984 Stapled in Wraps Very Good+ 
12 pp (including covers), 8 1/2" H. 2 small b&w illustrations only, including photograph of Robert Bateman. The catalogue of an exhibition at Halton Hills Library and Cultural Centre, Georgetown, Ontario, from June 1 to August 3, 1984. Contents: Foreword; Robert Bateman 1930 - ; Paintings in the exhibition (chronological listing of 35 works of art from 1949 to 1963 giving title, year, medium and size in inches); Honours; Exhibitions (from 1959 to 1983); Publications with articles on Robert Bateman and his art; Book on Robert Bateman; Films on Robert Bateman; Patrons of the Exhibition. Postage for this light item will be reduced to most destinations. Interior - clean and tight with no previous ownership marks. Exterior - very minor edge wear and soiling. 
Price: 20.00 USD
 
 
CANADIAN WATERCOLOURS AND DRAWINGS IN THE ROYAL ONTARIO MUSEUM.  2 VOLUME SET IN SLIPCASE., Allodi, Mary.  Forword by Donald Blake Webster.
2 Allodi, Mary. Forword by Donald Blake Webster. CANADIAN WATERCOLOURS AND DRAWINGS IN THE ROYAL ONTARIO MUSEUM. 2 VOLUME SET IN SLIPCASE.
Toronto Royal Ontario Museum 1974 0888541597 / 9780888541598 First Edition Hard Cover Near Fine 
Unpaginated, oblong (8 7/8" H x 12 1/4" D) - medium brown cloth with gilt lettering on spines and front boards. Slipcase covered in matching brown cloth with gilt lettering and colour pastedown on front panel. 2220 reproductions in b&w and colour. Volume One: Foreword; Introduction; Notes on Procedure; Abbreviations; Artists A to K. Volume Two: Artists K to Y; Anonymous Artists; Geographic Index; Subject Index. Minor wrinkling at top/bottom of spines. Slipcase has very minor rubbing. 
Price: 50.00 USD
 
 
3 Anderes, Fred & Agranoff, Ann. ICE PALACES.
Toronto Macmillan of Canada 1983 0771598572 / 9780771598579 First Edition Hard Cover Near Fine Very Good 
132 pp, oblong (9 1/8" H x 10 3/4" D). Profusely illustrated with colour and b&w photographs, repro-ductions, architectural drawings. "The magical buildings illustrated in this pioneer study of a virtually unknown architectural phenomenon were truly built of ice, and they were said to shimmer with color and fire reminiscent of sapphire, topaz, and opal. In style they recalled medieval castles, Gothic cathed-rals, Russian palaces, and Art Deco fantasies. Many were huge, reaching as high as a 14 -story building and extending as long as a football field, but, of course, there's no physical trace of them. Nevertheless, the authors have discovered dozens of historic photographs, lithographs, postcards, paintings, and drawings of these fabulous but ephemeral constructions, as well as mementoes of the winter activities and sports surrounding their creation. (They) relate the history of ice castle building and examine about thirty in detail. This type of architectural tour de fource had its beginning in 18th-century Russia, when the eccentric Empress Anna Ivanova built an icy honeymoon cottage for an out-of-favor prince. In North America, ice palaces were created as centrepieces for the winter carnivals that sprang up in northern cities in the late 19th century. Between 1883 and 1942, grand castles were built of blocks of ice in the Canadian cities of Montreal, Quebec, and Ottawa, and also in St. Paul, Minnesota, and Leadville, Colorado. Today the leading centers for construction in ice and snow are at the annual winter festivals held in Quebec, Canada, and Sapporo, Japan. (T)he authors - both architects - examine the theory and practice of building with ice (which under certain conditions has the structural properties of concrete), both for practical and fantastic purposes." Book is clean and bright. Dust jacket has light rubbing - mainly on front panel, minor wrinkling at top of spine. 
Price: 25.00 USD
 
 
4 Armitage, Michael, editor-in-chief. (Peter Kilduff, Peter Cooksley, Michael Burns, John Ray, Ray Sturtivant, John Maynard, Tony Mason, Michael Gething, Ron Dick, Ken Delve, Mike Spick, et al.) CLASSIC RAF BATTLES FROM WORLD WAR ONE TO THE PRESENT.
Arms and Armour, (London, 1995). 
171 pp, oblong large 8vo, hard cover in dust jacket. B&w maps, 40 color reproductions of paintings. "Forty superb full-colour paintings, accompanied by detailed background narratives, show the RAF in action, from the dogfights of the First World W ar to missions in the Gulf War...represent work of some of the very finest aviation artists working today...Sir Michael Armitage has assembled a first-class team of RAF veterans, historians and aviation experts with the brief to write the b a c k g r o u n d history of the action depicted in each painting...arranged chronologically within the decades of RAF service..." Dust jacket has a tiny closed tear and wrinkle at bottom edge of front panel, light wrinkling at bottom of front f la p- fo ld . F in e/ VG + 
Price: 25.00 USD
 
 
5 Axelrod, Alan, commentary. Arrangements by Dan Fox. SONGS OF THE WILD WEST.
New York Metropolitan Musem of Art / Simon & Schuster 1991 0671747754 / 9780671747756 First Edition Hard Cover Very Good+ Very Good+ 
128 pp, oblong large 8vo (9 1/2" H x 10 3/4" D). Decorated endpapers, profusely illustrated in color and b&w with photographs, reproductions. "Nothing captures the spirit of the Old West better than the jaunty tunes and classic ballads the cowboys and settlers sang, songs richly represented in this visually stunning volume. Panoramic in scope, the 45 songs, coupled with works of art from The Metropolitan Museum of Art, New York, and the Buffalo Bill Historical Center, Cody, Wyoming, chronicle the stirring saga of westward expansion and reflect every facet of life during one of the most exciting periods in our nation's history. The lore of the West intrigued many artists, and the works featured include paintings and sculpture by Frederic Remington, Charles M. Russell, and N.C. Wyeth, as well as a myriad of fascinating artifacts: saddles, spurs, guns, guitars, a stagecoach ticket, a Navajo blanket, and other objects that provide a vivid picture of life in the West. A lively and intriguing text further illuminates this bygone world, exploring the history of the songs, their lyrics, the accompanying art, and the development of the West. The music, arranged for beginning to intermediate musicians and accompanied by chords for the guitar or banjo, is suitable for piano, organ, violin, or recorder." Includes: Across the Wide Missouri; The Big Corral; Billy the Kid; Blood on the Saddle; The Boll Weevil; Bucking Bronco; Buffalo Gals; The Buffalo Hunters; Bury Me Not in the Lone Prairie; Cavalry Charge; Chopo; Cielito Lindo; Cindy; The Colorado Trail; Cotton-Eyed Joe; The Cowboy; Cowboy Jack; Cowboy Lullaby; The Cowboy's Lament; The Day of '49; Down in the Valley; Git Along, Little Doggies; Goodbye, Old Paint; Ho! Westward Ho!; Home on the Range; I Ride an Old Paint; Jack O'Diamonds; Jesse James; Night-Herding Song; The Old Chisholm Trail; Old Dan Tucker; Old Texas; Patsy Ory Ory Aye; The Railroad Corral; The Rainbow Cradle; Sam Bass; The Strawberry Roan; Sweet Betsy From Pike; Tenting on the Old Campground; The Texas Cowboy; The Texas Rangers; The Wabash Cannonball; The Wells and Fargo Line; The Yellow Rose of Texas; The Zebra Dun. Minor rubbing on glossy boards, 2" faint line indentation on fron board. Dust jacket has minor edge wrinkling, three tiny scuffs on front flap fold. 
Price: 25.00 USD
 
 
NAUTICAL ANTIQUES & COLLECTABLES., Baddeley, Jon.
6 Baddeley, Jon. NAUTICAL ANTIQUES & COLLECTABLES.
Konecky & Konecky, (New York, 1993). 
160 pp, 4to (11 1/4" H) hard cover in dust jacket. Profusely illustrated in color and b&w. "This well-illustrated collector's guide covers a wide range of nautical decorative arts and naviational instruments. The book spans the period from the sixteenth century to the present day with an emphasis on the golden age of production between 1800 and 1940. These more modern pieces are readily found in specialist shops and auctions and are therefore more affordable than earlier and rarer pieces. The book is divided into eight chapters, covering ship models, navigational instruments, ship fixtures and fittings, marine arts and crafts, ocean liner artefacts and ship portrait painting. A concluding chapter lists public and private collections where marine art can be seen and provides information on its purchase internationally. There is also practical advice on the restoration of these artefacts." Dust jacket very light edge wrinkling and very light rubbing. Fine/Very Good+ 
Price: 50.00 USD
 
 
NIAGARA-ON-THE-LAKE: IMAGES OF A TOWN., Balbar, George.
7 Balbar, George. NIAGARA-ON-THE-LAKE: IMAGES OF A TOWN.
Vanwell, St. Catharines, Ontario, (1988). 
64 pp, oblong small 8vo (7 1/2" H x 10 1/2" D), hard cover in dust jacket. ISBN 0920277187 Profusely illustrated with color and b&w paintings/drawings showing the history, architecture and life of this charming Ontario town. Dust jacket has minor edge wrinkling, soft crease on rear panel. NF/VG+ 
Price: 17.95 USD
 
 
IRISHMEN ALL., Birmingham, George A.  Colour illustrations by Jack B. Yeats.
8 Birmingham, George A. Colour illustrations by Jack B. Yeats. IRISHMEN ALL.
T.N. Foulis, Edinburgh, 1914 reprint. 
225 pp + publisher's ads, 8vo (8 1/2" H), hard cover (dark green cloth with gold lettering on spine and front board) - no dust jacket. Top edge gilt. Fore edges of textblock untrimmed. 12 colour plates from oil paintings by Jack B. Yeats, tipped on to gray stock and tissue-covered (collated). Chapter headings: The Higher Official; The Minor Official; The Policeman; The Squireen; The Politician; The Country Gentleman; The Farmer; The Publican; The Exile from Erin; The Parish Priest; T h e " M inister"; The Young Lady and Gentleman in Business. Previous owner's name/date on front pastedown, faint pencil erasure marks on free front endpaper, light edge wear, slight browning to spine, some soiling/browning to yapped page edges. V er y G oo d- 
Price: 100.00 USD
 
 
HISTORY OF COLOR IN PAINTING.  WITH NEW PRINCIPLES OF COLOR EXPRESSION., Birren, Faber.
9 Birren, Faber. HISTORY OF COLOR IN PAINTING. WITH NEW PRINCIPLES OF COLOR EXPRESSION.
Van Nostrand Reinhold, New York, 1965, second printing. 
372 pp, 4to (12 1/4" H), hard cover in dust jacket. "Faber Birren, the noted color authority, surveys the color theories of the past and analyzes the paletes and techniques of painters from the Renaissance to the present. Showing the relationship between color theory and practice, he sets forth a new art of color based on modern scientific research in human perception. The first part of the books traces the development of color theory, presenting the views of such thinkers as Leonardo da Vi nci, Newton, Goethe, Brewster, Hering, Chevreul, Rood, Ostwald, and Munsell. The palettes used by many of the great painters are described and listed in detail. Modern color theory and color effects based on human perception are fully expl a i n e d a n d illustrated. A unqiue chart of artists' color samples duplicates visually the palettes of da Vinci, El Greco, Rembrandt, Turner, the Impressionists, and the Abstract Impressionists, enabling the painter of today to match the color ef fe ct s of th es e painters. The second part offers a comprehensive history of painting as seen through the discerning eyes of a color specialist; it contains a wealth of reference material which supports the creative principles outlined in the fi rst se ct ion . T his book is richly illustrated with 32 handsome color plates showing great paintings and more than 500 black-and-white illustrations, including 80 reproductions of paintings depicting famous artists and their palettes." Th e tw o pa ge " Col or C ha rt o f Pi gments and Palettes" is complete. Small scuff to cloth on bottom edge of front board. Dust jacket has four edge tears - two larger (one with creases) - all archivally taped, light edge wear/wrinkling, light rub bing. Ver y Goo d+/G ood 
Price: 60.00 USD
 
 
FROM THE HEART:  FOLK ART IN CANADA., Blanchette, Jean-Francois, et al.
10 Blanchette, Jean-Francois, et al. FROM THE HEART: FOLK ART IN CANADA.
McClelland and Stewart/National Museum of Man, (Toronto, 1983). 
256 pp, oblong 4to (9 3/4" H), soft cover. ISBN 0771090226 "...makes available the full scope of folk art from across Canada and, for the first time, introduces some of the artists who create it. The panorama of cultures and regional traditions t hat gives meaning to this vast nation is represented in the diverse objects brought together by the Canadian Centre for Folk Culture Studies, a branch of the National Museum of Man." Profusely illus. in b&w and colour with everything from w e a t h e r v a nes and decoys to kitchenware, quilts and oil paintings. Very light edge wear, very light rubbing on covers. Very Good+ 
Price: 20.00 USD
 
 
11 Bobak, Molly Lamb. Foreword by David P. Silcox. Introduction by Joe Plaskett. WILD FLOWERS OF CANADA: IMPRESSIONS AND SKETCHES OF A FIELD ARTIST.
Toronto Pagurian Press 1978 0889320772 / 9780889320772 First Edition Hard Cover Very Good+ Very Good Molly Lamb Bobak. 
96 pp, 12 1/4" H. Beautifully illustrated with full-page reproductions of watercolours of flowers. "Molly Lamb Bobak was born in 1922, the daughter of H. Mortimer Lamb, art critic and art collector. Her father introduced her to art and artists at an early age - Emily Carr, Frederick Varley, A.Y. Jackson - and her mother instilled in her a love for nature and humble work. She grew up on the West Coast, attended the Vancouver School of Art when Jack Shadbolt was a teacher there, and joined the Canadian Women's Army Corps in 1942, eventually becoming Canada's only woman war artist. In London, she met Alex Colville, Lawren Harris, and Bruno Bobak, whom she married after the war. She and her husband returned to Canada and became an integral part of the Vancouver art scene in the 1950's. They won fellowships, lived in England for a time, and in 1960 moved to Fredericton where she has lived and painted ever since. 'Wild Flowers of Canada' is a very personal book. Friends, family, feelings are examined in the light of present maturity, and reminiscences of A.Y. Jackson, Kathleen Fenwick, Alex Colville, Charles Comfort, Douglas Duncan, Miller Brittain, Frederick Varley, Tom Thomson, David Milne, Donald Buchanan, and many others promient in the world of Canadian art add colour to a sensitive biography by one of Canada's great artists." Tiny bump at bottom corner of both boards. Dust jacket is price-clipped, has light edge wear/wrinkling - mainly at top/bottom of spine and flap-folds, a few tiny edge tears - archivally taped, very small dent on front hinge. 
Price: 25.00 USD
 
 
12 Boehm, Gottfried. (Gotthard Graubner.) GOTTHARD GRAUBNER.
Deutsche Siedlungsund Landesrentenbank, Bonn, 1990. 
76 pp, 4to (12 5/8" H), hard cover (yellow cloth with white lettering on spine and front board) - no dust jacket. Color photo frontispiece, b&w photos, color and b&w reproductions. A retrospective of the artist's work from the 1950s to the late 1980s. Includes a short biography, list of exhibitions, and bibliography. Interior - clean and tight with no previous ownership marks. Exterior - very small bump to top edge of rear board, a few tiny/small watermarks and very light soiling on front board. VG- 
Price: 45.00 USD
 
 
THE CANADIAN EARTH:  LANDSCAPE PAININGS BY THE GROUP OF SEVEN., Boulet, Roger.  Biographies by Paul Duval.  Foreword by A.J. Casson.
13 Boulet, Roger. Biographies by Paul Duval. Foreword by A.J. Casson. THE CANADIAN EARTH: LANDSCAPE PAININGS BY THE GROUP OF SEVEN.
Cerebrus/Prentice-Hall, n.p., (1982). 
227 pp, oblong 4to (10 3/4" H x 13 1/2" C x 1 1/4" W), hard cover in dust jacket. Beautifully and profusely illustrated in full colour with full page reproductions. "...a story of the landscape paintings of Tom Thomson and those painters who bande d together as the Group of Seven. In a succinct and readable essay, author Roger H. Boulet follows the trails these artists blazed on their sketching trips. Theirs was a quest for the rediscovery of their own country...Most of the paintin g s s e l e c t ed for this volume have been held in both private collections and major public galleries. The majority, however, have never been reproduced before..." Dust jacket has light to moderate edge wear, very light edge wrinkling, light r ub bi n g, t in y te ar with crease at top of rear hinge area, an 8" line of tiny faint dints across front panel. VG+/G+ 
Price: 90.00 USD
 
 
14 Boulet, Roger. Signed. Foreword by John P. Crabb. THE TRANQUILITY AND THE TURBULENCE.
M.B. Loates, Markham, Ontario, 1981. 
232 pp, oblong folio (13 1/2" H x 16" D), hard cover (silver boards with embossed title block on front cover - no dust jacket. SIGNED ON TITLE PAGE: "ROGER BOULET". ISBN 0920892051 Profusely illustrated with reproductions of Walter J. Phillips' b eautiful watercolor paintings. Contents: Foreword; 1884-1913: Early Years / The Delicate Art of Watercolor; 1914-1924: Winnipeg; 1924 & 1925: Lake Muskoka - A Summer Idyll / England; 1926 & 1927: Winnipeg & Lake O'Hara / First Trip to the Wes t C o a s t; 1928-1940: Under Prairie Skies; 1940-1963: Middle Watercolors / A West Road / Later Watercolors / An Appreciation; Waterfalls; Complete Index to the Graphic Works. Soft wrinkles on bottom half of last two page leaves, book slightly co ck e d, m in or shelf soiling on bottom of text block. Very Good+ 
Price: 175.00 USD
 
 
THE RAILWAYS PAINTINGS OF DON BRECKON., Breckon, Don.  Introduction by Roger Malone.
15 Breckon, Don. Introduction by Roger Malone. THE RAILWAYS PAINTINGS OF DON BRECKON.
Greenwich Editions, London, 1995. 
80 pp, oblong 8vo (8 7/16" H x 10 1/2" D), hard cover in dust jacket. ISBN 0862880505 Profusely illustrated with colour reproductions, b&w drawings. "Admirers of Don Breckon's unerring blend of a faultless eye for detail and an irresistible nosta lgia for the era of steam will need no prompting to acquire and treasure this beautifully produced book. It is all here: the shapely majesty of the locomotives (with the emphasis on the Great Western, but with all the Big Four well repres e n t e d ) , s e t in landscapes of a 'classical Constable calmness'; the stations, accurate in every evocative period detail; the hidden rituals of the engine shed; the porters, signalmen and passengers who were privileged to play their part in t hi s gl or io us p a no ra ma. The artist himself has provided the commentary, and Roger Malone has written an introduction full of delightful revelations of the life and work of a painter who, he says, 'reminds us of what we are missing in a worl d t ha t h as dis mis sed c har act er and individuality in favour of streamlined efficiency'." Previous owner's small stamp on front pastedown. Dust jacket has very minor rubbing, small area of delamination at bottom edge of front panel. Very G ood+ /Ve ry G ood 
Price: 20.00 USD
 
 
THE IMPRESSIONIST AND THE CITY: PISSARRO'S SERIES PAINTINGS., Brettell, Richard R. and Pissarro, Joachim.  Edited by Mary Anne Stevens.
16 Brettell, Richard R. and Pissarro, Joachim. Edited by Mary Anne Stevens. THE IMPRESSIONIST AND THE CITY: PISSARRO'S SERIES PAINTINGS.
Museum of Art, Dallas, 1993. 
230 pp, 4to (11 5/16" H), hard cover in dust jacket and publisher's plain cardboard slipcase. ISBN 0300053509 Profusely illustrated with color reproductions. "In the final decade of his life Camille Pissarro abandoned his experimentation with Neo -Impressionist technique and developed new forms of pictorial expression that drew more on the Impressionism of his earlier career. During this period - from 1893 to 1903 - Pissarro, besides continuing to explore the landscape genre that had b e e n h is main subject-matter, also began to grapple with urban scenes, and his paintings of Paris, Rouen and the busy ports of Dieppe and Le Havre became an important component of his artistic output. At this time, Pissarro, like Monet, starte d to w or k o n canvas in series, often painting six or seven canvases simultaneously and discarding one temporarily when the light, the traffic, the weather or his mood altered. He started all of them at the scene, in the manner perfected by the I mpr ess ion is ts, and worked with extraordinary speed and deftness. By 1899, he was living part-time in Paris and, from his combined studio and living space, painted a series that included over forty views of the same motif. (The authors) beg in this bea utif ul book on Pissarro's cityscapes by setting the paintings in their broad art-historical context, tracing the tradition of the image of the city both within and prior to Impressionism and looking also at contemporary treatments of the urba n sce ne. (Th ey) e xamine the history of the representation of the city in the literature, poetry and philosophical writings of the nineteenth century and discuss Pissarro's knowledge of these alternative theories of the city. Using Piss arro 's ext ensive cor resp ondenc e from this period of his life, they describe the artist's attitudes towards his final works. The book also includes a catalogue of Pissarro's eleven urban series, each one introduced by an overview covering the histo ry of t he city scape pict ured an d the production, exhibition history, and early critical reception of the series. Full data of each painting follows." The catalogue of the 1993 exhibition. Slight waviness to fore-edge of text-block, min or rub bing on boards. Dust jacket has ver y minor edge wrinkling. Slipcase has slight browning at edges. Near Fine/Near Fine/Very Good+ 
Price: 45.00 USD
 
 
THE MANY WAYS OF WATER & COLOR.  WATERCOLOR / ACRYLIC / CASEIN / GOUACHE / INKS / MIXED TECHNIQUES., Brooks, Leonard.
17 Brooks, Leonard. THE MANY WAYS OF WATER & COLOR. WATERCOLOR / ACRYLIC / CASEIN / GOUACHE / INKS / MIXED TECHNIQUES.
North Light, Westport, Conn., 1979, second printing. 
143 pp, 4to (11 1/4" H), hard cover in dust jacket. ISBN 0891340106 Profusely illustrated with b&w and color reproductions, photographs. "Leonard Brooks makes a personal survey of his many years' experience in the world of water and color. He ex amines the fundamental uses of watercolor and wash and illustrates ways of using them as a sketching medium or for finished paintings. Numerous examples of the many ways of using aqueous media are shown including a set of experimental exer c i s e s t h a t will help the reader to find his own personal style of painting. Basic instruction in using the new acrylic pigments with demonstrations to show the numerous approaches to contemporary uses, figurative and abstract. Gouache, cas ei n an d in k s ar e also discussed. For the painter of watercolor or acrylics this book will provide a background and coverage presented by a master of the aqueous media...." Scattered tiny faint foxing marks on top edge of book. Dust jacket is pr ic e c li ppe d, h as ve ry light edge wear/wrinkling, soft crease and tiny tear at top of rear panel. Very Good/Very Good 
Price: 17.50 USD
 
 
18 Bruni, Stephen T. / Wyeth, Betsy James / Wolff, Theodore F. / Crosman, Christopher. Foreword: David Michaelis. Introduction: Susan C. Larsen. WONDROUS STRANGE: THE WYETH TRADITION - HOWARD PYLE, N.C. WYETH, ANDREW WYETH, JAMES WYETH.
Boston Bulfinch Press 1998 0821225375 / 9780821225370 First Edition Hard Cover Very Good+ Very Good- Howad Pyle, N.C. Wyeth, Andrew Wyeth, James Wyeth. 
168 pp, 4to (11 1/4" H). "Swashbuckling, romantic, mysterious, fantastical - all these words can be used to describe the art in this splendid book of 'wondrous strange' paintings by four great American artists. Conceived and entitled by Betsy James Wyeth, (it) focuses on an aspect of American realism that stems from the great turn-of-the-century illustrator Howard Pyle and continues in the work of his student N.C. Wyeth, N.C.'s son Andrew Wyeth, and his grandson Jamie Wyeth. The thread that links the four artists is an imaginative, often disquieting, dreamlike imagery - 'the incarnation of the fantastic in everyday reality'. The colourful paintings - thirty by each artist - are brimming with madness, mystery, high emotion, and drama. As Susan Larsen notes in the introduction, this book 'is full of literary flights of fancy, exotic adventures, spiritual journeys, romantic encounters, and children's fables played out on the stage of ordinary life'. Other insightful essays examine the relationships among Pyle and the Wyeths, suggesting how illustration and the fine arts intersect in their work. (This) is an enchanting collection of art by America's most famous family of artists." Small bump at bottom edge of front board. Dust jacket has come light edge wrinkling, light fading to spine and front hinge color. 
Price: 45.00 USD
 
 
FORCED MARCH TO FREEDOM:  AN ILLUSTRATED DIARY OF TWO FORCED MARCHES AND THE INTERVAL BETWEEN - JANUARY TO MAY, 1945., Buckham, Robert.
19 Buckham, Robert. FORCED MARCH TO FREEDOM: AN ILLUSTRATED DIARY OF TWO FORCED MARCHES AND THE INTERVAL BETWEEN - JANUARY TO MAY, 1945.
Stittsville, Ontario Canada's Wings 1984 0920002250 / 9780920002254 First Edition Hard Cover Very Good Very Good 
98 pp, 9 1/4" H. Pictorial endpapers, b&w drawings, maps. "Born and educated in Toronto, Robert Buckham was employed as a graphic artist in several studios in Toronto and as an art director in a Montreal advertising agency prior to enlisting in the RCAF. Twice rejected for aircrew because of his height (he is 6/4"), he was finally accepted for pilot training in May of 1941. He was posted overseas in early 1942 and eventually joined 428 Squadron, 6 Group, based in Dalton, Yorkshire, where he flew Wellington X bombers over Germany and German-occupied France. His aircraft was downed on April 8, 1943, on his tenth operational flight. He and his entire crew were captured. Imprisoned in Stalag Luft 3, Sagan, Germany, (he) recorded the scene in small drawings and paintings, which were eventually rolled and carried on two forced marches in a tube created from soldered Klimcans. The forced marches brought (him) to Stalag 8B, Lubeck, where he was finally liberated." Tiny bump at top of spine. Dust jacket has light edge wrinkling - mainly at top of spine, minor rubbing. 
Price: 35.00 USD
 
 
THE MAGICAL ARTS: A SHORT HISTORY, Burland, C. A.
20 Burland, C. A. THE MAGICAL ARTS: A SHORT HISTORY
London Arthur Barker 1966 First Edition Hard Cover Very Good Good+ 
196 pp, 8vo (8 11/16" H). B&w illustrations. "From the earliest time man has been fascinated by visions and dreams, and by the discovery that there were men who could, by magical powers, improve a crop or foretell the weather. As civilization grew there were demands for knowledge which would give control over other men or protection from the wiles of enemies. The study of magic and counter magic became important in the policy of states. Later magic was denounced as a work of the Devil, and then the Devil himself was demoted to become a laughing stock. Yet even nowadays there exist in the most advanced nations societies devoted to magical practices, who deal in strange rituals, and promote the interests of their membership against all enemies. A careful study shows that there is a good deal of scientific knowledge involved in the vast and complex network of 'magical' practice today. This book sets out to show some of the main lines of influence which have led to the present traditions. It treats the subject as if if were a tapestry of many strands each of which has a line of origin from which it traverses like a weft thread on the warp of universal psychological experience. This book is a short history of a complex development. It is planned as a groundwork from which the interested reader can advance to further detailed studies." Light wrinkling at bottom of spine, small slight bump at top corner of both boards. Dust jacket has light to moderate edge wear, a few small closed tears, jacket has been laminated for protection and to prevent further deterioration over the center portion (panels, spine and flap-folds). 
Price: 32.50 USD
 
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