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THE PAINTED VALLEY: ARTISTS ALONG ALBERTA'S BOW RIVER, 1845-2000., Armstrong, Christopher and Nelles, H.V.
1 Armstrong, Christopher and Nelles, H.V. THE PAINTED VALLEY: ARTISTS ALONG ALBERTA'S BOW RIVER, 1845-2000.
University of Calgary Press, Calgary, 2007. 
160 pp, 4to (11" H), soft cover. ISBN 9781552382073 B&w photographs, b&w and colour reproductions. "With its dramatic landscapes and rugged beauty, Alberta's Bow River valley has inspired generations of artists. (This book) brings together a col lection of works by local and visiting artists from 1845 to 2000 that captures the many moods of the river from its source high in the Rocky Mountains down to the city of Calgary and eastward across the open prairie. (The authors) have select e d f r o m a number of Alberta museums and national collections which depict the Bow River and its valley, representing a broad array of historical periods, artistic styles, and points of view. From European topographers and military artists to p ai nt e rs c om missioned by the Canadian Pacific Railway, from the Group of Seven to modernists and abstractionists, these pictures of the Bow valley tell us much about changing attitudes towards nature and the environment as well as the evolution of an a rti sti c c ommunity in western Canada."Inside - clean and tight with no previous ownership marks. Exterior - light waviness to edges of text block, otherwise clean and bright. Very Good+ 
Price: 40.00 USD
2 Atget, Eugene, photographer. Text by Marcel Proust. Introduction by Arthur D. Trottenberg. PARIS DU TEMPS PERDU. PHOTOGRAPHIES D'EUGENE ATGET. TEXTES DE MARCEL PROUST.
Edita Lausanne / Bibliotheque des Arts, Paris, 1963, one of an edition of two thousand copies. 
213 pp, 4to (12" H), hard cover (deep red cloth with gold lettering on spine) - in dust jacket. Profusely illustrated with reproductions of Atget's evocative photographs of Paris, accompanied by excerpts from Proust's 'A la recherche du temps perdu '. FRENCH TEXT ONLY. Very light browning to edges of textblock - faint foxing mark on fore-edge, light shelf soiling on bottom of textblock, very light wear at corners, very light rubbing at top/bottom of spine and on bottom edge of board s . D u s t jacket has moderate browning - mainly at edges and on spine, a few light brown stains, a 1 1/2" closed tear at top of front hinge - archivally taped, several tiny chips and tears - archivally taped at top of spine, small chip and tear at b o tt om o f f ront flap-fold, several rub/soiling marks, light general soiling, very light edge wrinkling. Very Good/Good 
Price: 250.00 USD
3 Block, Francesca Lia. Cover art by Suza Scalora. THE ROSE AND THE BEAST: FAIRY TALES RETOLD. (SNOW / TINY / GLASS / CHARM / WOLF / ROSE / BONES / BEAST / ICE)
Joanna Cotler / HarperCollins, New York, 2000, 2nd printing. 
229 pp,7 1/4" H, hard cover in dust jacket. ISBN 0060281294 "With language that is both lyrical and distinctly her own, Francesca Lia Block turns nine fairy tales inside out. Escaping the poisoned apple, Snow frees herself from possession to find the truth of love in an unexpected place. - A club girl from L.A., awakening from a long sleep to the memories of her past, finally finds release from its curse. - And Beauty learns that Beasts can understand more than men. - Within these s i n g u l a r , timeless landscapes, the brutal and the magical collide, and the heroine triumphs because of the strength she finds in a pen, a paintbrush, a lover, a friend, a mother, and finally, in herself." Minor wrinkle at top/bottom of spine . D us t ja ck et h as very minor edge wrinkling. Very Good+/Very Good+ 
Price: 10.00 USD
THE CANADIAN EARTH:  LANDSCAPE PAININGS BY THE GROUP OF SEVEN., Boulet, Roger.  Biographies by Paul Duval.  Foreword by A.J. Casson.
4 Boulet, Roger. Biographies by Paul Duval. Foreword by A.J. Casson. THE CANADIAN EARTH: LANDSCAPE PAININGS BY THE GROUP OF SEVEN.
Cerebrus/Prentice-Hall, n.p., (1982). 
227 pp, oblong 4to (10 3/4" H x 13 1/2" C x 1 1/4" W), hard cover in dust jacket. Beautifully and profusely illustrated in full colour with full page reproductions. "...a story of the landscape paintings of Tom Thomson and those painters who banded together as the Group of Seven. In a succinct and readable essay, author Roger H. Boulet follows the trails these artists blazed on their sketching trips. Theirs was a quest for the rediscovery of their own country...Most of the paintings selected for this volume have been held in both private collections and major public galleries. The majority, however, have never been reproduced before..." Dust jacket has light to moderate edge wear, very light edge wrinkling, light rubbing, tiny tear with crease at top of rear hinge area, an 8" line of tiny faint dents across front panel. VG+/G+ 
Price: 90.00 USD
THE RAILWAYS PAINTINGS OF DON BRECKON., Breckon, Don.  Introduction by Roger Malone.
5 Breckon, Don. Introduction by Roger Malone. THE RAILWAYS PAINTINGS OF DON BRECKON.
Greenwich Editions, London, 1995. 
80 pp, oblong 8vo (8 7/16" H x 10 1/2" D), hard cover in dust jacket. ISBN 0862880505 Profusely illustrated with colour reproductions, b&w drawings. "Admirers of Don Breckon's unerring blend of a faultless eye for detail and an irresistible nosta lgia for the era of steam will need no prompting to acquire and treasure this beautifully produced book. It is all here: the shapely majesty of the locomotives (with the emphasis on the Great Western, but with all the Big Four well repres e n t e d ) , s e t in landscapes of a 'classical Constable calmness'; the stations, accurate in every evocative period detail; the hidden rituals of the engine shed; the porters, signalmen and passengers who were privileged to play their part in t hi s gl or io us p a no ra ma. The artist himself has provided the commentary, and Roger Malone has written an introduction full of delightful revelations of the life and work of a painter who, he says, 'reminds us of what we are missing in a worl d t ha t h as dis mis sed c har act er and individuality in favour of streamlined efficiency'." Previous owner's small stamp on front pastedown. Dust jacket has very minor rubbing, small area of delamination at bottom edge of front panel. Very G ood+ /Ve ry G ood 
Price: 20.00 USD
Editions la palette, Montreal, 1987. 
237 pp, 4to (12" H), hard cover in dust jacket. ISBN 2980106003 B&w and colour illustrations. Bilingual text (French/English). Showcases the work of 52 Quebec artists, giving brief biographies. Francesco Alberti, Gilles Archambault, Leonard Bas que, Andre Bertounesque, Normand Boisvert, Yvette Boulanger, J. Marcel Bourbonnais, Patricia Bourque, Serge Brunoni, Albert Buscio, Christian Deberdt, Littorio Del Signore, John Der, Maurice Domingue, Robert Dupont, Lucie Fournier, Helmut G e r t h , J o s eph Giunta, Francine Gravel, Monique Harvey, Richard Hetu, Vladimir Horik, Normand Hudon, Lise Jourdenais, Louise Kirouac, Pierre Labrecque, Claude Langevin, Michel Lapensee, P. Tex Lecor, Michel Leroux, Douglas Manning, Monique Mer ci er , Pa tr i ck M un eret, Pauline Paquin, Francoise Pascals, Claude Picher, Jacques Poirier, Marcel H. Poirier, Gaston Rebry, Philippe Richard, Alan Richardson, Gilles Seguin, Benoit Simard, Solange St-Pierre, Armand Tatossian, Claude Theberge, Ti bor K . T hom as , L oui s T remblay, Pierrette Trudel, Pierre Turgeon, Mario Verdon. Very light wrinkling at bottom of spine, very minor wear at top/bottom of spine and at corners. Dust jacket has very minor wear at bottom of front panel, mi nor wrin kli ng a t bo tto m of spi ne, very light rubbing, two shallow dints on front hinge. Near Fine/Very Good+ 
Price: 75.00 USD
7 Bruni, Stephen T. / Wyeth, Betsy James / Wolff, Theodore F. / Crosman, Christopher. Foreword: David Michaelis. Introduction: Susan C. Larsen. WONDROUS STRANGE: THE WYETH TRADITION - HOWARD PYLE, N.C. WYETH, ANDREW WYETH, JAMES WYETH.
Boston Bulfinch Press 1998 0821225375 / 9780821225370 First Edition Hard Cover Very Good+ Very Good- Howad Pyle, N.C. Wyeth, Andrew Wyeth, James Wyeth. 
168 pp, 4to (11 1/4" H). "Swashbuckling, romantic, mysterious, fantastical - all these words can be used to describe the art in this splendid book of 'wondrous strange' paintings by four great American artists. Conceived and entitled by Betsy James Wyeth, (it) focuses on an aspect of American realism that stems from the great turn-of-the-century illustrator Howard Pyle and continues in the work of his student N.C. Wyeth, N.C.'s son Andrew Wyeth, and his grandson Jamie Wyeth. The thread that links the four artists is an imaginative, often disquieting, dreamlike imagery - 'the incarnation of the fantastic in everyday reality'. The colourful paintings - thirty by each artist - are brimming with madness, mystery, high emotion, and drama. As Susan Larsen notes in the introduction, this book 'is full of literary flights of fancy, exotic adventures, spiritual journeys, romantic encounters, and children's fables played out on the stage of ordinary life'. Other insightful essays examine the relationships among Pyle and the Wyeths, suggesting how illustration and the fine arts intersect in their work. (This) is an enchanting collection of art by America's most famous family of artists." Small bump at bottom edge of front board. Dust jacket has come light edge wrinkling, light fading to spine and front hinge color. 
Price: 45.00 USD
Toronto Ryerson Press 1936 First Edition Soft Cover Very Good James Wilson Morrice. 
187 pp, 8 3/4" H. B&w tissue-covered photograph frontispiece, b&w plates, 1 colour plate. A biography of the Canadian artist, James Wilson Morrice (1865-1924), detailing his nomadic life spent in Europe, North Africa, the West Indies and Canada, his work, associations and friendships (including Henri Matisse and Somerset Maugham). Includes a "Catalogue Raisonne" (divided geographically) and a "General Index". Interior - a very soft bump to top corner of text block, otherwise clean and tight with no other ownership marks. Exterior - minor edge wear, very soft crease at top corner of covers, light soiling on covers, a faint 2" line indention on front cover. 
Price: 65.00 USD
9 Castle, John. WELLINGTON.
A.H. and A.W. Reed, Wellington, 1969. 
32 pp, 9 5/8" H, hard cover in dust jacket. B&w and color illustrations. "As John Castle's thoughful, entertaining text makes clear, Wellington is a city dominated and shaped by its environment. Its streets, its commercial centre, its residential areas, all have had to come to terms with the realities of wind and sea and hill. It is a city of contrasts, a city whose character is difficult to catch with brush or pen. But in this book, John Castle has succeeded triumphantly with b o t h . H i s paintings evoke almost every mood of this often mercurial city, and his text is an informative, often humorous, history. For the Wellington resident this book will bring a pleasing rediscovery of his native city; to the visitor it w il l be b o th a d e lightful introduction and a worthy memento of New Zealand's capital." Several small and tiny dints on bottom edge of boards and one on fore-edge of rear board, three small air bubbles under cloth on rear board, light foxing an d bro wni n g on top of b ook, minor browning and soiling. Dust jacket has light edge wear/wrinkling,small closed tear with creases, several tiny chips light rubbing, light browning. Very Good-/Good+ 
Price: 10.00 USD
WORKING THE LIGHT: A LANDSCAPE PHOTOGRAPHY MASTERCLASS., Cornish, Joe; Waite, Charlie; Ward, David.  Edited by Eddie Ephraums.
10 Cornish, Joe; Waite, Charlie; Ward, David. Edited by Eddie Ephraums. WORKING THE LIGHT: A LANDSCAPE PHOTOGRAPHY MASTERCLASS.
Argentum, London, 2008, 3rd printing. 
160 pp, small 4to (10 1/4" H), soft cover with self-flaps. ISBN 9781902538464 Profusely illustrated with colour photographs. "(O)ffers readers a unique chance to participate in a masterclass with three of Britain's leading practitioners and teach ers of landscape photography. Alongside a portfolio of their latest work, Charlie Waite, Joe Cornish and David Ward write about the genre for which they are best known: how they came to it, what inspires them, their current projects and the d i r e c t i ons in which they see their work developing - for example, what role might digital play for any of these lovers of film? Each of the three sections of the book explores the theme of 'working the light' - surely the most critical and cha ll en gi ng a sp ect of landscape photography - with Joe Cornish writing about Wild Places, Charlie Waite discussing Inhabited Landscapes and David Ward concentrating on Inner Landscaps. Each section also contains a Gallery Workshop in which the t rio cr iti que im age s submitted by clients of the renowned travel photography company Light & Land, offering the kind of constructive comment and positive advice that one would normally only expect to get in the field." Interior - clean and tig ht w ith no p revi ous owne rship marks. Exterior - minor edge wear and wrinkling. Very Good+ 
Price: 20.00 USD
Her Majesty's Stationery Office, London, 1982, first edition. 
100 pp, oblong 8vo (8 7/8" H x 11" D), hard cover (simulated brown leather with gold lettering on spine and gold border on front board) in dust jacket. ISBN 0115802274 B&w photographs. "Despite the primitive cameras and the cumbersome ancillary e quipment early photographers had to use, not to mention the formidable technical problems peculiar to photography in the tropics, much of what has survived of nineteenth-century photography in India is of an exceptionally high standard, compa r a b l e w ith the best of European photography of the same period. The dramatically varied landscapes, the contrasts of opulence and poverty, and the complexity of India's racial and cultural heritage were all potent stimuli to professional and am at eu r al i ke ....(The author) has selected a magnificent album of photographs (from the India Office Library and Records) illustrating people, places and events in such a way as to convey the quality of life in Victorian India. His authoritat ive te xt an d c ap tio ns trace the early progress of photography in the sub-continent and place the photographs, many published now for the first time, in their social and historical context." Several very small glue marks on front pastedown, mi nor wavi nes s t o ed ges of text block. Dust jacket has been price-clipped, very light edge wrinkling, two tiny edge tears with crease, 4 light 2" line indentations on front panel. Very Good/Very Good 
Price: 30.00 USD
Ziff-Davis, Chicago, 1939. 
94 pp, 16mo (6 3/4" H), hard cover in dust jacket. One of the Ziff-Davis "Little Technical Library" series. "An introduction to color photography could not be written by a more capable man than Ivan Dmitri, for his masterful color pictures have ap peared regularly in many great magazines. In this volume, he tells you what you need to know to make good pictures on natural color film. There are very complete chapters on solving the typical problems of landscapes, family pictures, tra v e l s c e n e s, action and sports pictures, beach and snow scenes, home interiors, theater and night street scenes. Final chapters explain in simple fashion how color prints can be made at home." Minor browning to endpapers, slight browning to s pi ne an d ed ge s of boards, foxing marks on top of textblock. Dust jacket has light edge wear/wrinkling, sveral small closed tears and tiny chips, light to moderate soiling, slight darkening to spine, flap-folds and edges; light browning on i nsi de sur f ace . Ve ry Go od-/Good 
Price: 10.00 USD
Toronto Cerebus / Prentice-Hall 1980 0920892027 / 9780920892022 First Edition Hard Cover Very Good+ Very Good- A.J. Casson. Signed
285 pp, 13 1/2" H x 19" D. Signed by A.J. Casson on title page (signature only). Maroon cloth with blind-stamped 'CASSON' on fore edge of front board and gilt lettering on spine. In original publisher's corrugated cardboard box (white with maroon lettering). Profusely illustrated with colour and monotone reproduction, b&w photographs. "A.J. Casson is one of the most beloved of all Canadian artists. His works are sought after probably more than those of any other living native painter. As a member of the Group of Seven and in the many years since its dissolution, he has created a brilliant series of canvases celebrating our landscape in all its many moods and seasons. His works are treasured in every national public gallery collection, and in hundred of private collections. It is to bring together a magnificent cross-section from these collections that this volume has been designed. It includes representative major canvases, oil sketches and watercolours. The artist himself, has overseen the quality of every plate in this publication." A very heavy volume. which will require extra postage for destinations outside of Canada and the United States. Book has a slight lean, one page with three small very light soiling marks (not effecting any text), light toning to edges of text block. Dust jacket has a crease along the bottom front edge, several tiny or small edge tears and some light wrinkling - mostly at bottom edge, slight toning at edges. Box is complete and sound with some light edge wear and a piece of old tape on one edge. 
Price: 225.00 USD
PAUL NASH: THE MASTER OF THE IMAGE, 1889-1946., Eates, Margot.
14 Eates, Margot. PAUL NASH: THE MASTER OF THE IMAGE, 1889-1946.
John Murray, London, 1973. 
156 pp, 4to (11 1/2" H), hard cover in dust jacket. B&w and colour reproductions, b&w photographs. "Paul Nash was always a leading and often a controversial figure in modern English art. His complete integrity of vision, his sturdy individualism and his remarkable ability to evoke the indwelling spirit of his subject - a quiet woodland scene, a menacing prehistoric site, a strange 'objet trouve' or 'monster' bombers on the ground or in the air - set him somewhat apart from his contemporarie s. In its later phases his work was marked by a degree of intuitive vision which may well explain why he never adhered closely to any school or sought to found one himself. Despite this apparent isolation, or perhaps even because of it, his co n t r i bution to the art of the twentieth century was both vital and unique. No full scale study of his life and work has appeared for nearly twenty years and the Paul Nash Trustees felt that the time had come for a reappraisal of his achievement. Th ey a ccordingly invited Margot Eates, who had edited the 'Paul Nash Memorial Volume' and knew him well towards the end of his life to undertake this new, fully illustrated monograph. In it she traces Paul Nash's artistic development in relatio n to hi s b ackground and personality, and in a long appendix has attempted the difficult task of producing a workable chronology covering over one thousand of his recorded paintings and drawings." Slight musty odor to pages, small light dust mar k on b otto m of text block, a few tiny light marks on top of textblock, small heavy dent on front board - migrates lightly into first few pages. Dust jacket has light wrinkling on spine and parts of rear panel, small closed perforation on front p an el, l ight edge wrinkling at top edge, light wear/wrinkling with tiny tears/chips at top of hinges and flap-folds, rear panel color has light to moderate fading, slight browning and soiling. Very Good-/Very Good- 
Price: 75.00 USD
Toronto University of Toronto Press 1983 0802055842 / 9780802055842 First Edition Hard Cover Very Good George Heriot. 
310 pp, 9 1/2" H. B&w reproductions. "George Heriot (1759-1839), a Scot, is best known as a skilled landscape watercolourist and as the contentious deputy postmaster general of British North America from 1800 to 1816. He was also a travel writer and a poet. In this volume, a combination of biography and art history, Gerald Finaly presents, for the first time, a rounded picture of Heriot, revealing his motives and ideals while also illuminating the texture of life in Canada during the early years of settlement. In describing Heriot's several roles as artist, administrator, patriot, spy, Fnley presents a portrait of an eighteenth-century gentleman whose superficial desires were for an active public life but whose deeper yearnings were for a life of contemplation. This volume serves to recognize Heriot's artistic achievement and to accord him the place he deserves in the history of Canadian art and the country itself." Minor wrinkling at top of spine, three small faint stains on rear board. 
Price: 15.00 USD
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 5. EIGHTEENTH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE AUGUSTAN AGE.), Ford, Boris, ed.  Arthur Humphreys, Geoffrey Beard, Raymond O'Malley, David Mannings, Cinzia Maria Sicca, Pat Rogers, T.J. Edelstein, Sally Jeffery, Michael Symes, Nicholas Anderson, Bryan Little.
16 Ford, Boris, ed. Arthur Humphreys, Geoffrey Beard, Raymond O'Malley, David Mannings, Cinzia Maria Sicca, Pat Rogers, T.J. Edelstein, Sally Jeffery, Michael Symes, Nicholas Anderson, Bryan Little. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 5. EIGHTEENTH-CENTURY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE AUGUSTAN AGE.)
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
349 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Arts in Eighteenth-Century Britain; The Decorative and Useful Arts; Flowers in the Valley: Folk-Songs in Britain; The Visual Arts; Holkham Hall, Norfolk; Literature; Vauxhall Gardens; Architecture; 'The English Taste in Gardening'; Music; Augustan Bath; Further Reading and Reference; Index. Book is Fine. 
Price: 20.00 USD
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 6. THE ROMANTIC AGE IN BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: ROMANTICS TO EARLY VICTORIANS.), Ford, Boris, ed.  David Punter, Alexander Youngson, John Beer, Michael Rosenthal, John Harvey, Alexandra Wedgwood, H.C. Robbins Landon, Tom Williamson, Pat Kirkham, Christopher Gillie.
17 Ford, Boris, ed. David Punter, Alexander Youngson, John Beer, Michael Rosenthal, John Harvey, Alexandra Wedgwood, H.C. Robbins Landon, Tom Williamson, Pat Kirkham, Christopher Gillie. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 6. THE ROMANTIC AGE IN BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: ROMANTICS TO EARLY VICTORIANS.)
Cambridge Cambrige University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
330 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; Romantics to Early Victorians; Edinburgh: City of Reason and Nature; Literature; The Fine Arts; Graphic Satire and Illustration; Architecture; Music; The Athenaeum; Enclosure and the English Hedgerow; The Applied Arts: Design, Craft and Trade; Further Reading and Artists' Biographies; Index. Book is Fine. 
Price: 25.00 USD
London J.M. Dent & Sons 1939 First British Edition Hard Cover Very Good Fair Kathleen Shackleton, W.J. Phillips, R.H. Palenske, Nicholas de Grandmaison, Ernest Neumann, James Crockart. 
455 pp, 9 3/8" H. Brick-coloured cloth with gilt lettering on spine. Map endpapers, b&w photographs, maps, drawings, reproductions, plus 23 colour plates (collated), including 19 full-page portraits of 'types' (many in national costume) and 4 with two illustrations per page showing people, buildings and landscapes. "This is the first comprehensive account of the contributions made to Canadian history and culture by some twenty-five European races. The plan which the author has adopted is to trace the history of each racial group from its original home in Europe, accentuating those incidents that show relationships between such races in Europe previous to their coming to Canada. The history has been documented so far as possible with quotations from contemporary records. The text incorporates the words of the ballads recently broadcasted by the Canadian Broadcasting Corporation in the series of musical talks conducted by (the author)." Chapters cover United States, France, England, Scotland, Ireland, Wales, Germany, the Netherlands, Belgium, Scandinavia, Eastern Baltic, Poland, Ukraine, Czechoslovakia, the Balkans, Hungary, Russia, Italy, Spain, Portugal, the Hebrew, concluding with "Cement for the Canadian Mosaic". Small soft crease at top corner of pages 279 to304, small crease at top corner of illustration page opposite page 280, minor shelf soiling on bottom of text block & boards, light wrinkling at top/bottom of spine. Dust jacket has moderate edge wear/creasing, small tears with old tape on inside edges, light browning and foxing on spine, darkening to top edge, light soiling/rubbing. 
Price: 35.00 USD
Apogee, Burlington, Ontario, 2002. 
312 pp, + CD ROM in pouch at rear, 10" H, soft cover. ISBN 1896522580 B&w and colour photographs, b&w maps, drawings/diagrams. "The landing site selected for the crew of Apollo 16 was in the lunar highland area of Descartes. NASA chose to send J ohn Young to command the fifth lunar landing mission. Young had as much or more flight experience than any other member of the astronaut corps. He had circumnavigated the moon on Apollo 10 and he had flown two Gemini missions. Young would late r g o on to be the first commander of the Space Shuttle. The Descartes landing site was chosen because it appeared to be of volcanic origin. If it was, it might reveal secrets about the origins of the Earth. For three days, Young and Duke embark ed on their rover, away from the Lunar Module 'Orion', through rugged landscapes, in search of the origins of our world. Meanwhile Ken Mattingly shot hundreds of photographs and probed the moon's magnetic field from the Command Module 'Casper'. Bac k on earth the political climate was beginning to turn against NASA and the remarkable risks and exploits undertaken by the crew of Apollo 16 went almost unnoticed by the American people. The three intrepid explorers and their spacecraft harv este d a we alth of new data about the Earth-Moon system in an almost flawless performance of skill and bravado. Compiled here are many important documents about the mission including the complete debriefing in the crew's own words." Interior - cl ean a nd tigh t with no previous ownership marks. Exterior - very light edge wear, one soft corner crease on rear cover. Very Good 
Price: 30.00 USD
20 Grauerholz, Angela. APORIA: A BOOK OF LANDSCAPES.
Oakville, Ontario Oakville Galleries 1995 0921027559 / 9780921027553 Soft Cover Very Good Good 
Unpaginated, 8vo (8 1/2" H). Opaque printed mylar dust jacket. Profusely illustrated with b&w photographs. "This bookwork, produced by Oakville Galleries, represents the third and final version of a photographic work begun two years ago at the Domaine de Kerguehennec in Brittany, France, where it took the form of a work in situ: a 'fonds photographic' that was placed in the drawers of the castle's library to become a permanent installation. The work represents a monument to a fictional woman photographer who lived in the castle sometime in the late 19th century, and who wandered the park - especially the area around the lake - obsessively taking pictures of the landscape. Her mental health slowly deterioriated and eventually she killed herself. Her decline is illustrated in the photographs placed in the drawers in porfolio folders or boxes - ." Book is cocked, minor soiling marks on bottom of textblock. Dust jacket has a few small chips and creases, 2" tears at top of flap-folds, small soiling mark at top corner of front panel very light browning to spine/hinges. 
Price: 85.00 USD
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