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THE IMPRESSIONIST AND THE CITY: PISSARRO'S SERIES PAINTINGS., Brettell, Richard R. and Pissarro, Joachim.  Edited by Mary Anne Stevens.
1 Brettell, Richard R. and Pissarro, Joachim. Edited by Mary Anne Stevens. THE IMPRESSIONIST AND THE CITY: PISSARRO'S SERIES PAINTINGS.
Museum of Art, Dallas, 1993. 
230 pp, 4to (11 5/16" H), hard cover in dust jacket and publisher's plain cardboard slipcase. ISBN 0300053509 Profusely illustrated with color reproductions. "In the final decade of his life Camille Pissarro abandoned his experimentation with Neo -Impressionist technique and developed new forms of pictorial expression that drew more on the Impressionism of his earlier career. During this period - from 1893 to 1903 - Pissarro, besides continuing to explore the landscape genre that had b e e n h is main subject-matter, also began to grapple with urban scenes, and his paintings of Paris, Rouen and the busy ports of Dieppe and Le Havre became an important component of his artistic output. At this time, Pissarro, like Monet, starte d to w or k o n canvas in series, often painting six or seven canvases simultaneously and discarding one temporarily when the light, the traffic, the weather or his mood altered. He started all of them at the scene, in the manner perfected by the I mpr ess ion is ts, and worked with extraordinary speed and deftness. By 1899, he was living part-time in Paris and, from his combined studio and living space, painted a series that included over forty views of the same motif. (The authors) beg in this bea utif ul book on Pissarro's cityscapes by setting the paintings in their broad art-historical context, tracing the tradition of the image of the city both within and prior to Impressionism and looking also at contemporary treatments of the urba n sce ne. (Th ey) e xamine the history of the representation of the city in the literature, poetry and philosophical writings of the nineteenth century and discuss Pissarro's knowledge of these alternative theories of the city. Using Piss arro 's ext ensive cor resp ondenc e from this period of his life, they describe the artist's attitudes towards his final works. The book also includes a catalogue of Pissarro's eleven urban series, each one introduced by an overview covering the histo ry of t he city scape pict ured an d the production, exhibition history, and early critical reception of the series. Full data of each painting follows." The catalogue of the 1993 exhibition. Slight waviness to fore-edge of text-block, min or rub bing on boards. Dust jacket has ver y minor edge wrinkling. Slipcase has slight browning at edges. Near Fine/Near Fine/Very Good+ 
Price: 45.00 USD
J.W. MORRICE.  CANADIAN ARTISTS SERIES NO. 8., Dorais, Lucie.  Series editor, Dennis Reid.  (J.W. Morrice.)
2 Dorais, Lucie. Series editor, Dennis Reid. (J.W. Morrice.) J.W. MORRICE. CANADIAN ARTISTS SERIES NO. 8.
Ottawa National Gallery of Canada 1985 0888845251 / 9780888845252 First Edition Soft Cover Near Fine 
89 pp, large 8vo (9" H). Profusely illustrated with b&w and color plates. "Canada's finest post-Impressionist painter, James Wilson Morrice freed himself from a stern, Presbyterian upbringing in Montreal and spend most of his adult life in France. He also travelled extensively, and the resulting sketches and paintings of Canada, Italy, northern Africa, and the Caribbean bear witness to Matisse's description of him as a migrant bird in constant flight. Small in size, his exquisite canvases and panels are remarkable for their delicacy and subtle harmony of colour. (This series) discusses the life and works of significant Canadian artists and their contribution to art in Canada. Each book is written by an expert in the field of Canadian art history and comprises, with some exceptions, an essay, illustrations of selected works, a list of principal exhibitions, and a bibliography." Interior - clean and tight with no previous ownership marks. Exterior - small area of sticker glue residue on rear cover, otherwise clean and bright. 
Price: 15.00 USD
Toronto McClelland & Stewart 1990 0771029650 First Edition Hard Cover Very Good - Very Good 
166 pp, square 4to (11 3/4" H). "This beautiful volume, full of the light and colour that characterize most Impressionist art, is a thoroughly enjoyable guide to Canadian Impressionist painting from roughly 1885 to 1920. It brings together, for the first time in book form, the Canadian representatives of the world's most popular and accessible school of painting, offering a totally fresh look at a now-vanished society, and presenting a strong contrast to the isolated, unpopulated vision of the country usually portrayed by the Group of Seven - although members of that group are represented in their earlier, more intimate styles. 'Canadian Impressionism' conveys a vivid cross-section of the subject, including many paintings that have never before been reproduced. The work of neglected artists such as Helen McNicoll, Frank Armington, John S. Gordon, John Russell, and William Clapp is featured among the seventy full-colour plates, alongside the more familiar talents of J.W. Morrice, Paul Peel, Lawren Harris, Maurice Cullen, and A.Y. Jackson. (A) revelation and a delight, showing as it does a charming side of Canadian art that has not, until now, received the attention that it deserves." Light toning to edges of pages/text block, waviness to top/bottom edges of text block, several very small dents at bottom edge of boards, a few small shallow dents on fore-edge of boards, several very light stains on boards. Dust jacket has minor waviness at top/bottom edges, very light toning at top/bottom inside edges, sharp crease down rear hinge 
Price: 67.50 USD
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 8. EARLY TWENTIETH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE EDWARDIAN AGE AND THE INTER-WAR YEARS.), Ford, Boris, ed.  Wilfrid Mellers, Rupert Hildyard, Jacques Berthoud, Simon Pepper, Michael Kennedy, Richard Cork, John Beer, John Summerson, Neil Sinyard, Gillian Naylor, Frank Whitehead.
4 Ford, Boris, ed. Wilfrid Mellers, Rupert Hildyard, Jacques Berthoud, Simon Pepper, Michael Kennedy, Richard Cork, John Beer, John Summerson, Neil Sinyard, Gillian Naylor, Frank Whitehead. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 8. EARLY TWENTIETH-CENTURY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE EDWARDIAN AGE AND THE INTER-WAR YEARS.)
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
348 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Edwardian Age and the Inter-War Years; Literature and Drama; The Garden City; Music; The Visual Arts; The 'Civilization' of Bloomsbury; Architecture; Grierson and the Documentary Film; Design and Industry; John Laing's Sunnyfields Estate, Mill Hill; Further Reading and Artists' Biographies; Index. Book is Fine. 
Price: 25.00 USD
MORRICE:  A GREAT CANADIAN ARTIST REDISCOVERED., Laing, G. Blair.  Introduction by Jean Sutherland Boggs.
5 Laing, G. Blair. Introduction by Jean Sutherland Boggs. MORRICE: A GREAT CANADIAN ARTIST REDISCOVERED.
Toronto McClelland & Stewart 1984 0771045689 / 9780771045684 First Edition Hard Cover Very Good+ Very Good James Wilson Morrice. 
224 pp, 11 3/4" H. Profusely illustrated with colour reproductions. "James Wilson Morrice is one of the twentieth century's most talented and lyrical painters. Whether depicting a Quebec village in winter, a Paris cafe, or a North African market place, Morrice's vibrant colours and perfectly balanced compositions capture his subjects in a suspended timelessness. The story of (his) life is no less colourful than his paintings. The young James's passion for art took him in 1890, at the age of twenty-five, from his wealthy Montreal background to Paris. It was here, among other artists such as Matisse, and writers such as Somerset Maugham and Arnold Bennett, that he felt a true kinship. And it was not long before Morrice's paintings were seen in the great Salons of Paris, and sent to the Montreal Art Association and the Canadian Art Club in Toronto for exhibition. Laing's fascinating account reveals the complexity of Morrice's genius and gives a definitive picture of James Wilson Morrice - the man, the artist, and his work." Slight waviness at top/bottom edges of text block. Dust jacket has light toning on spine, flap-folds and some edges; one small edge tear archivally taped; minor edge wrinkling. 
Price: 55.00 USD
Dundurn, Toronto, 1999, first printing. 
272 pp, 4to (12 3/4" H), hard cover in dust jacket. ISBN 1550023322 "This book is a survey of the richest, most controversial and perhaps most thoroughly confusing century in the whole history of the visual arts in Canada - the period from 1900 to the present. Mu rray shows how, beginning at the turn of the century, new directions in art emerged - starting with our early Modernists, among them Lauren Harris, Tom Thomson, and the Group of Seven. Today, Modernism has lost its dominance . A r t ists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses social and political events in combination with the cultural context: movements, ideas, attitudes, and styles; the imp or t an t gr oups in Canadian ar t, and major artists and their works. Fully documented, well-researched, and written with clarity and over three hundred illustrations in both colour and black-and-white, Murray's book is essential for understandin g C an a dia n art of (the twentieth) century. As an introduction, it is excellent in both its scope and intelligence." Light wrinkling at top of spine. Dust jacket has some very minor edge wrinkling. Near Fine/Near Fine 
Price: 50.00 USD
7 Silver, Kenneth E.; Parke-Taylor, Michael; Blondil, Nathalie; Kostenevich, Albert. Prefaces by Matthew Teitelbaum, Guy Cogeval, Mikhail Piotrovsky, Robert Kaszanits. VOYAGE INTO MYTH: FRENCH PAINTING FROM GAUGUIN TO MATISSE FROM THE HERMITAGE MUSEUM, RUSSIA.
Art Gallery of Ontario, Toronto, 2002. 
224 pp, 4to (11" H), soft cover with self-flaps. ISBN 1894243234 Profusely illustrated in colour and b&w. The catalogue of the exhibition. "This book demonstrates how two strains of influence - the resurgence of Classicsim and the impact of 'pri mitivism' on Western culture - provide links between Symbolism, Post-Impressionism, Fauvism and the birth of Modernism. Certain polarities generated by these two different strains - tradition versus innovation, Western versus non-Western c u l t u r e , t he timelessness of myth versus the experience of modern life - were driven by ideas that developed formalist parallels. This can be seen in the struggle between the figurative and abstract in art, and in the contrast between the pa st or al i dy ll a n d the contemporary landscape...." Contents: Prefaces; 'Invitation to the Voyage', poem by Charles Baudelaire; New Spirits and Sacred Springs: Modern Art in France at the Turn of the Century; The Myth of the Midi: Landscape a s E art hly Pa rad ise ; F in d e Siecle Nostalgia and Primitivism: Ancient Brother or New Man?; Sergei Shchukin and Ivan Morozov: Two Legendary Collectors; Maurice Denis and Pierre Bonnard: The Morozov Decorative Paintings in the Hermitage Collec tion ; Ca talo gue; Sel ecti ve B ibl iog raphy; Index of Artists; List of Illustrations; Picture Credits. Tiny tear/crease archivally taped at top edge of leaf 117/118, minor soiling on bottom of textblock. Very Good+ 
Price: 45.00 USD

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