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 - 12 items found in your search

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1 Aubrac, Lucie. Translated by Konrad Bieber with the assistance of Betsy Wing. Introduction by Margaret Collins Weitz. OUTWITTING THE GESTAPO.
University of Nebraska Press, Lincoln, 1993, book club edition. 
235 pp, 8vo (8 3/4" H), hard cover in dust jacket. B&w illustrations. "Lucie Aubrac was a young woman of Catholic and peasant background, teaching history in a Lyon's girls' school and newly married to Raymond, a Jewish engineer, when World War II broke out and divided France. Lucie and Raymond, living in the Vichy zone, soon joined the resistance movement that formed in opposition to the Nazis and their collaborators. 'We had the incredible good fortune', writes Lucie Aubrac, 'to l i v e a s ourselves - we did not have to adopt false identities or go into hiding - until the spring of 1943'. (This) is her harrowing account of the months of her most audacious participation in the Resistance: the months when, pregnant with her s ec on d c hi l d, she planned and took part in raids to free captive comrades - including her own husband, under Nazi death sentence - from the prisons of Klaus Barbie, the infamous 'Butcher of Lyon'." Very light wrinkling at top/bottom of spin e, tin y s pe ck on re ar board. Dust jacket has one tiny edge tear, light wear and wrinkling at top/bottom of spine and flap-folds, scattered tiny scuff marks, very light rubbing. Very Good/Good+ 
Price: 10.00 USD
Dundurn, Tornto, 1990, Ist edition. 
359 pp, large 8vo, hard cover in dust jacket. "These essays cover the main lines of Careless's career in Canadian scholarship. The first section concentrates on the earliest theme in his writing, George Brown and his times. The second centres on exploring various aspects of frontierism and metropolitanism in Canadian history. The third part deals with cities and regions focusing particularly on the West and nineteenth century Ontario. The final section picks up the threads of the other themes including 'limited identities in Canada' and multiculturalism." Previous owners blind stamp at bottom of title page, minor edgewear to boards, minor wrinkling top/bottom of spine. Dust jacket has minor edgewear/wrinkling/rubbing. VG+/VG+ 
Price: 12.00 USD
OUR MUTUAL FRIEND., Dickens, Charles.  Introduction by Iain Sinclair.
3 Dickens, Charles. Introduction by Iain Sinclair. OUR MUTUAL FRIEND.
London Folio Society 2005 Hard Cover Near Fine Marcus Stone. 
927 pp, 10 1/4" H. Quarter bound in deep maroon leather with maroon cloth sides, black leather title label with gilt lettering/border on spine. Gilt borders on front and rear boards, top edge gilt, integral maroon ribbon bookmark. Maroon endpapers and slipcase. B&w illustrations. "The text and illustrations of this edition reproduce those of the Nonesuch Dickens, published in 1938 by the Nonesuch Press - with minor emendations." Book has a very minor bump at bottom of front hinge area. Slipcase has minor rubbing, small bump at one front bottom corner. 
Price: 75.00 USD
FELIX HOLT, THE RADICAL., Eliot, George.  (Mary Anne Evans.)
4 Eliot, George. (Mary Anne Evans.) FELIX HOLT, THE RADICAL.
London Collins Clear-Type Press Full-Leather Very Good Harold Piffard. 
574 pp, 16mo (6 1/8" H), thin burgundy leather over card covers/spine - gold lettering and decoration on spine, top edge gilt - in slipcase. Burgundy endpapers, b&w illustrations, including frontispiece, decorated title page. Set in the English Midlands at the time of the First Reform Act of 1832, a story of politics, elections (and election tampering), hidden identities and romance. Very light browning to page margins and fore-edge and bottom of text block, very slight fading to spine colour, very light edge wear. Slipcase has light edge wear more at corners, a few small stains on bottom and back panels. 
Price: 20.00 USD
Smithsonian Institution Press, Washington, (1998), Ist printing. 
192 pp, 4to (11 1/4" H), hard cover in dust jacket. ISBN 1560987944 Profusely illustrated with b&w and color photos and drawings. "Among the Mande-speaking groups dispersed throughout much of West Africa, certain artists - including potters and l eatherworkers - form a spiritually powerful social class in which gender determines craft specialization. Ceramic water jars and cooking pots are made only by the wives and female relatives of blacksmiths. Leather objects such as knife shea t h s , a m ulet cases, and, more recently, western-style shoes and bags are produced by male leatherworkers. While these objects display features common to those of other West African groups, the manner in which they are produced has remained dis ti nc tl y M an de . Analyzing the work of Mande potters and leatherworkers, (the author) argues that studying craft technologies in addition to object styles is essential to reconstructing the art heritage of an ethnically complex region. Drawing on ar cha eo lo gic al and historical evidence as well as her field research in Mali, she shows how tools and practices such as potters' use of convex molds and leatherworkers' adherence to specific knife blade shapes serve to distinguish the good s ma de b y Ma nde ar tist s f rom those of neighboring groups. She also discusses the pride the potters take in their healing and spiritual knowledge, and the sense of difference between craftsmen who specialize exclusively in leatherworking and those who doubl e as bar ds an d mu sicians. Examining the roles of Mande leatherworkers and potters in the rise and fall of empires, the development of trans-Saharan trade networks, and the spread of Islam, Frank questions the 'one-tribe, one-st yle' i nterp retati ons t hat h ave do minat ed studies of West African art. Focusing on two traditions that have been little studied, (this book) explores the complex, shifting relationships among the identities of Mande craftspeople, the objects they cr eate, and the techn ologie s they use." Minor edge wear, minor wrinkling at top/bottom of spine, barcode label on rear paste-down. Dust jacket has minor edge wear, light edge wrinkling - mainly at top/bottom of spine and top of rear panel . very l ight r ubbing. Very G ood+/Ve ry Good 
Price: 30.00 USD
THE VICAR OF WAKEFIELD., Goldsmith, Oliver.
6 Goldsmith, Oliver. THE VICAR OF WAKEFIELD.
London Collins Clear-Type Press Full-Leather Very Good - 
315 pp, 16mo (6 2/16" H), thin burgundy leather over card covers/spine - gold lettering and decoration on spine, top edge gilt - in slipcase. Burgundy endpapers, b&w frontispiece. In this work by the 18th century Irish author, a wealthy vicar is ruined by his business associate and forced to take a position in a secluded village. The dastardly local squire attempts to seduce one of his daughters and causes financial hardship to the family, before getting his comeuppance at the hands of his own servant. The myserious Mr. Burchell marries another daughter, after revealing himself as the kindly Sir William Thornhill, family finances are restored and all is well with the world. Light wear at top of spine and at corners, minor wear at bottom of spine, small crease at bottom corner of title page, light toning to fore-edge and bottom of text block. Slipcase has moderate edge wear. 
Price: 20.00 USD
Teachers College Press, New York, 1971, second printing. 
112 pp, 7 3/16" H, soft cover. "The art of creativity in children's literature is evaluated according to a different set of criteria and standards from that applied to adult literature - namely, the writer's ability to show respect for the 'innate rights' of the child and to write with a sensitive feeling for the integrity of childhood. Like Coleridge, James E. Higgins defines art, in concepts 'beyond words', as the fusion of new identities through the extraordinary functions of the imaginat ion. Classically known fairy tales and books of mystical fancy appeal directly to the 'inner child', an aspect of childhood that grownups, teachers, and writers for children can get to know it they look through the child's looking glass wi t h o u t t h e adult's perception. In this discussion of children's literature, ranging from the works of W.H. Hudson and George MacDonald through 'The Hobbit' of J.R.R. Tolkien and 'The Little Prince' of Antoine de Saint-Exupery, Professor Higg in s co nt in u al ly e mphasizes the importance of things that are not seen as essential to the development of the child's spirit of security in today's educational society, which often tends to relinquish the concentration on things of wonder and fa it h f or mor e rel eva nt everyday identities." Interior - one page with two upper corner creases, otherwise clean and tight with no other ownership marks. Exterior - very light edge wear, a few very small scuffs, fading to spine color - lett erin g v ery leg ible , mino r so ili ng. Very Good- 
Price: 15.00 USD
Craftsman House, (Tortola, BVI, 1993). 
255 pp, 4to (12 3/16" H), hard cover in dust jacket. Color and b&w photographs, reproductions. ISBN 9768097302 "The identities of serious women artists have too often been omitted from historical accounts and their achievements have been misunderstood or undervalued. By comparison, their male counterparts have invariably been accorded most attention and given the status of innovators. (This book) is the first comprehensive study of the subject, and makes a significant contribution towards redressing the balance. In tracing the lives and careers of over eighty of these women, it shows that New Zealand women painters, sculptors and other art makers have achieved vital and significant imagery. In doing so, it brings fresh insights to the development of the visual arts in Aotearoa." Corner crease at bottom of page 143/144, light edge wear, slight waviness to edges of textblock. Dust jacket has very light edge wear/wrinkling. VG+/VG+ 
Price: 50.00 USD
MY SELVES., Lucas, Netley and Graham, Evelyn.  Foreword by Sir James Purves-Stewart.
9 Lucas, Netley and Graham, Evelyn. Foreword by Sir James Purves-Stewart. MY SELVES.
London Arthur Barron 1934 First Edition Hard Cover Good No Jacket 
355 pp, 8 3/4" H. Red cloth with gilt lettering/banding on spine. The autobiography of the self-proclaimed "Artistocrat of Crooks". Lucas was a con man who charmed his way through London high society in the early 20th century, using multiple false names and personas. This book was written after his release from prison, having been arrested for attempting to sell a bogus manuscript. He died in 1940. Contents: In the Beginning; Good-Bye to All That Mattered; The House Without Laughter; Purgatory to Paradise; Raffles in Real Life; The Eighth Wonder of the World; Borstal!; Yo! Ho! For the Spanish Main; From Gaol to Journalism; An Atlantic Flight; An American Tragedy; Payment in Full; Two Against the World; Second Canadian Tour; Authorship and Marriage; Give a Dog a Bad Name; New York Nightmare; The Birth of a Notion; From Borstal to Royal Palace; From Dock to Bench!; More Literary Laurels; Wine, Women and Writing; Making Literary History; The Pitcher Begins to Crack; The Marriott Comet; "Eveyln Graham" in Full Cry!; African Adventures; The End of "Evelyn Graham"; By the World Forgot. Bump at bottom corner of front board - migrates into the first few pages, light browning to edges of text block, very light rubbing and some faint color variation on boards, light fading to spine color, small ghost sticker mark at bottom of spine, wrinkling at top/bottom of spine, a few pages with a tiny corner crease, some splitting in paper at rear inside hinge - hinge holding well, two small light stains in top margin of page 39, dog-ear crease at top corner of page 197, light toning in margins of pages. 
Price: 30.00 USD
London Arkana 1987 1850630526 / 9781850630524 First Edition Soft Cover Very Good Chesca Potter. 
205 pp, small 8vo (7 3/4" H). B&w illustrations. "On one level (this) is a literary guide and deals with the mythological patterns which underlie the Mabinogion. On another, it is a deep exploration of the Western Mysteries as they emerge from the tales of the Four Branches, of Colhwch and Olwen and Taliesin. Within these stories lie the identities of two major figures of the native tradition: Mabon, the Wondrous Youth who is lost and found, and Modron, his mother, the Great Goddess herself. Here the initiatory pattern of Britain's inner guardians is revealed in the Succession of the Pendragons; the release of Mabon is affected with the help of the Totem Beasts, before the birth of time; while the cosmic harp of the Wondrous Youth ushers in the Aquarian Age. Drawing on this first exploration of the Mabinogion, the reader can trace for himself the archetypes and mythological themes from which these medieval stories, themselves descendants of proto-Celtic oral tradition, are derived." Interior - very light browning to pages, otherwise clean and tight with no previous ownership marks. Exterior - minor edge wear, soft crease at top part of front hinge, light browning to edges of text block, small soft corner crease on rear cover, spine flat and uncreased, ISBN label on rear cover. 
Price: 15.00 USD
11 Matthews, John. Foreword by Mildred Leake Day. GAWAIN: KNIGHT OF THE GODDESS. RESTORING AN ARCHETYPE.
Wellingborough Aquarian Press 1990 085030783X / 9780850307832 First Edition Hard Cover Very Good Very Good 
208 pp, 9 1/2" H. "Gawain was once the most important knight at Arthur's court, a shining example of all that was best in chivalry at the time. However, as the popularity of the Arthurian romances grew the character of Gawain diminished, leaving him represented as a villain rather than as Champion of the Goddess. How this transformation came about, and the reasons why, are explored here. In this deeply researched volume (Matthews) examines all the known texts relating to Gawain, beginning with early Celtic references and working through the Latin romances and the vivid stories of the Middle Ages, including the famous 'Morte d'Arthur' of Sir Thomas Malory. From these texts the author has rediscovered the original Gawain - a figure of great mythical, magical and historical importance. Gawain's many adventures and several identities are studied in detail, providing a completely fresh and exciting appraisal of the texts in question, and this works adds considerably to our understanding of the Arthurian cycle and Gawain's part in it. It also contains a thorough investigation of the actual site of the famous 'Green Chapel' and the first English translation of the fragmentary medieval text 'The Childhood of Gawain'." Minor wrinkle at top of spine, light browning to edges of text block - migrates into page margins, light remainder mark on bottom of text block, previous owner's bookplate on free front endpaper, very small printing ink stain in margin of page 169. Dust jacket is price-clipped, has some light wrinkling at top edge, very light rubbing and faint line indents on rear panel. 
Price: 15.00 USD
WHERE THERE'S A WILL..., Phillips, Edward.  Inscribed by author.  Dust jacket art by Tibor and Peter Kovalik.
12 Phillips, Edward. Inscribed by author. Dust jacket art by Tibor and Peter Kovalik. WHERE THERE'S A WILL...
McClelland and Stewart, Toronto, 1984, first edition. 
224 pp, 8vo (8 5/8" H), hard cover in dust jacket. INSCRIBED BY AUTHOR ON TITLE PAGE: "FOR ___ AND ____ ________ - WHO KNEW ME WHEN - MUCH LOVE - EDWARD O. PHILLIPS, APRIL 13/84. ISBN 0771069994 When an elderly man decides he needs a great deal o f money for a project to immortalize his name, he uses a power of attorney to "systematically liquidate his ailing mother's sizeable estate. The plan is foolproof, and Frank begins peddling his mother's diamonds, her Royal Doulton china, s i l v e r G e o rgian tea service, and her stocks and bonds for cash. But when an unforeseen event threatens the success of his grand swindle, Frank suddenly finds himself in the midst of a sinister plot of concealment and false identities. Surel y on e of f i ct io n' s most dastardly rogues, Frank's chameleon qualities and irresistible charm have always got him what he wants. But this time he lands in a fix which tries his cleverest schemes, and he soon finds himself besieged by a nosy a un t, a mor all y upr igh t s ister, a lusty ex-wife, and his Cousin Estelle, an aging operatic diva who pays an unexpected and ill-timed visit...." Book slightly cocked, light edge wear. Dust jacket has light to moderate edge wear - mainly at top /bo tto m of s pine a nd f lap- fold s including tiny chips/tears, light edge wrinkling. Very Good/Very Good- 
Price: 20.00 USD

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