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MOTHER GOOSE.  SEVENTY-SEVEN VERSES WITH PICTURES BY TASHA TUDOR., (Tudor, Tasha, illustrator.)
1 (Tudor, Tasha, illustrator.) MOTHER GOOSE. SEVENTY-SEVEN VERSES WITH PICTURES BY TASHA TUDOR.
New York Oxford University Press 1945 Fourth Printing Hard Cover Good Tasha Tudor. 
87 pp, small 8vo (7 1/2" H), blue cloth with gilt lettering on spine, gilt decoration on front board. Pictorial endpaper, beautifully illustrated throughout with Tasha Tudor's charming colour and b&w drawings. Contents include: Bye, baby, bunting; Ding, dong, bell; Georgey Porgey, pudding and pie; Heigh, diddle, diddle; Hickory, dickery, dock; Hot Cross Buns!; Humpty-Dumpty sat on a wall; Jack and Jill went up the hill; Jack Spratt could eat no fat; Lady bird, lady bird, fly away home; Little Bo-Peep has lost her sheep, London bridge is broken down; March winds and April showers; Mary, Mary, quite contrary; Old King Cole was a merry old soul; Pat-a-cake, pat-a-cake, baker's man!; Ride a cock horse; Ring-a-round-a roses; The Queen of Hearts; This little pig went to market; etc., etc. Very light browning to spine and edges of boards, light edge rubbing, tiny scuff on bottom edge of rear board, light browning on pastedowns, light toning to free endpapers, very small browning marks in gutter of title page, between pages 16 & 17 and between pages 86 & 87; a few soft handing creases at bottom corner of last few pages; slight color variation on rear board. 
Price: 20.00 USD
 
 
LUTYENS AND THE EDWARDIANS: AN ENGLISH ARCHITECT AND HIS CLIENTS., Brown, Jane.
2 Brown, Jane. LUTYENS AND THE EDWARDIANS: AN ENGLISH ARCHITECT AND HIS CLIENTS.
London Viking 1996 0670858714 / 9780670858712 First Edition Hard Cover Very Good+ Very Good- 
276 pp, large 8vo (9 7/8" H). "The great architect and his architecture are well known, but what about his patrons, his clients? Who were they? Why did they build? What did they pay for their buildings? From his earliest patrons, a stream of repressed gentlewomen of intelligence and means, through a galaxy of Edwardian heroes and villains, this book tells their stories. Some of them are famous, others unknown, except as Lutyen's clients: here are Herbert Jekyll, Jennie Churchill, J.M. Barrie, Hugh Lane, Victoria Sackville, lords, ladies, Souls, bankers, press barons, politicians, the beau monde of Edwardian England, as well as a schoolteacher who inherited a fortune and a prospering Bradford wool merchant. The complex networking of families and friends threads through the events and settings of Edwardian society, like a richly patterned embroidery. Everything of significance that Lutyens did had its roots in the Edwardian decade - and his clients turn out to be both the triumph and the tragedy of his career. (L)avishly illustrated with the human face of great architecture - sketches, drawings and photographs from family archives all over England." Light wrinkling at top/bottom of spine. Dust jacket has been price-clipped, slight browning to spine, edge wrinkling - mainly at top edge. 
Price: 35.00 USD
 
 
NURSERY RHYMES AND CHILDREN'S SONGS WITH MUSIC AND PICTURES., Chambers, H.A., pianoforte accompaniments arranged by.
3 Chambers, H.A., pianoforte accompaniments arranged by. NURSERY RHYMES AND CHILDREN'S SONGS WITH MUSIC AND PICTURES.
London News Chronicle Hard Cover Good+ "Baz" 
128 pp, 11" H. Red cloth with gilt lettering and blind stamped decoration on front board. Charming b&w illustrations by "Baz" throughout. No date, but Xmas inscription on front paste down is dated 1940. A collection of 85 nursery rhymes and children's songs with music notation, including: Baa, Baa Black Sheep; Dickory, Dickory Dock, Frog He Would A-Wooing Go; Georgie Porgie; Goosey, Goosey, Gander, Here We Come Gathering Nuts and May; Hey Diddle Diddle; Hot Cross Buns; I Had a Little Nut Tree; I Love Sixpence; Jack and Jill; Little Bo-Peep; Little Jack Horner; Little Miss Muffet; London Bridge; Mary Mary Quite Contrary; The Mulberry Bush; Oh, the Noble Duke of York; Old King Cole; Oranges and Lemons; O Where, O Where is My Little Dog Gone; Pop Goes the Weasel; Ride a Cock Horse; Simple Simon; Sing a Song of Sixpence; There was a Crooked Man; Three Blind Mice; To Market, to Market; Twinkle Twinkle Little Star; Early One Morning; Polly Oliver; Where the Bee Sucks, etc., etc. Light browming on free emdpapers, previous owner's name, a very small ink offset mark from Xmas inscription, and a few tiny foxing marks on front free endpaper; light wrinkling at top/bottom of spine; light edge wear; a few small edge dents; a few tiny scuffs on front board; crease/paper tear (glued) at top corner of front board - slight bump at other cormers; very small liquid mark on rear board. 
Price: 20.00 USD
 
 
FELICIA AND THE SANDMAN., Fezandie, Hector.  Illustrated by Victor Perard.
4 Fezandie, Hector. Illustrated by Victor Perard. FELICIA AND THE SANDMAN.
Thomas F. Kyle, New York, 1936, second edition. 
158 pp, 8vo (8 11/16" H), hard cover in dust jacket. B&w illustrations. "At the first snowfall of the winter Felicia, instad of playing with her new sled, is in bed with a cold. The unusual prescription of the sympathetic Doctor enables her to su mmon the Sandman whom she accompanies on a round of queer adventures. They make a 'big 'normous' snowball and a funny snow man who comes to life. The trio calls on many new old friends including Miss Muffet whom Felicia reconciles with h e r s p i d e r ; Humpty, whom she saves from the dire consequences of his rash acrobatics; Simon, who explains why he objects to being callled Simple, and the Old Woman who lives in Atchoo and who, with the aid of up-to-the-minute appliances, know s ex a ct ly w ha t to do with a large family. The frolic ends in Mother Goose's Lunch Room when, after many strange incidents, it is suddenly time to go home. And then....Well, when next the Doctor sees Felicia, she is allowed to go out. In th e vac an t l ot opp osi te sh e finds a 'big 'normous' snowball and a snow man. Sandy alone is missing." Light browning to pages, browning to endpapers, small faint erased pencil marks on front endpapers, small light liquid stain on free front en dp aper , t iny sta in o n fr ont pas tedown, one page with small corner crease, light browning/staining/foxing to edges of textblock, two tiny dints on front panel, small bump and small tear/scuff to bottom corner of front board, slight bump to bo tto m of spin e, l ight disc olora tion on t he rear board, light edge wear, light wrinkling at top/bottom of spine, minor soiling. Dust jacket has chips and tears - some with creases, heavy fading to spine color - lettering still very legible, l ight fadi ng to part s of front panel, ligh t to m oderate edge wear/wrinkling, light rubbing, minor soiling, 1 1/2" irregular shaped hole on rear panel at flap-fold. Good/Fair 
Price: 40.00 USD
 
 
THE CHILDREN OF THE SOULS:  A TRAGEDY OF THE FIRST WORLD WAR., MacKenzie, Jeanne.
5 MacKenzie, Jeanne. THE CHILDREN OF THE SOULS: A TRAGEDY OF THE FIRST WORLD WAR.
Chatto & Windus, London, 1986, first edition. 
276 pp, large 8vo (9 7/16" H), hard cover in dust jacket. ISBN 070112847X B&w photographs, maps, family trees. " 'It seems that our generation at Balliol is doomed', Patrick Shaw Stewart wrote to Lady Desborough from Gallipoli. 'If I live throug h this war I shall be almost without friends'. He was in fact the last to die of the close-knit, brilliantly clever and engagingly vivacious group that included Raymond Asquith, Julian and Billy Grenfell, Edward Horner, Charles Lister, Ego a n d Y v o Charteris. Children of the Souls, the bright collection of late Victorian aristocrats, these young men were brought up together at Eton and Oxford; with such friends as Winston Churchill, Edward Marsh, Duff Cooper, John Buchan, Diana Co op er an d Ru p ert Brooke, they were becoming part of the Edwardian elite, moving from one fashionable ball or country house party to the next, meeting politicians and poets and beginning careers in the City, in the law and public service. In thi s m ovi n g g ro up po rtrait, which is based on many unpublished letters, both to and about each other, Jeanne MacKenzie tells of a happy youth and blighted manhood which epitomises the epic tragedy of the twentieth century. It is a story of ruin ous roma nt icis m w hos e i m plications stretch far beyond the brief lives of this 'lost generation'." Light to moderate browning to pages, one or two pages with tiny foxing marks, moderate browning to edges of textblock, very light wrinkl i ng at top /bott om of sp ine, tin y te ar and crease at top edg of page 109 - archivally taped, tiny dint on bottom edge of rear board, tiny gold offset on rear board. Dust jacket is price clipped, has light edge wrinkling - mainly at top of sp in e and flap- folds. V ery Go od-/V ery G ood 
Price: 85.00 USD
 
 
6 Moore, Lucy. AMPHIBIOUS THING: THE LIFE OF LORD HERVEY.
London Viking 2000 067087986X / 9780670879861 First Edition Hard Cover Near Fine Very Good+ 
376 pp, large 8vo (9 7/16" H). Colour plates. "Lord Hervey was one of the most controversial figures of the Georgian age. The consummate courtier - strikingly handsome, elegant and witty - he was both the favourite of the Queen and right-hand man to Walpole. Painted by Hogarth, satirized by Fielding and Pope, and confidant of Lady Mary Wortley Montagu, Hervey counted among his friends and enemies some of the most brilliant men and women of the age. Yet for all his hard-won fame, there was a scandalous private side to Hervey. He was certainly a rake (rumour had it that he shared a mistress with the Prince of Wales), but such behaviour was quite normal among the eighteenth-century aristocracy. Less usual, however, was his ten-year affair with another man. From the outset, Hervey was fascinated by Stephen Fox. His engaging, delightfully witty letters reveal the depth of their passion for one another, and the lengths to which they were driven in order to escape detection. Finally, theirs became an 'open secret', one of many factors that was to contribute to Hervey's downfall. In this entertaining and wonderfully observed biography, Lucy Moore brings to life an entire age, with its shimmering artifice and its poisonous deceit, its highly wrought melodrama and its grand passions." Dust jacket has very light wrinkling at top of spine. 
Price: 17.50 USD
 
 
HEAVY WORDS LIGHTLY THROWN: THE REASON BEHIND THE RHYME., Roberts, Chris.
7 Roberts, Chris. HEAVY WORDS LIGHTLY THROWN: THE REASON BEHIND THE RHYME.
London Granta 2004 1862077657 / 9781862077652 Second Edition Hard Cover Near Fine Very Good+ 
176 pp, 9" H. B&w illustrations. "Was little Jack Horner a squatter? 'Baa, baa, Black Sheep' a bleat about taxation? What did Jack and Jill do on that hill? Who was Mary? And why was she contrary? This witty and ingenious book delves into the hidden meanings of the most innocuous-sounding nursery rhymes, revealing a seething subtext of sexual innuendo, religious hatred and political subversion. (It) provides a fascinating history lesson, teases out some alarming Freudian interpretations, and makes entertaining connections to contemporary political and popular culture." A few very tiny specks of faint glue residue on rear board. Dust jacket has 2' crease at bottom of rear hinge, very minor edge wear. 
Price: 15.00 USD
 
 
8 Seymour, Brenda Meredith, illustrated by. FIRST NURSERY RHYMES.
Lutterworth, n.p., n.d. 
40 pp, 24mo (5 1/4" H x 3 13/16" W), hard cover in dust jacket. Pictorial endpapers, charmingly illustrated throughout in color and b&w. "Nursery Rhymes are an endearing heritage of childhood. This selection of favourites has been exquisitely embellished by Brenda Meredith Seymour, making it one of the most attractive collections ever published." Contains: Monday's child is fair of face; Mary had a little lamb; Ride a cock-horse; Baa, baa, black sheep; Hickety, pickety, my black h e n ; S i n g a song of sixpence; There was an old woman who lived in a shoe; There was a crooked man; Little Bo-peep; Little Jack Horner; Little Miss Muffet; Mary, Mary quite contrary; Lavender's blue; I had a little nut tree; One, two, buckle my s ho e; Pu ss y ca t , pussy cat; Little Polly Flinders; Tea-time; The North Wind doth blow; Pat-a-cake, Pat-a-cake, baker's man; Hush-a-bye, baby. Very small shallow bump to bottom of boards, minor edge wear. Dust jacket has light edge wear/wrinkling - mainly along top edge, scattered light foxing marks to rear panel, spine and flap-folds, one tiny closed tear. VG+/VG- 
Price: 20.00 USD
 
 
9 Yolen, Jane. Musical arrangements by Adam Semple. JANE YOLEN'S MOTHER GOOSE SONGBOOK. (SONG BOOK)
Honesdale, Pennsylvania Caroline House / Boyds Mills Press 1992 1878093525 / 9781878093523 First Edition Hard Cover Very Good Very Good Rosekrans Hoffman. 
96 pp, oblong (9 1/4" H x 10 1/4" D). Colour illustrations and musical notation. Contains: This Little Pig; Bobby Shafto; Polly, Put the Kettle On; Aiken Drum; Froggie Went A-Courting; The Farmer's in the Dell; Fiddle-De-De; Goosey, Goosey, Gander; Here We Go 'Round the Mulberry Bush; Hey, Diddle, Diddle; Humpty Dumpty; I Love Little Pussy; Lady Bird, Lady Bird; Baa, Baa, Black Sheep; Georgy Porgy; Little Bo-Peep; Jack and Jill; Lavender's Blue; Lazy Mary; Cock-a-Doodle-Doo!; Little Boy Blue; Little Jack Horner; The Muffin Man; Little Tommy Tucker; Pussy Cat, Pussy Cat; Pop! Goes the Weasel; Ring Around a Rosy; Row, Row, Row Your Boat; Sing a Song of Sixpence; There Was a Crooked Man; London Bridge; Mary Had a Little Lamb; Michael Finnigan; The North Wind Doth Blow; Oats, Peas, Beans; Old King Cole; Seesaw, Marjorie Daw; My Dame Hath a Lame, Tame Crane; Oranges and Lemons; Pease Porridge Hot; Three Blind Mice; There Was a Man and He Was Mad; There Was an Old Woman; Tom, Tom, the Piper's Son; This Old Man; Who Killed Cock Robin?; Three Little Kittens; Twinkle, Twinkle, Little Star. A few small and tiny edge bumps to boards and corners. Dust jacket has very light edge wrtinkling, small bump at top of front flap fold. 
Price: 25.00 USD
 


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