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AN EXHIBITION OF PAINTINGS AND DRAWINGS BY VICTORIAN ARTISTS IN ENGLAND / EXPOSITION DE PEINTURES ET DE DESSINS PAR DES ARTISTES ANGLAIS DE L'EPOQUE VICTORIENNE., Comfort, Charles F., foreword.  Introduction By Allen Staley.
1 Comfort, Charles F., foreword. Introduction By Allen Staley. AN EXHIBITION OF PAINTINGS AND DRAWINGS BY VICTORIAN ARTISTS IN ENGLAND / EXPOSITION DE PEINTURES ET DE DESSINS PAR DES ARTISTES ANGLAIS DE L'EPOQUE VICTORIENNE.
Ottawa National Gallery of Canada 1965 First Edition Soft Cover Very Good 
103 pp, small 4to (10" H). Color and b&w reproductions. Bilingual text (English/French). Exhibition catalogue. "The reign of Victoria lasted from 1837 to 1901. The present exhibition attempts to give a balanced representation of the entire period. Howerever, a period of over sixty years in the rapidly changing world of the nineteenth century could hardly show anything approaching uniformity of style. Even the most cursory view of this exhibition should demonstrate that no one set of generalities is adequate to describe the variety of works created during the era, all of them 'Victorian'." Interior - clean and tight with no previous ownership marks. Exterior - light browning to edges of covers, minor edge wear, spine flat and uncreased. 
Price: 15.00 USD
 
 
THE INUIT PRINT / T'ESTAMPE INUIT., Goetz, Helga.  Foreword by William E. Taylor, Jr.
2 Goetz, Helga. Foreword by William E. Taylor, Jr. THE INUIT PRINT / T'ESTAMPE INUIT.
National Museum of Man, Ottawa, 1980, 2nd impression. 
267 pp, oblong large 8vo (9 3/8" H x 10 5/16" D), hard cover in dust jacket. ISBN 066050278X Profusely illustrated with b&w and colour reproductions. Bilingual text (English/French). "The 155 prints reproduced in this widely acclaimed catalogue, 12 of them in full colour, constitute a retrospective survey of the first twenty years of Inuit printmaking in the Canadian Arctic. Selected for exhibition internationally, the prints provide exciting insights into the traditions and belie f s o f a unique group of artists. Five widely scattered communities are represented - Cape Dorset (where James Houston introduced the Inuit to this form of expression in 1957 and guided their first experiments), Holman, Baker Lake, Pangnirtung, a nd Po vu n gn i tuk and other centres in Arctic Quebec. Each community's printmaking history, artists and stylistic techniques are comprehensively documented. The texts accompanying the prints explain the events that are depicted or elucidate the lo r e a nd my tho lo gy represented." Minor edge wear, minor soiling on bottom of text block. Dust jacket has light edge wear at corners and at top/bottom of spine, one very small closed tear, light fading to spine color, slight fading on fl ap-f olds a nd t op edg e of fl aps. Very Good+/Very Good- 
Price: 55.00 USD
 
 
JOURNEY THROUGH NEW ENGLAND: A GUIDE.  VOLUMES 1 - 12., Grant Bowden, Mrs.  (Mary Grant Bowden.).  Frank O. Spinney, Hugh Gourley, Perry T. Rathbone, Howard C. Holman, Carl Crossman, Katherine J. Schrader, Susan Wilson, John Wilmerding, Ernest S. Dodge, Sinclair H. Hitchings, Martha G. Fales, et al.
3 Grant Bowden, Mrs. (Mary Grant Bowden.). Frank O. Spinney, Hugh Gourley, Perry T. Rathbone, Howard C. Holman, Carl Crossman, Katherine J. Schrader, Susan Wilson, John Wilmerding, Ernest S. Dodge, Sinclair H. Hitchings, Martha G. Fales, et al. JOURNEY THROUGH NEW ENGLAND: A GUIDE. VOLUMES 1 - 12.
Boston, Massachusetts Mrs. Grant Bowden Soft Cover Very Good Inscribed By Author
12 volumes of "Journey Through New England: A Guide", dating from 1964 to 1975, each approx. 8 1/2" H and containing between 123 to 128 pages. The first volume is inscribed on the page titled "A Welcome": "For Clinton Toms / With every good wish - / Mary G. Bowden." B&w photographs, reproductions, advertisements for local businesses. Articles about local history, architecture, art, artists, antiques, towns & cities, museums, authors, etc., including Early American Silver / Mary Baker Eddy and Her Church / Winslow Homer at Prouts Neck / Monhegan Island / The Clipper Ship / Newburysport Illustrated / The Ship Building Town of Essex / Baking in a Brick Oven / Phillis Wheatly, America's First Black Poetess / Melville Comes to New Bedford / Benedict Arnold and the March to Quebec / Norman Rockwell - Noted Portraitist of America / Portland Glass / Emily Dickinson, Journey into Immortality / The Art of the Colonial Cabinet Maker / The Wreck of the Palatine, A Winter's Tale / Augustus Saint Gaudens and the Cornish Colony / Colonel John Stark and That Unlucky Affair at Bennington, etc., etc. Interiors - Vol 1 has a soft small crease at top corner of last four page leaves, light water stain at top inside edge of rear cover; vol 11 has a very small crease to fore-edge of pages 89 to 94; otherwise all volumes are clean and tight with no other ownership marks. Exteriors - Vol 1 has water stain at top 1" edge of rear cover, light soiling to rear cover, small areas of faint scuffing and some light toning on spine; vol 2 has light soiling on rear cover; vol 3 has some light rubbing and tiny scuff (last letter missing in 'A Guide') and wrinkling on spine, small price label on front cover; vol 6 has a small price label on front cover; vol 9 has a tiny light stain at top of front hinge; vol 10 has tiny bump to top of rear hinge; vol 12 has minor browning at top /bottom edges of covers; very minor edge wear to some volumes. 
Price: 100.00 USD
 
 
LEARNING NOT TO BE FIRST: THE LIFE OF CHRISTINA ROSSETTI., Jones, Kathleen.  (Christina Rossetti>)
4 Jones, Kathleen. (Christina Rossetti>) LEARNING NOT TO BE FIRST: THE LIFE OF CHRISTINA ROSSETTI.
St. Martin's Press, New York, 1992) Ist U.S. edition. 
252 pp., 8vo (8 1/2" H), hard cover in dust jacket. B&w photographs, reproductions. ISBN 0312070179 "(E)xamines Christina Rossetti's life alongside those of of other nineteenth-century women writers - notably Emily Bronte, Elizabeth Barrett Brown ing, and Emily Dickinson. (She) was the youngest of four children, born in England to Italian parents. Although she and her brother, Dante Gabriel, were known as the 'two storms', Christina's passionate nature was curbed in a way that her broth e r ' s was not, as she submitted to the social and religious pressures that lay so heavily on Victorian women. Like E.B.B., Christina suffered the tyranny of a loving family. Her sister Maria's influence was described as 'a species of police surv ei ll an ce', and Christina was always careful never to write anything that would hurt her mother. As her personal life became increasingly tragic, her output of religious poetry grew. Her desire for both poetic and moral excellence kept her conti nua lly in conflict, a struggle whose corrosive effects deeply affected her writing. (Her) deliberate self-effacement, Dante Gabriel's portrayal of her as the meek virgin, and William Rossetti's role as editor and interpreter of her work have gra dual ly b lott ed out the passionate, lively spirit who wrote with such simplicity and power. (The author's) fascinating work finally strips away the shadows of Christina's life to reveal her true self." Varying levels of sun fading to spine, top/ botto m edg es & top 1 1/2" of rear board; tiny printers ink mark in margin of pages 4 & 5. Dust jacket has very light edge wear - mainly at top/bottom of spine and flap-folds. Good/Very Good 
Price: 15.00 USD
 


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