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NICHOLAS HILLIARD., Auerbach, Erna.
1 Auerbach, Erna. NICHOLAS HILLIARD.
Boston Boston Book & Art Shop 1964 Hard Cover Very Good Good+ Nicholas Hilliard. 
352 pp, small 4to (10" H). Over 200 reproductions of Hilliard's work, mainly in b&w. "This is the first full-length monograph to be written on the life and work of Nicholas Hilliard who lived from 1547 to 1619. The first English-born painter to gain the status of an artist recognised by the English court, he was painter, limner, engraver and goldsmith to Queen Elizabeth I and later to James I, and is kown to have also painted portraits in oil, but it is difficult to attribute particular oil portraits to his hand. Hilliard's importance is not limited by his performance as a miniaturist, for the style of his miniatures had a major influence on the general trend of English painting, and dominated the manner of contemporary English portraiture, both life-size and miniature. (He) was equally eminent as a goldsmith and he practised this craft throughout his life. Much new biographical material has been found which establishes Hilliard as a great Elizabethan." Small bump to top corners of boards, minor browning to page edges. Dust jacket is moderately browned - mainly on inside surface, is price clipped, has light to moderate edge wear/wrinkling - mainly to top/bottom of spine and flap-folds. 
Price: 55.00 USD
 
 
BELGIUM AND LUXEMBOURG., Edwards, Tudor.
2 Edwards, Tudor. BELGIUM AND LUXEMBOURG.
London B.T. Batsford 1951 First Edition Hard Cover Very Good Very Good - 
128 pp, 8 3/4" H. Colour frontispiece, b&w photographs, 2 maps. "Belgium, Luxembourg and French Flanders are included in this survey of an area which is, intentionally, treated more as a cultural than a nationalistic entity. It is an area whose buildings, customs and people share a common quality that traverses national frontiers: a quality which appears equally in the Grandes Places of Antwerp, Malines and Brussels, in the canal-side architecture of Bruges and Ghent, and in the characteristic processions and fetes of Furnes, Echternach, Binche, Mons and Douai, to name only five of many." Soft corner crease on Preface page, minor winkling at bottom of spine. Dust jacket has light wrinkling at top/bottom of spine and flap-folds, light browning on spine and some edges - darker at top edge of flaps, 1" edge tear with soft crease at top of rear panel, protected in a mylar sleeve. 
Price: 20.00 USD
 
 
IN MY GRANDFATHER'S HOUSE., Poortvliet, Rien.  Calligraphy by Diane Lynch.
3 Poortvliet, Rien. Calligraphy by Diane Lynch. IN MY GRANDFATHER'S HOUSE.
Harry N. Abrams, New York, 1988, first American edition. 
240 pp, oblong (10 1/4" H x 12 1/8" D) hard cover in dust jacket. ISBN 0810911264 Beautifully illustrated in colour throughout. "(T)he fascinating saga, told with pen and brush, of a rural family in old Holland - the Poortvliets - going back ten generations to Cornelis Adriaensz, who died in 1649. Characteristically evocative, Poortvliet's work is remarkable in its ability to touch us. With equal skill he conveys the coziness of a comfortable house set in a bleak and brooding snowy landsc ape and the light-hearted revelry of a winter carnival. (This book) does not conjure up a romantic vision of the past - the Dutch countryside was not all tulips and windmills. There was hardship and hard work, like that of the young cowherd se e n h ere - an eight-year-old boy whose long and lonely day began at four o'clock in the morning and only ended when he returned home at six o'clock in the evening. We learn of the many Dutch families in the early days who endured the deaths of fi ve , t en , or more babies, and of their joy in those that survived. We even learn of such nocturnal annoyances as the families of noisy mice that shared the straw mattresses of the country folk. (The author's) colorful heritage, traced back to th e 1 60 0s , w hile it does not include rich and famous people, does include characters and stories to rival those of a soap opera in their intricacy and human interest. Those accounts are based on ancient documents such as birth and death certifica tes and ch urch records, some of which are reproduced. Exploring his own roots, Poortvliet captures the beauty in the faces and in the lives of the country people of Holland as he illuminates their odyssey into modern times." Light edge wear wit h a few tiny dint s on edges of boards, previous owner's signed bookplate on freont free endpaper, minor rubbing on boards. Dust jacket has small faint stain on inside of spine, slight yellowing to edges, very light wrinkling at top/bottom of spin e an d fl ap-fo lds, s light wear at bottom of spine, a few faint rub lines. Very Good/Very Good 
Price: 75.00 USD
 
 
NATIONAL GALLERY OF CANADA, OTTAWA, BULLETIN 26/1975.  A POLENBURGH IN THE NATIONAL GALLERY OF CANADA / THE MONUMENTAL STYLE OF FONTAINEBLEAU AND ITS CONSEQUENCES: ANTOINE CARON AND "THE SUBMISSION OF MILAN" / "CHRIST WITH SAINTS ALEXANDRA AND AGATH, Waddingham, Malcolm; Johnson, W. McAllister; Galvaris, George.
4 Waddingham, Malcolm; Johnson, W. McAllister; Galvaris, George. NATIONAL GALLERY OF CANADA, OTTAWA, BULLETIN 26/1975. A POLENBURGH IN THE NATIONAL GALLERY OF CANADA / THE MONUMENTAL STYLE OF FONTAINEBLEAU AND ITS CONSEQUENCES: ANTOINE CARON AND "THE SUBMISSION OF MILAN" / "CHRIST WITH SAINTS ALEXANDRA AND AGATH
National Gallery of Canada, Ottawa, 1975. 
40 pp, 10" H, soft cover (stapled in wraps). B&w illustrations. Contents: A Polenburgh in the National Gallery of Canada; The Monumental Style of Fontainebleau and its Consequences: Antoine Caron and "The Submission of Milan"; "Christ and Saints Alexander and Agatha": A Russian Icon in the National Gallery of Canada. The main text is in English with 'Resumes' in French, captions in English and French. Small gallery shop label on inside of front cover, light to moderate soiling, large corn er crease on rear cover, minor edge wear. Good+ 
Price: 20.00 USD
 


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