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DRAWINGS FROM LOMBARDY AND ADJACENT AREAS 1480-1620., Alfred Neumeyer, preface and introduction.  History of the collection by Janos Scholz.
1 Alfred Neumeyer, preface and introduction. History of the collection by Janos Scholz. DRAWINGS FROM LOMBARDY AND ADJACENT AREAS 1480-1620.
Los Angeles County Museum, Los Angeles, California, 1956. 
Unpaginated, 9" H, soft cover (stapled in wraps). B&w illustrations. The catalog of an exhibition, largely of works from the collection of Janos Scholz. Contents: Preface; Introduction; The History of the Collection of Lombard Drawings; Artists According to Geographical Location; Catalogue; Illustrations. Some corrections to the sizes of the drawings have been made in ink in the Catalogue section. Interior - clean and tight with no previous ownership marks. Exterior - small soft corner creases on rear cover, minor edge wear/wrinkling, minor rubbing, minor browning. Very Good 
Price: 15.00 USD
IMAGE OF SPAIN., Cleugh, James.
2 Cleugh, James. IMAGE OF SPAIN.
George G. Harrap, London, 1961, first edition. 
264 pp, 8vo (8 1/2" H), hard cover in dust jacket. Map endpapers, B&w photographs. "Besides giving a background to Spanish life as a whole (this book) pays particular attention to the geography, economics, principal industries, architecture, paint ing, sculpture, music, cooking, and science of Spain, and describes its government, law, and education. Bullfighting is scarcely touched upon. The history of Spain is traced from Roman times, and the author shows those developments which h a v e m o s t influenced Spanish life. There is also a short section on the Spanish-speaking peoples overseas...." Small heavy bump at bottom corner of rear board. Dust jacket has light edge wear/wrinkling, crease at bottom of rear flap-fold , v er y li g ht r ub bi ng, minor soiling, very small foxing mark on spine ad on rear flap. Very Good/Very Good- 
Price: 12.50 USD
ARCHITECTURE IN ENGLAND., Daniels, Jeffery.  Drawings by Leonora Ison.
3 Daniels, Jeffery. Drawings by Leonora Ison. ARCHITECTURE IN ENGLAND.
Weidenfeld & Nicolson (Educational), London, 1968. 
128 pp, large 8vo (9 1/4" H), hard cover in dust jacket. ISBN 298762102 B&w drawings, floor plans, elevations. "Illustrated with over 70 line drawings and plans, the text spans over 2,000 years of architecture in England. The account begins with a discussion of the villas, camps and roads of Roman Britain, and shows how this heritage slowly decayed, giving way to the Romanesque imported by the conquering Normans. The soaring Gothic of the middle ages yields in its turn to another E u r o p e a n influence, the Renaissance, which acquires its own English character. The Baroque, Pallandian and Neo-Classic movements are then analysed, and the survey is brought right up to date with the industrial and scientific revolutions of t he n in et ee nt h and twentieth centuries, and their effects on techniques and styles. Dominant architectural styles are fully defined and illustrated, and the many examples given will stimulate a study in depth by means of visits to churches, ho use s, cas tle s, mus eu ms and modern streets and office blocks. The special value of this book for the student of architecture is the care taken by the author to illustrate his text at every point, with examples drawn from every field of arch itec ture - eccl esia sti cal and secular, domestic and institutional." Dust jacket has been price-clipped, has one small closed tear, very light edge wear. Very Good+/Very Good 
Price: 15.00 USD
London B.T. Batsford 1951 First Edition Hard Cover Very Good Very Good - 
128 pp, 8 3/4" H. Colour frontispiece, b&w photographs, 2 maps. "Belgium, Luxembourg and French Flanders are included in this survey of an area which is, intentionally, treated more as a cultural than a nationalistic entity. It is an area whose buildings, customs and people share a common quality that traverses national frontiers: a quality which appears equally in the Grandes Places of Antwerp, Malines and Brussels, in the canal-side architecture of Bruges and Ghent, and in the characteristic processions and fetes of Furnes, Echternach, Binche, Mons and Douai, to name only five of many." Soft corner crease on Preface page, minor winkling at bottom of spine. Dust jacket has light wrinkling at top/bottom of spine and flap-folds, light browning on spine and some edges - darker at top edge of flaps, 1" edge tear with soft crease at top of rear panel, protected in a mylar sleeve. 
Price: 20.00 USD
THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN.  VOLUME 8. EARLY TWENTIETH-CENTURY BRITAIN.  (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE EDWARDIAN AGE AND THE INTER-WAR YEARS.), Ford, Boris, ed.  Wilfrid Mellers, Rupert Hildyard, Jacques Berthoud, Simon Pepper, Michael Kennedy, Richard Cork, John Beer, John Summerson, Neil Sinyard, Gillian Naylor, Frank Whitehead.
5 Ford, Boris, ed. Wilfrid Mellers, Rupert Hildyard, Jacques Berthoud, Simon Pepper, Michael Kennedy, Richard Cork, John Beer, John Summerson, Neil Sinyard, Gillian Naylor, Frank Whitehead. THE CAMBRIDGE CULTURAL HISTORY OF BRITAIN. VOLUME 8. EARLY TWENTIETH-CENTURY BRITAIN. (FIRST PUBLISHED AS THE CAMBRIDGE GUIDE TO THE ARTS IN BRITAIN: THE EDWARDIAN AGE AND THE INTER-WAR YEARS.)
Cambridge Cambridge University Press for The Folio Society 1995 Hard Cover Fine No Jacket - (as issued) 
348 pp, 10" H. Bound in full dark blue cloth with title and shield in gold on spine. B&w illustrations and colour plates. Contents: General Introduction; The Edwardian Age and the Inter-War Years; Literature and Drama; The Garden City; Music; The Visual Arts; The 'Civilization' of Bloomsbury; Architecture; Grierson and the Documentary Film; Design and Industry; John Laing's Sunnyfields Estate, Mill Hill; Further Reading and Artists' Biographies; Index. Book is Fine. 
Price: 25.00 USD
London Methuen 1955 First Edition Hard Cover Very Good Very Good- Jacket design by Philippe Jullian. 
254 pp, small 8vo (7 7/8" H). Map endpapers, b&w photographs. "With (Gedye) the reader is introduced to the wonders of Austria's natural beauties, her architectural treasures, her famous collections of pictures, her music and the character of her delightful inhabitants; and expert advice is given on where to swim, ski, fish or shoot, and on the choice of local dishes and wines. (At the time of writing - 1955) more than two-thirds of Austria is open to the western tourist, and in the Tyrol, Vorarlberg, Salzburg, Upper Austria, Carinthia and Styria he will find some of the most attractive scenery in Europe. Although Vienna is surrounded by the Russian zone, there is no difficulty in visiting it. In spite of the scars of battle, the splendours of the gothic and baroque churches, the medieval alleyways, and the picturesque suburbs of the lovely old city are almost unchanged." Minor edge wear, tiny foxing marks on top of text block, three tiny stains on fore-edge of text block, one tiny corner bump. Dust jacket has light browning - mainly on spine, edges and flap-folds, a few tiny foxing marks, a few tiny edge tears and one 1" edge tear - archivally taped. 
Price: 15.00 USD
7 Javellana, Rene; Zialcita, Fernando Nakpil; Reyes, Elizabeth V. FILIPINO STYLE.
Hong Kong Periplus 1997 962593233X / 9789625932330 Hard Cover Very Good Very Good Photogaphs by Luca Invernizzi Tettoni, Tara Sosrowardoyo and Emil Davocol. 
232 pp, 11 1/4" H. "(E)xtols the Philippines' design heritage and demonstrates how the traditions of yesteryear - through both native and colonial history - have evolved into the main strands of modern-day Filipino style. The text, written by authoritative anthropologists and art historians, traces Filipino style from its pre-Hispanic origins among the tribal and the natural; through the cosmopolitan influences of Spain, China and the Americas; and explores the most modern and varied examples of Filipino architecture today. The final chapter brings readers into the traditional 'ilustrado' homes of the past by illustrating the refinements of Filipino furniture. The (colour) photographs take the reader on a visual journey through the archipelago's diverse styles. Photographs of interiors and exteriors with details of selected heirlooms and furniture provide a broad view of Filipino style that is sure to inspire any reader to discover more about this fascinating country." Book is very slightly cocked, tiny bump on bottom edge of front board, bump at bottom of front hinge. Dust jacket has very light wrinkling at top/bottom of spine and flap-folds. 
Price: 40.00 USD
Toronto Oxford University Press 1994 0195406966 / 9780195406962 First Editions Hard Cover Near Fine 
Volume 1 - 478 pp. Volume 2 - pagination runs 479-933 pp. 2 volume set - 10" H. B&w photographs, reproductions, architectual drawings/floor plans. Volume 1 Contents: The First Buildings; New France; British and American Settlement on the Atlantic Coast; Classicism in Upper and Lower Canada; Building for Communications, Defence, and Commerce; The Return to the Past: The Victorian Revivals; Early Building on the Prairies; The Settlement of the West Coast; Notes; Bibliographies on the History of Canadian Architecture; Glossary; Index of Canadian Buildings; General Index. Volume 2 Contents: The Railway and the Opening of the West; Building the Young Dominion; Domestic Archi-tecture; Town Planning; The True North; Architecture Between the Wars; Modern Architecture and Beyond; Notes; Bibliographies on the History of Canadian Architecture; Glossary; Index of Canadian Buildings; General Index. May require extra postage is shipping outside Canada/U.S.A. Minor edge wear to boards. 
Price: 60.00 USD
BAROQUE IN ITALY., Lees-Milne, James.
9 Lees-Milne, James. BAROQUE IN ITALY.
B.T. Batsford, London, 1959, first edition. 
216 pp, large 8vo (9" H), hard cover in dust jacket. B&w photographs, reproductions, floor plans. "(Lees-Milne writes about) the development of building in Italy from the Mannerist period, that is, the later sixteenth century, to the emergence of Rococo in the early eighteenth century. (He) believes that Baroque in Italy was a religious manifestation, Latin, Catholic and primarily Roman and his book deals largely with ecclesiastical architecture in Rome itself. Piedmont was the next most i mportant influence in the style, and so, after introducting the colossal personalities of Bernini, Borromini and their disciples, he concentrates upon the work of Guarini, Juvara and their followers. But he is not conerned exclusively with ar c h i t e c ture; he discusses the Baroque style as it manifested itself in the work of the painters, such as Caravaggio and Pietro da Cortona and the sculptors, above all Bernini. In reading the book the reader has the grateful impression, not so mu ch o f be in g instructed, as of sharing in the author's own pleasures and discoveries, for Mr. Lees-Milne has a winning and persuasive style exceptional in a work of learning." Small label from bookstore on front pastedown, foxing marks on fro nt fre e e nd pap er, one small foxing mark on rear free endpaper, light wear at corners and top/bottom of spine. dust jacket has light edge wear wrinkling - mostly at top/bottom of spine and flap-folds, two small tears (with crease between) on re ar pane l, l igh t fo xing marks on flaps and on flap-folds. Very Good/Very Good- 
Price: 45.00 USD
B.T. Batsford, London, 1960, first edition. 
224 pp, large 8vo (9" H), hard cover in dust jacket. B&w photographs, reproductions, floor plans/elevations. "(S)tarting in the sixteenth century, author and reader begin their survey of Iberian Baroque with the Plateresque in Spain and the Manoel ine in Portugal, and continue it until, two hundred or so years later, they reach the High Baroque conclusion of Castile, Seville and Granada, and the Rococo decadence of eighteenth-century Portugal. On the way they will have examined some ar c h i t e c tural and sculptural masterpieces of astonishing quality and individuality: the palaces or houses of Mafra, Queluz and La Granja; Santiago da Compostela, the Escorial, the Cartuja of Coimbra; sculpture at Macarena, Alcobaca and Arouca; t he T ra ns pa ra nte of Toledo Cathedral, the convents of Bom Jesus, Tomar and Evora. - These, and many other churches, cathedrals, palaces and domestic buildings are illustrated in a collection of nearly 100 pictures which show, as unmistakably as Mr . L ees -Mi lne 's text, that Baroque, while it transcends frontiers, partakes as fully as any other style in regional and national characteristics." A few foxing marks on rear free endpaper, slight bump at top corner of both boards, two shallo w bu mps on f ore- edge of front board, light edge wear - mainly at corners and at top/bottom of spine, small bump at top of rear hinge/spine. Dust jacket has minor edge wear, light wear/wrinkling at top of spine and flap-folds, slight browning o n spi ne, sever al fo xing mark s on rear flap. Very Good-/Very Good- 
Price: 45.00 USD
BERNINI., Martinelli, Valentino, a cura di.
11 Martinelli, Valentino, a cura di. BERNINI.
Arnoldo Mondadori Editore, Italy, 1953. Very Good - Good 
186 pp, 12mo (7 3/16" H), hard cover in dust jacket. Profusely illustrated in b&w and color with photographs, reproductions. ITALIAN TEXT ONLY. Biblioteca Modern Mondadori CCCLII. "Il nome di Gian Lorezo Bernini chiama subito alla mente una ser ie di opere famose: sculture, monumenti e complessi architettonici che hanno dato a Roma nel Seicento un aspetto fastoso, aulico, barocco. Bernini e infatti uno dei creatori dello stile barocco, l'inventore d'una nuova visione delle arti f i g u r a t i v e , in cui pittura, scultura, architettura, rompendo le leggi armoniose della tradizione rinascimentale, si rinnovano per fondersi nei capolavori del maestro in una 'unita delle arti', che segna un punt d'arrivo della creativita uman a, u n ca pi to lo n uo vo della storia dell'arte non soltanto italiana ma europea...." Small bump to top corner of boards and bottom corner of front board, wrinkling at top/bottom of spine, light toning to edges of pages and endpapers. Dust jacket has a few tiny chips and small tears - archivally taped - mainly at top/bottom of spine and flap-folds, light browning on spine, some toning to flap-folds and front panel, minor soiling. 
Price: 20.00 USD
A PHOTOGRAPHIC GARDEN HISTORY., Phillips, Roger and Foy, Nicky.
12 Phillips, Roger and Foy, Nicky. A PHOTOGRAPHIC GARDEN HISTORY.
Macmillan, (London, 1995). 
320 pp, 4to (11 1/2" H), soft cover. Beautifully and profusely illustrated with full color photographs. "...a unique personal journey of discovery into the history of gardens and the great movements that have influenced that history. Featuring over 900 beautiful color shots specially taken for the book, the authors take examples from extant gardens to illustrate the representative features of particular garden styles and movements. Moving from the Western European tradition of gardening to Eastern techniques seen in China and Japan, the book covers a fascinating range of styles and periods and brings us right up to date with developments in the 20th century which have stressed the importance of wild plant conservation. The illustrations and text give an intimate portrait of a huge range of gardens: from the extravagant flourishes of the Italian Baroque to the contemplative landscapes of the Japanese tradition." Covers garden buildings, mazes, rockeries, parterres, water features, garden furnishings, topiary, borders, arbours, etc. Interior - clean and tight with no previous ownership marks. Exterior - light rubbing, small corner crease on front cover - migrates lightly into approx. page 25. VG 
Price: 50.00 USD
Michael Joseph / Royal Collection, London, 1996. 
144 pp, 4to (11 1/4" H), hard cover in dust jacket. ISBN 071814158X Profusely illustrated in colour and b&w. "Continuously used by British monarchs since the Middle Ages, Windsor Castle is an architectural epitome of the nation's history. Its sk yline of battlements, turrets and the great Round Tower is instantly recognizable throughout the world. In this book, which includes over 150 colour illustrations, architectural historian John Martin Robinson describes the history of this mo s t s p l e n did and significant of European royal palaces. From its beginnings as a Norman defensive fortification, medieval expansion converted the Castle into a vast Gothic palace, of which St George's Chapel is the principal surviving archite ct ur a l gl or y. Charles II reconstructed the Upper Ward, employing architect Hugh May and craftsmen such as Verrio and Grinling Gibbons to create new baroque state apartments. With subsequent remodelling by George IV and his architect Jeffry Wy atv ill e, t his wa s t r ansformed again into a truly magnificent palace that became the principal seat of the monarchy. In Queen Victoria's reign the social life of the Castle settled into a pattern which is familiar today. Windsor is the sett ing for roy al fami ly l ife, s tate visits of foreign monarchs and the annual celebration of the Order of the Garter, one of the oldest orders of Christian chivalry, and one with which the Castle is specially associated. This fascinating story of the Cas tle inc ludes the acqui sit ion by successive monarchs of its artistic treasures, such as the Old Master drawings and French decorative art, that now form an incomparable part of the Royal Collection." Small bump to top corner of both bo ards, bott om o f sp ine bu mped. Dust jac ket has wrinkling at top of flap-folds and at bottom of spine. Very Good/Very Good 
Price: 35.00 USD
Annapolis, Maryland Naval Institute Press 2005 1591442741 Hard Cover Very Good+ Very Good+ 
120 pp, oblong 8vo (8 1/2" H x 9 3/4" D). Profusely illustrated in colour and b&w with photographs and reproductions. "Here is a concise and comprehensive history of figureheads and ship carving from ancient Egypt to the present, with the main emphasis, however, on the great period of ship decoration that lasted from the late sixteenth century to the end of the age of sail. Since the earliest times there has been an almost universal urge to personify or decorate ships, but with the development of navies in the sixteenth and seventeenth centuries the projection of power became reflected in the riotous, allegorical baroque carvings that adorned prestige ships. Later carving, both in Europe and America, reflected more austere classical styles and spread to merchant ships whose owners took great pride in their vessels. There are chapters on the ship carvers themselves and their special skills and training, while the present -day collections of figureheads in museums around the world are listed. A useful reference work for ship modellers and a delight for those with an interest in the age of sail, this new work will also enlighten all those visitors to museums who admire the colourful and characterful figureheads, now sadly dislocated from the ships they once adorned." Very light wear at top/bottom of spine and at corners. Dust jacket has very minor edge wear/wrinkling. 
Price: 30.00 USD
BAROQUE SCULPTURE., Stech, V.V.  Translated by Roberta Finlayson Samsour.
15 Stech, V.V. Translated by Roberta Finlayson Samsour. BAROQUE SCULPTURE.
Spring Books, London, nd. 
195 pp, large square 8vo (9 1/2" H), hard cover in dust jacket. Profusely illustrated with b&w and colour plates. "One of the most fascinating periods in European art history, the Baroque marks a triumphant break with the rules and restrictive for mulas of the Renaissance. Its genius was Bernini, whose sustained imaginative powers and incredible technical skill brought the Baroque style to its fullest maturity. In lesser hands, where the mastery of technique was not so assured and the cr e a t ive imagination not so well disciplined, the pitfalls are all too obvious. No style perhaps has ever captured the imagination quite so quickly; throughout Europe commissions poured in, wealthy landowners and rich merchants vying with each oth er t o express their ambitions and achievements in building, painting and sculpture, in itself an interesting sidelight on social history. The Czech lands were no exception, and the variety and high level of achievement in the contemporary Baroque st yle a re amply illustrated by the plates in this present volume. The accompanying text supplies a full documentation of Czech sculpture of the period and discusses in detail a number of important artists whose work deserves to be more widely k nown ." Boa rds are slightly faded at edges, small store label on front pastedown, minor edge wear. Dust jacket has a few small closed tears, light edge wear/wrinkling - mainly at top/bottom of spine and flap-folds, some minor soiling on front pane l, mi nor bro wning on flap edges, protected in mylar sleeve. Very Good/Very Good 
Price: 30.00 USD
16 Stegmann, Hans, Dr. THE SCULPTURE OF THE WEST.
Dent, London, n.d. The Temple Primers series. 
162 pp, 16mo, hard cover with embossed front cover. Chapters: Greece; Roman Sculpture; The Christian Era to A.D.1000; The Early Middle Ages; The Later Middle Ages; The Italian Renaissance; Germany - Fifteenth to Nineteenth Century; France From the Close of the Fifteenth Century. Illus with b&w plates. Endpapers browning, light wear at top/bottom of spine/corners, darkening to edges of text block. VG 
Price: 20.00 USD
SICILY, SARDINIA AND CORSICA., Whelpton, Eric and Barbara.
17 Whelpton, Eric and Barbara. SICILY, SARDINIA AND CORSICA.
Robert Hale, London, 1960, first edition. 
192 pp, 8vo (8 3/4" H), hard cover in dust jacket. B&w photographs, maps. "Though the three large islands described in this highly entertaining book are situated in the same part of the Mediterranean, they are each amazingly different. In Sicily the immortal spirit of ancient Greece may be recaptured, just as well as in Hellas itself. But besides its temples and theatres, often on magic shores, there is the curious, dominating spell of Etna. The authors not only describe Palermo, the capi tal created by the Normans, Byzantines and Arabs, but Taormina, Syracuse and Agrigento, and the wonderful but little-know baroque cities, the Aeolian Islands, and Erice, the Eryx of the ancients. Except for Alghero and one or two resorts o f t h e N o r th-West, Sardinia remains practically unexplored by the British tourist. Yet it is a land of extraordinary fascination, whose ancient customs and traditions have been maintained more than anywhere else in Europe. And there are lite ra l ly h un d re ds o f miles of wonderful, deserted beaches and secluded little fishing ports. Corsica is only ten miles away to the north, but the scenery is on an even grander scale. The mountains rise to 10,000 feet, there are dense forests , d ee p v all eys o nly re ach ed on foot, and a coast picturesque beyond belief. And though the Corsicans talk an Italian dialect, the soil is French and the atmosphere accordingly gay, lively and distinctive. Of all three Eric and Barbara Whe lpto n w rite wit h th e k nowl edge , fa miliarity and zest which have made their books essential reading for the traveller, past, present and to come." Small creases at bottom corner of half-title page, a few tiny foxing marks on rear pastedown and o n fr ont i nside hing e, a few foxin g mar ks on top of textblock, small bump at top of spine, very small bump at bottom of spine. Dust jacket has very light edge wear, wrinkling and tiny chips at top/bottom of spine, light rubbing, scatter ed fox ing o n rear panel . Ver y Goo d-/Go od+ 
Price: 20.00 USD

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